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Anarchy Of The Mice by Jeff Bond Banner

Likability in Popular Fiction

Every writer starts out in publishing with blind sports, things they don’t realize or quite understand about the market. For me, this was likability. I knew in a general way that protagonists should be empathetic and interesting enough to entice readers into following them for 300-odd pages. In English classes as a student, I had crossed paths with a wide range of protagonists—quirky, headstrong, sometimes moral but often not. When I began writing books of my own, I knew I wanted to populate them with authentic, well-rounded characters who did the best they could given their circumstances. I had faith that if I portrayed them in a fair, unvarnished light, readers would respond positively.

Through my first few books, most have. But some haven’t, even if they liked other aspects of the story. What I misunderstood was just how singular likability is to many readers of popular fiction. They wanna LOVE their heroes. They wanna root for them through thick and thin, to cry with them, to pump their fist at triumphs, to reach through the page and grab their shirts when the bad guy’s hiding around the corner. They want raw, visceral attachment—and don’t much appreciate character traits that get in the way.

My third book, The Pinebox Vendetta, featured characters who were compromised across the board, locked into a generational political feud, or a rotten domestic situation, slogging through lives with no perfect choices. I wrote the book and, of the three protagonists, loved maybe one-and-a-half of them. I tested the book extensively with beta readers, and they loved the story, too, almost unreservedly.

When I released the book into the wild, though, there was a small but unmistakable group of readers who disliked everybody. I was surprised. The book had tested so well and in fact received top prize in the 2020 Independent Publisher Book Awards soon after its release, but still, some readers were feeling let down—that Pinebox didn’t give them a character to root for.

The problem, I think, was the difference between “popular fiction” and “English class.” How-To-Write-a-Bestseller guides may tell aspiring writers to make their heroes imperfect and give them flaws, but I’ve come to believe these flaws are bit like that job interview question, “What’s your biggest weakness?” The right answer isn’t “I get distracted easily” or “I can nurse a grudge too long.” You’re best off giving a non-weakness like “I just can’t pull myself away from work at the end of the day.” In popular fiction, whether romance or suspense, the author is safest giving their hero or heroine a trait or two that complicates their journey—a stubborn attachment to tradition, over-reliance on themselves—but doesn’t fundamentally diminish their likability.

English class books aren’t like this. Literary fiction isn’t like this. The Corrections by Jonathan Franzen is one of my all-time favorites, but scroll through its reviews and you’ll find a huge faction that finds all his characters loathsome and impossible to care about.

Thankfully, by the time I wrote the last few revisions of Anarchy of the Mice, I’d learned these lessons. I had three main characters: Molly McGill, a single mother and private investigator in the Stephanie Plum mold; Durwood Oak Jones, a West Virginian ex-marine and literary cousin to Jack Reacher; and Quaid Rafferty, the charming womanizer, half Robert Redford and half Fletch. (That movie reference is going to date me.) I knew they all needed to be likable; the Third Chance Enterprises series was going to be genre fiction all the way, whereas a couple of my earlier titles had a more “literary thriller” vibe. I took my best shot in the drafting phase, then enlisted a whole slew of beta readers drawn from a wider, less book-ish crowd than my Pinebox readers—different nationalities, political sensibilities, ages, genders, sexual orientations.

I always take whatever beta feedback I get seriously, but this go-round, I was laser focused on a single question: Do you like this trio?

Mostly, people did. I saw that I wouldn’t need wholesale changes, but certain aspects required attention. Durwood had a scene or two where he was too unfeeling. Molly struck some as too domestic, and I had to clip out a few lighter home episodes to keep her on an equal footing with the guys. This is always a difficult balance for me because, being the primary parent of 8- and 10-year-old girls myself, I could write home scenes all day and never run out of material.

The greatest challenge, though, would be Quaid. Quaid Rafferty boasts a long history of romantic liaisons with exotic accomplices. His former life as governor of Massachusetts ended with his impeachment after a pair of call girl scandals, the truth of which remains ambiguous to the reader in Anarchy. This was going to make him a hard sell, particularly in the #meToo era. (My first draft predated the movement.) I definitely wanted the womanizing and for Quaid to be a moral relativist, creating a sharp contrast with righteous Durwood. Readers of this first effort said things like, “Molly could do better” and “Quaid’s sort of a jerk.”

Could I resuscitate him?

I thought I could. Well, I hoped. Readers only see what an author shows them of a character. I have one writer friend who recently complained that an editor didn’t like how his male protagonist checked a women out every time she walked into his shop. “But he’s a guy, that’s what guys do,” my friend said.

Maybe. Guys also go to the bathroom, scratch themselves, and sleep seven hours a day—but authors don’t go around portraying those realities on the page. With Quaid, I felt like I could shine a brighter light on his positive traits—a fervent optimism and belief in himself and others, a commitment to progressive charities (sorry, Republicans: Durwood’s your man), and a genuine conversational interest in everybody he meets. I revised the whole manuscript with these qualities in mind, while at the same time nixing a few of his going-to-the-bathroom and/or scratching-himself scenes.

The next round of betas saw Quaid differently. One fresh reader proclaimed him her favorite character, and another said I’d “nailed that whole lovable jerk thing.” (She used a different word than “jerk.”) This process may sound manipulative or cynical, but it’s only the natural work of revision. I’ve always loved Quaid in my imagination, the same as I’d loved Molly and Durwood. It just took some doing to tease that Quaid out of my head and onto the page.

Anarchy of the Mice

by Jeff Bond

on Tour July 1 – August 31, 2020

 

Synopsis:

Anarchy of the Mice by Jeff Bond

From Jeff Bond, author of Blackquest 40 and The Pinebox Vendetta, comes Anarchy of the Mice, book one in an epic new series starring Quaid Rafferty, Durwood Oak Jones, and Molly McGill: the trio of freelance operatives known collectively as Third Chance Enterprises.

How far could society fall without data? Account balances, property lines, government ID records — if it all vanished, if everyone’s scorecard reset to zero, how might the world look?

The Blind Mice are going to show us.

Molly McGill is fighting it. Her teenage son has come downstairs in a T-shirt from these “hacktivists” dominating the news. Her daughter’s bus is canceled — too many stoplights out — and school is in the opposite direction of the temp job she’s supposed to be starting this morning. She is twice-divorced; her P.I. business, McGill Investigators, is on the rocks; what kind of life is this for a woman a mere twelve credit-hours shy of her PhD?

Then the doorbell rings.

It’s Quaid Rafferty, the charming — but disgraced — former governor of Massachusetts, and his plainspoken partner, Durwood Oak Jones. The guys have an assignment for Molly. It sounds risky, but the pay sure beats switchboard work.

They need her to infiltrate the Blind Mice.

Danger, romance, intrigue, action for miles — whatever you read, Anarchy of the Mice is coming for you.

Book Details:

Genre: Action-Adventure

Published by: Jeff Bond books

Publication Date: June 15, 2020

Number of Pages: 445

ISBN: 173225527X (978-1732255272)

Series: Third Chance Enterprises, #1

Purchase Links: Amazon | Goodreads

 

Read an excerpt:

CHAPTER ONE The first I ever heard of the Blind Mice was from my fourteen-year-old son, Zach. I was scrambling to get him and his sister ready for school, stepping over dolls and skater magazines, thinking ahead to the temp job I was starting in about an hour, when Zach came slumping downstairs in a suspiciously plain T-shirt. “Turn around,” I said. “Let’s see the back.” He scowled but did comply. The clothing check was mandatory after that vomiting-skull sweatshirt he’d slipped out the door in last month. Okay. No drugs, profanity, or bodily fluids being expelled. But there was something. An abstract computer-ish symbol. A mouse? Possibly the nose, eyes, and whiskers of a mouse? Printed underneath was, Nibble, nibble. Until the whole sick scam rots through. I checked the clock: 7:38. Seven minutes before we absolutely had to be out the door, and I still hadn’t cleaned up the grape juice spill, dealt with my Frizz City hair, or checked the furnace. For twenty minutes, I’d been hearing ker-klacks, which my heart said was construction outside but my head worried could be the failing heater. How bad did I want to let Zach’s shirt slide? Bad. “Is that supposed to be a mouse?” I said. “Like an angry mouse?” “The Blind Mice,” my son replied. “Maybe you’ve heard, they’re overthrowing the corporatocracy?” His eyes bulged teen sarcasm underneath those bangs he refuses to get cut. “Wait,” I said, “that group that’s attacking big companies’ websites and factories?” “Government too.” He drew his face back ominously. “Anyone who’s part of the scam.” “And you’re wearing their shirt?” He shrugged. I would’ve dearly loved to engage Zach in a serious discussion of socioeconomic justice—I did my master’s thesis on the psychology of labor devaluation in communities—except we needed to go. In five minutes. “What if Principal Broadhead sees that?” I said. “Go change.” “No.” “Zach McGill, that shirt promotes domestic terrorism. You’ll get kicked out of school.” “Like half my friends wear it, Mom.” He thrust his hands into his pockets. Ugh. I had stepped in parenting quicksand. I’d issued a rash order and Zach had refused, and now I could either make him change, starting a blow-out fight and virtually guaranteeing I’d be late my first day on the job at First Mutual, or back down and erode my authority. “Wear a jacket,” I said—a poor attempt to limit the erosion, but the best I could do. “And don’t let your great-grandmother see that shirt.” Speaking of, I could hear Granny’s slippers padding around upstairs. She was into her morning routine, and would shortly—at the denture-rinsing phase—be shouting down that her sink was draining slow again; why hadn’t the damn plumber come yet? Because I hadn’t paid one. McGill Investigators, the PI business of which I was the founder and sole employee (yes, I realized the plural name was misleading), had just gone belly-up. Hence the temp job. Karen, my six-year-old, was seated cheerily beside her doll in front of orange juice and an Eggo Waffle. “Mommy!” she announced. “I get to ride to school with you today!” The doll’s lips looked sticky—OJ?—and the cat was eyeing Karen’s waffle across the table. “Honey, weren’t you going to ride the bus today?” I asked, shooing the cat, wiping the doll with a dishrag. Karen shook her head. “Bus isn’t running. I get to ride in the Prius, in Mommy’s Prius!” I felt simultaneous joy that Karen loved our new car—well, new to us: 120K miles as a rental, but it was a hybrid—and despair because I really couldn’t take her. School was in the complete opposite direction of New Jersey Transit. Even if I took the turnpike, which I loathed, I would miss my train. Fighting to address Karen calmly in a time crunch, I said, “Are you sure the bus isn’t running?” She nodded. I asked how she knew. “Bus driver said, ‘If the stoplights are blinking again in the morning, I ain’t taking you.’” She walked to the window and pointed. “See?” I joined her at the window, ignoring the driver’s grammatical example for the moment. Up and down my street, traffic lights flashed yellow. “Blind Mice, playa!” Zach puffed his chest. “Nibble, nibble. The lights had gone out every morning this week at rush hour. On Monday, the news had reported a bald eagle flew into a substation. On Tuesday, they’d said the outages were lingering for unknown reasons. I hadn’t seen the news yesterday. Did Zach know the Blind Mice were involved? Or was he just being obnoxious? “Great,” I muttered. “Bus won’t run because stoplights are out, but I’m free to risk our lives driving to school.” Karen gazed up at me, her eyes green like mine and trembling. A mirror of my stress. Pull it together, Molly. “Don’t worry,” I corrected myself. “I’ll take you. I will. Let me just figure a few things out.” Trying not to visualize myself walking into First Mutual forty-five minutes late, I took a breath. I patted through my purse for keys, sifting through rumpled Kleenex and receipts and granola-bar halves. Granny had made her way downstairs and was reading aloud from a bill-collection notice. Zach was texting, undoubtedly to friends about his lame mom. I felt air on my toes and looked down: a hole in my hose. Fantastic. I’d picked out my cutest work sandals, but somehow I doubted the look would hold up with toes poking out like mini-wieners. I wished I could shut my eyes, whisper some spell, and wake up in a different universe. Then the doorbell rang. CHAPTER TWO Quaid Rafferty waited on the McGills’ front porch with a winning smile. It had been ten months since he’d seen Molly, and he was eager to reconnect. Inside, there sounded a crash (pulled-over coatrack?), a smack (skateboard hitting wall?), and muffled cross-voices. Quaid fixed the lay of his sport coat lapels and kept waiting. His partner, Durwood Oak Jones, stood two paces back with his dog. Durwood wasn’t saying anything, but Quaid could feel the West Virginian’s disapproval—it pulsed from his blue jeans and cowboy hat. Quaid twisted from the door. “School morning, right? I’m sure she’ll be out shortly.” Durwood remained silent. He was on record saying they’d be better off with a more accomplished operative like Kitty Ravensdale or Sigrada the Serpent, but Quaid believed in Molly. He’d argued that McGill, a relative amateur, was just what they needed: a fresh-faced idealist. Now he focused on the door—and was pleased to hear the dead bolt turn within. He was less pleased when he saw the face that appeared in the door glass. The grandmother. “Why, color me damned!” began the septuagenarian, yanking open the screen door. “The louse returns. Whorehouses all kick you out?” Quaid strained to keep smiling. “How are you this fine morning, Eunice?” Her face stormed over. “What’re you here for?” “We’re hoping for a word with Molly if she’s around.” He opened his shoulders to give her a full view of his party, which included Durwood and Sue-Ann, his aged bluetick coonhound. They made for an admittedly odd sight. Quaid and Durwood shared the same vital stats, six one and 180-something pounds, but God himself couldn’t have created two more different molds. Quaid in a sport coat with suntanned wrists and mussed-just-so blond hair. Durwood removing his hat and casting steel-colored eyes humbly about, jeans pulled down over his boots’ piping. And Sue with her mottled coat, rasping like any breath could be her last. Eunice stabbed a finger toward Durwood. “He can come in—him I respect. But you need to turn right around. My granddaughter wants nothing to do with cads like you.” Behind her, a voice called, “Granny, I can handle this. Eunice ignored this. “You’re a no-good man. I know it, my granddaughter knows it.” Veins showed through the chicken-y skin of her neck. “Go on, hop a flight back to Vegas and all your whores!” Before Quaid could counter these aspersions, Molly appeared. His heart chirped in his chest. Molly was a little discombobulated, bending to put on a sandal, a kid’s jacket tucked under one elbow—but those dimples, that curvy body…even in the worst domestic throes, she could’ve charmed slime off a senator. He said, “Can’t you beat a seventy-four-year-old woman to the door?” Molly slipped on the second sandal. “Can we please just not? It’s been a crazy morning.” “I know the type.” Quaid smacked his hands together. “So hey, we have a job for you.” “You’re a little late—McGill Investigators went out of business. I have a real job starting in less than an hour.” “What kind?” “Reception,” she said. “Three months with First Mutual.” “Temp work?” Quaid asked. “I was supposed to start with the board of psychological examiners, but the position fell through.” “How come?” “Funding ran out. The governor disbanded the board.” “So First Mutual…?” Molly’s eyes, big and leprechaun green, fell. “It’s temp work, yeah.” “You’re criminally overqualified for that, McGill,” Quaid said. “Hear us out. Please.” She snapped her arms over her chest but didn’t stop Quaid as he breezed into the living room followed by Durwood and Sue-Ann, who wore no leash but kept a perfect twenty-inch heel by her master. Two kids poked their heads around the kitchen doorframe. Quaid waggled his fingers playfully at the girl. Molly said, “Zach, Karen—please wait upstairs. I’m speaking with these men.” The boy argued he should be able to stay; upstairs sucked; wasn’t she the one who said they had to leave, like, immedia— “This is not a negotiation,” Molly said in a new tone. They went upstairs. She sighed. “Now they’ll be late for school. I’m officially the worst mother ever.” Quaid glanced around the living room. The floor was clutter free, but toys jammed the shelves of the coffee table. Stray fibers stuck up from the carpet, which had faded beige from its original yellow or ivory. “No, you’re an excellent mother,” Quaid said. “You do what you believe is best for your children, which is why you’re going to accept our proposition.” The most effective means of winning a person over, Quaid had learned as governor of Massachusetts and in prior political capacities, was to identify their objective and articulate how your proposal brought it closer. Part two was always trickier. He continued, “American Dynamics is the client, and they have deep pockets. If you help us pull this off, all your money troubles go poof.” A glint pierced Molly’s skepticism. “Okay. I’m listening.” “You’ve heard of the Blind Mice, these anarchist hackers?” “I—well, yes, a little. Zach has their T-shirt.” Quaid, having met the boy on a few occasions, wasn’t shocked by the information. “Here’s the deal. We need someone to infiltrate them.” Molly blinked twice. Durwood spoke up, “You’d be great, Moll. You’re young. Personable. People trust you.” Molly’s eyes were grapefruits. “What did you call them, ‘anarchist hackers’? How would I infiltrate them? I just started paying bills online.” “No tech knowledge required,” Quaid said. “We have a plan.” He gave her the nickel summary. The Blind Mice had singled out twelve corporate targets, “the Despicable Dozen,” and American Dynamics topped the list. In recent months, AmDye had seen its websites crashed, its factories slowed by computer glitches, internal documents leaked, the CEO’s home egged repeatedly. Government agencies from the FBI to NYPD were pursuing the Mice, but the company was troubled by the lack of progress and so had hired Third Chance Enterprises to take them down. “Now if I accept,” Molly said, narrowing her eyes, “does that mean I’m officially part of Third Chance Enterprises?” Quaid exhaled at length. Durwood shook his head with an irked air—he hated the name, and considered Quaid’s branding efforts foolish. “Oh, Durwood and I have been at this freelance operative thing awhile.” Quaid smoothed his sport coat lapels. “Most cases we can handle between the two of us.” “But not this one.” “Right. Durwood’s a whiz with prosthetics, but even he can’t bring this”—Quaid indicated his own ruggedly handsome but undeniably middle-aged face—“back to twenty-five.” Molly’s eyes turned inward. Quaid’s instincts told him she was thinking of her children. She said, “Sounds dangerous.” “Nah.” He spread his arms, wide and forthright. “You’re working with the best here: the top small-force, private-arms outfit in the Western world. Very minimal danger.” Like the politician he’d once been, Quaid delivered this line of questionable veracity with full sincerity. Then he turned to his partner. “Right, Wood? She won’t have a thing to worry about. We’d limit her involvement to safe situations.” Durwood thinned his lips. “Do the best we could.” This response, typical of the soldier he’d once been, was unhelpful. Molly said, “Who takes care of my kids if something happens, if the Blind Mice sniff me out? Would I have to commit actual crimes?” “Unlikely.” Unlikely? I’ll tell you what’s unlikely, getting hired someplace, anyplace, with a felony conviction on your application…” As she thundered away, Quaid wondered if Durwood might not have been right in preferring a pro. The few times they’d used Molly McGill before had been secondary: posing as a gate agent during the foiled Delta hijacking, later as an archivist for the American embassy in Rome. They’d only pulled her into Rome because of her language skills—she spoke six fluently. “…also, I have to say,” she continued, and from the edge in her voice, Quaid knew just where they were headed, “I find it curious that I don’t hear from you for ten months, and then you need my help, and all of a sudden, I matter. All of a sudden, you’re on my doorstep.” “I apologize,” Quaid said. “The Dubai job ran long, then that Guadeloupean resort got hit by a second hurricane. We got busy. I should’ve called.” Molly’s face cooled a shade, and Quaid saw that he hadn’t lost her. Yet. Before either could say more, a heavy ker-klack sounded outside. “What’s the racket?” Quaid asked. He peeked out the window at his and Durwood’s Vanagon, which looked no more beat-up than usual. “It’s been going on all morning,” Molly said. “I figured it was construction.” Quaid said, “Construction in this economy?” He looked to Durwood. “I’ll check ’er out.” The ex-soldier turned for the door. Sue-Ann, heaving herself laboriously off the carpet, scuffled after. Alone now with Molly, Quaid walked several paces in. He doubled his sport coat over his forearm and passed a hand through his hair, using a foyer mirror to confirm the curlicues that graced his temples on his best days. This was where it had to happen. Quaid’s behavior toward Molly had been less than gallant, and that was an issue. Still, there were sound arguments at his disposal. He could play the money angle. He could talk about making the world safer for Molly’s children. He could point out that she was meant for greater things, appealing to her sense of adventure, framing the job as an escape from the hamster wheel and entrée to a bright world of heroes and villains. He believed in the job. Now he just needed her to believe too. CHAPTER THREE Durwood walked north. Sue-Ann gimped along after, favoring her bum hip. Paws echoed bootheels like sparrows answering blackbirds. They found their noise at the sixth house on the left. A crew of three men was working outside a small home. Two-story like Molly’s. The owner had tacked an addition onto one side, prefab sunroom. The men were working where the sunroom met the main structure. Dislodging nails, jackhammering between fiberglass and brick. Tossing panels onto a stack. “Pardon,” Durwood called. “Who you boys working for?” One man pointed to his earmuffs. The others paid Durwood no mind whatsoever. Heavyset men. Big stomachs and muscles. Durwood walked closer. “Those corner boards’re getting beat up. Y’all got a permit I could see?” The three continued to ignore him. The addition was poorly done to begin with, the cornice already sagging. Shoddy craftsmanship. That didn’t mean the owners deserved to have it stolen for scrap. The jackhammer was plugged into an outside GFI. Durwood caught its cord with his bootheel. “The hell?” said the operator as his juice cut. Durwood said, “You’re thieves. You’re stealing fiberglass.” The men denied nothing. One said, “Call the cops. See if they come.” Sue-Ann bared her gums. Durwood said, “I don’t believe we need to involve law enforcement,” and turned back south for the Vanagon. Crime like this—callous, brash—was a sign of the times.  People were sore about this “new economy,” how well the rich were making out. Groups like the Blind Mice thought it gave them a right to practice lawlessness.   Lawlessness, Durwood knew, was like a plague. Left unchecked, it spread. Even now, besides this sunroom dismantling, Durwood saw a half dozen offenses in plain sight. Low-stakes gambling on a porch. Coaxials looped across half the neighborhood roofs: cable splicing. A Rottweiler roaming off leash. Each stuck in Durwood’s craw. He walked a half block to the Vanagon. He hunted around inside, boots clattering the bare metal floor. Pushed aside Stinger missiles in titanium casings. Squinted past crates of frag grenades in the bulkhead he’d jiggered himself from ponderosa pine. Here she was—a pressurized tin of black ops epoxy. Set quick enough to repel a flash air strike, strong enough to hold a bridge. Durwood had purchased it for the Dubai job. According to his supplier, Yakov, the stuff smelled like cinnamon when it dried. Something to do with chemistry. Durwood removed the tin from its box and brushed off the pink Styrofoam packing Yakov favored. Then allowed Sue a moment to ease herself down to the curb before they started back north. Passing Molly’s house, Durwood glimpsed her through the living room window. She was listening to Quaid, fingers pressed to her forehead. Quaid was lying. Which was nothing new, Quaid stretching the truth to a woman. But these lies involved Molly’s safety. Fact was, they knew very little of the Blind Mice. Their capabilities, their willingness to harm innocents. The leader, Josiah, was a reckless troublemaker. He spewed his nonsense on Twitter, announcing targets ahead of time, talking about his own penis. The heavyset men were back at it. One on the roof. The other two around back of the sunroom, digging up the slab. Durwood set down the epoxy. The men glanced over but kept jackhammering. They would not be the first, nor last, to underestimate this son of an Appalachian coal miner. The air compressor was set up on the lawn. Durwood found the main pressure valve and cranked its throat full open. The man on the roof had his ratchet come roaring out of his hands. He slid down the grade, nose rubbing vinyl shingles, and landed in petunias. Back on his feet, the man swore. “Mind your language,” Durwood said. “There’s families in the neighborhood.” The other two hustled over, shovels at their shoulders. The widest of the three circled to Durwood’s backside. Sue-Ann coiled her old bones to strike. Ugliness roiled Durwood’s gut. Big Man punched first. Durwood caught his fist, torqued his arm behind his back. The next man swung his shovel. Durwood charged underneath and speared his chest. The man wheezed sharply, his lung likely punctured. The third man got hold of Durwood’s bootheel, smashed his elbow into the hollow of Durwood’s knee. Durwood scissored the opposite leg across the man’s throat. He gritted his teeth and clenched. He felt the man’s Adam’s apple wriggling between his legs. A black core in Durwood yearned to squeeze. He resisted. The hostiles came again, and Durwood whipped them again. Automatically, in a series of beats as natural to him as chirping to a katydid. The men’s faces changed from angry to scared to incredulous. Finally, they stayed down. “Now y’all are helping fix that sunroom.” Durwood nodded to the epoxy tin. “Mix six to one, then paste ’er on quick.” Luckily, he’d caught the thieves early, and the repair was uncomplicated. Clamp, glue, drill. The epoxy should increase the R-value on the sunroom ten, fifteen, units. Good for a few bucks off the gas bill in winter, anyhow. Durwood did much of the work himself. He enjoyed the panels’ weight, the strength of a well-formed joint. His muscles felt free and easy as if he were home ridding the sorghum fields of johnsongrass. Done, he let the thieves go. He turned back south toward Molly’s house. Sue-Ann scrabbled alongside. “Well, ole girl?” he said. “Let’s see how Quaid made out.” CHAPTER FOUR I stood on my front porch watching the Vanagon rumble down Sycamore. My toes tingled, my heart was tossing itself against the walls of my chest, and I was pretty sure my nose had gone berserk. How else could I be smelling cinnamon? Quaid Rafferty’s last words played over and over in my head: We need you. For twenty minutes, after Durwood had taken his dog to investigate ker-klacks, Quaid had given me the hard sell. The money would be big-time. I had the perfect skills for the assignment: guts, grace under fire, that youthful je ne sais quoi. Wasn’t I always saying I ought to be putting my psychology skills to better use? Well, here it was: understanding these young people’s outrage would be a major component of the job. Some people will anticipate your words and mumble along. Quaid did something similar but with feelings, cringing at my credit issues, brightening with whole-face joy at Karen’s reading progress—which I was afraid would suffer if I got busy and didn’t keep up her nightly practice. He was pitching me, yes. But he genuinely cared what was happening in my life. I didn’t know how to think about Quaid, how to even fix him in my brain. He and Durwood were so far outside any normal frame of reference. Were they even real? Did I imagine them? Their biographies were epic. Quaid the twice-elected (once-impeached) governor of Massachusetts who now battled villains across the globe and lived at Caesars Palace. Durwood a legend of the Marine Corps, discharged after defying his commanding officer and wiping out an entire Qaeda cell to avenge the death of his wife. I’d met them during my own unreal adventure—the end of my second marriage, which had unraveled in tragedy in the backwoods of West Virginia. They’d recruited me for three missions since. Each was like a huge, brilliant dream—the kind that’s so vital and packed with life that you hang on after you wake up, clutching backward into sleep to stay inside. Granny said, “That man’s trouble. If you have any sense in that stubborn head of yours, you’ll steer clear.” I stepped back into the living room, the Vanagon long gone, and allowed my eyes to close. Granny didn’t know the half of it. She had huffed off to watch her judge shows on TV before the guys had even mentioned the Blind Mice. No, she meant a more conventional trouble. “I’ve learned,” I said. “If I take this job, it won’t be for romance. I’d be doing it for me. For the family.” As if cued by the word “family,” a peal of laughter sounded upstairs. Children! My eyes zoomed to the clock. It was 8:20. Zach would be lucky to make first hour, let alone homeroom. In a single swipe, I scooped up the Prius keys and both jackets. My purse whorled off my shoulder like some supermom prop. “Leaving now!” I called up the stairwell. “Here we go, kids—laces tied, backpacks zipped.” Zach trudged down, leaning his weight into the rail. Karen followed with sunny-careful steps. I sped through the last items on my list—tossed a towel over the grape juice, sloshed water onto the roast, considered my appearance in the microwave door, and just frowned, beyond caring. Halfway across the porch, Granny’s fingers closed around my wrist. “Promise me,” she said, “that you will not associate with Quaid Rafferty. Promise me you won’t have one single thing to do with that lowlife.” I looked past her to the kitchen, where the cat was kinking herself to retch Eggo Waffle onto the linoleum. “I’m sorry, Granny.” I patted her hand, freeing myself. “It’s something I have to do.” *** Excerpt from Anarchy of the Mice by Jeff Bond. Copyright 2020 by Jeff Bond. Reproduced with permission from Jeff Bond. All rights reserved.

 

 

Author Bio:

Jeff Bond Jeff Bond is an American author of popular fiction. His books have been featured in The New York Review of Books, and his 2020 release, The Pinebox Vendetta, received the gold medal (top prize) in the 2020 Independent Publisher Book Awards. A Kansas native and Yale graduate, he now lives in Michigan with his wife and two daughters.

 

 

 

 

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07/01 Guest post @ 411 ON BOOKS, AUTHORS, AND PUBLISHING NEWS

07/02 Interview @ Books Chatter

07/03 Showcase @ Our Town Book Reviews

07/04 Review @ Book Reviews From an Avid Reader

07/05 Showcase @ La libreria di Beppe

07/06 Guest post @ Its Raining Books

07/07 Showcase @ Eclectic Moods

07/09 Showcase @ The Bookwyrm

07/12 Showcase @ EienCafe

07/13 Review @ Celticladys Reviews

07/14 Guest post @ Reading A Page Turner

07/16 Interview @ A Blue Million Books

07/20 Review @ Jane Pettitt Reviews

07/22 Guest post/showcase @ CMash Reads

07/23 Interview @ Quiet Fury Books

08/03 Guest post @ Nesies Place

08/04 Review @ sunny island breezes

08/05 Showcase @ Archaeolibrarian – I Dig Good Books!

08/06 Review @ Books with Bircky

08/17 Review @ just reviews

08/24 Blog Talk Radio w/Fran Lewis

08/25 Review @ noorthebookworm

08/26 Review @ Celticladys Reviews

08/28 Review @ Quiet Fury Books

08/29 Review @ delightfullybooked

08/30 Review @ A Room Without Books is Empty

 

Enter To Win!

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Jeff Bond. There will be 2 winners of one (1) Amazon.com Gift Card each. The giveaway begins on July 1, 2020 and runs through September 2, 2020. Void where prohibited.

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How My Years of Experience Developing Screenplays Has Influenced My Work Writing Novels

How did I come to eagerly want to write character driven thrillers?

It began years ago when I went to Hollywood.

I came to Hollywood in 1975 to produce feature films. I was 26 years old, I didn’t know anyone in the movie business, but I’d stumbled onto a timely idea — I was going to work with, and most importantly, back screenwriters. That is to say, stand behind their work — and I say this with hindsight — protect them from being rewritten, include them in the process of choosing a director, casting the picture, all of the decisions that go into making a feature film.

At that time, the Writers Guild minimum for a high budget screenplay was $9,600. No, I’m not leaving out any zeros. You could hire the most accomplished screenwriter, if he or she agreed to work for the minimum, for $9,600. Also, screenwriters were at the bottom of the Hollywood food chain. Their screenplays were often rewritten at the whim of a star or a director or a studio executive. They weren’t often consulted about most of the important choices that go into making a movie.

Finally, it was a golden age in Hollywood — filmmakers were taking risks and studios were giving directors free reign to make daring movies. In this creative context, writers were eager to work on exciting projects, especially if they could stay with the project as it moved toward becoming a film.

In Chicago, I’d learned filmmaking working on educational films. I was the first one on and the last one off — doing everything from writing, to cinematography, to directing actors, editing, etc. But it was a big jump to producing feature films in Hollywood, so I went to business school and raised a small amount of money (less than $100,000) to go to Hollywood to finance screenplays.

I was young, optimistic, and emboldened by the films being made. I approached writers that I loved and made unconventional deals. I was successful enough developing screenplays, and attracting actors, that early on, studios were financing the screenplays I wanted to develop.

Early in my producing career, I had the privilege of working with author Ross Macdonald, a legend in crime fiction, on his only screenplay. Working with him, I began to see how characters could drive plot.

This was the New Hollywood (1967 -1980), and I worked with writers whose work grabbed viewers viscerally, not with explosions but with multi-dimensional characters that would draw you into a deeply moving story. I spent countless hours working out the stories and shaping the people in them. I worked with the following screenwriters, with some of their most famous works noted in parentheses: Frederick Raphael (“Two for the Road”), Alvin Sargent (“Ordinary People”, “Julia”), Andy Lewis (“Klute”), Joe Esterhas (”Basic Instinct”), Ron Bass (“Rain Man”), Stewart Stern (“Rebel Without a Cause”). William Wittliff (“Lonesome Dove,” Raggedy Man”), Larry D. Cohen (“Carrie,” “Ghost Story”), etc. These writer’s film credits are for identification purposes with the exception of  “Raggedy Man” and “Ghost Story,” as I did not work on these films.

Working closely with these great screenwriters was a rare opportunity to learn how to create complicated characters and to see how these complex people enriched storytelling.

As I had some success, I began developing screenplays working directly with actors including: Robert Redford, Lily Tomlin, Goldie Hawn, Sally Field, and Jill Clayburg. I had a memorable trip to NYC to read a Frederic Raphael screenplay I had worked on with Diane Keaton and Al Pacino.

As I reflect, I can see how working with fine actors helped me later — I was able to draw complex, conflicted characters without being too heavy handed.

I am a voting member of the Academy of Motion Picture Arts and Sciences, and, as such, I spent a lot of time thinking about what makes good movies work.

I left Hollywood in 1987 — the golden age was over and I wanted to write. To me, the best screenplays I’d worked on never got made. Nevertheless, it was a great experience. As a producer developing a screenplay, you learn to look for stories with strong, complex characters and a “rich stew” — that is to say a situation with conflict, emotional intensity, and the potential to evolve in unexpected ways. That is exactly how I approach the books that I write. I learned how to do that as a producer working on screenplays.

I am now 71 years old and I continue to write character-driven thrillers, including my latest novel: Danger in Plain Sight.

Burt Weissbourd is a novelist and former screenwriter and producer of feature films. He was born in 1949 and graduated cum laude from Yale University, with honors in psychology. His forthcoming book, Danger in Plain Sight, will be published on May 5th 2020 and is the first book in his new Callie James thriller series. His earlier books include Inside Passage, Teaser, Minos, and In Velvet, all of which will be reissued in June 2020.

Danger in Plain Sight

by Burt Weissbourd

on Tour June 1-30, 2020

Synopsis:

Danger in Plain Sight by Burt Weissbourd

It took fourteen years to construct a safe world for her and her son–and only one night for her ex to unravel it.

Celebrated Seattle restaurateur Callie James is more than a little thrown when her ex-husband, French investigative reporter Daniel Odile-Grand, shows up after fourteen years asking for her help. Even more disturbing: as she throws him out, Daniel is deliberately hit by a car, hurled through the front window of her restaurant–broken, bloody and unconscious. He flees from the hospital and breaks into Callie’s apartment, where he passes out. Reluctantly, Callie hides him. When she gets back to her restaurant, two assassins walk in, insisting that she find Daniel for them by tonight or pay the consequences.

Overwhelmed and hopelessly out of her depth, Callie hires the only man she knows who can help her: Cash Logan, her former bartender, a man she had arrested for smuggling ivory through her restaurant two years earlier, and who still hasn’t forgiven her.

The assassins blow up her restaurant. It’s Callie’s nightmare. And the worst is yet to come as she and her unlikely, incompatible ally discover that the most perilous dangers are far closer to home than they’d imagined.

Book Details:

Genre: Thriller
Published by: Blue City Press
Publication Date: September 8th 2020
Number of Pages: 224
ISBN: 1733438211 (ISBN13: 9781733438216)
Series: A Callie James Thriller, 1
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

It was 1:15 a.m. when Kelly and Gray returned. They must have been watching, because they came in as the last patron left. Will showed them to the bar, where Callie was waiting at her table. They sat facing her, different suits this time. Gray wore a thin gold square-link chain around his neck and a matching gold earring—stylish and expensive. Kelly wore a similar gold necklace with a floating diamond solitaire pendant. As Will was asking where their suits had been made, Callie interrupted. “A drink?”

“Another time,” Gray said, all business now. “Have you found Daniel Odile-Grand?”

“No, as I said before, I have no idea where he is.”

“That’s unacceptable,” he said matter-of-factly. He turned to his partner, who nodded, regretfully smiling her agreement.

Callie was prepared. Cash had told her to hit her “ice mode” button—a phrase he’d coined for her chilliness when irritated—at any sign of trouble. He’d recognize that and take it from there. “I beg your pardon?” she replied, classic subzero. She sipped her tepid San Pellegrino with lime.

“As I explained, urgent matters are at stake.” Gray waved his hand to include the dining room downstairs. “I’m told this fine restaurant is underinsured.”

“Yo, Callie.” Cash had materialized behind her, carrying chips and guacamole for the table. “I thought you said we were well insured.”

“We are, in fact, well insured,” she agreed.

Cash leaned in. His physical presence didn’t seem to faze these people. “So we don’t need insurance, then, we’re fine,” he pointed out.

Gray leaned in, too, measuring Cash, finding him wanting. “Listen carefully, cowboy, this is not your concern.” He said it slowly, advising a dim-witted child.

Kelly shook her head and spoke for the first time. “No, surely not.”

Cash’s eyes locked onto Gray’s. “Then this is your unlucky day, pardner. From now on, to get to the lady, you go through me.” He flashed a shit-eating grin. “Did you call me Cowboy?”

Gray grinned ever so slightly. Kelly smiled, picture perfect.

“Cowboy?” Cash repeated, frowning now as he emptied the bowl of guacamole on Gray’s cream-colored silk suit.

Gray was up, going for his gun. He fell to the floor, writhing, when Andre planted his metal prosthetic in the hit man’s groin. Cash already had Kelly’s arms pinned at her sides. Andre took her gun from its shoulder holster and trained it on Gray, who was on the floor, covered with guacamole.

“Let this go,” Cash told Gray. “You don’t want a war. Not with me.”

“Nice suit,” Andre added, and lifted Gray’s gold necklace with the black metal toe of his prosthetic leg. “Love the bling.”

More from Danger in Plain Sight

Cash closed his eyes. He had to do something to divert his mind from these horrific insects. He turned away, stretched his sore arms, flexed his tense back, focusing on Callie. Callie James . . . Okay, it was working. Picturing her face, the corners of his mouth turned up and his spirits soared.

Callie James . . . Why did he feel so wholly in love with her?

He stood, arms extended behind him, as he considered his on-again, off-again history with women.

Women found him attractive, and he’d been with many of them. His relationships, however, rarely lasted as long as he expected. There was some part of himself that he held back, and women sensed this and eventually moved on or asked for more of a commitment than he could make. Over time, he realized that it wasn’t a part — like a piece — but rather some portion of his unusual intensity. He understood that he was very accepting of other people and only offered as much as a woman looked for — some essential emotional minimum — to sustain the relationship. It wasn’t a conscious decision. It was a strong, keenly sensitive person’s way of protecting a partner from unwanted, possibly unsettling intensity. It’s who he was. Everything that he did, he did well but sparingly. So in some way he didn’t understand, he was choosing women who were less intense than he was.

Callie was the first woman he’d ever been with who demanded one hundred percent at all times. She was relentless, and even when she wasn’t aware of it, every bit as intense as he was. He didn’t hold anything back with her — yet she always wanted an explanation, an elaboration, an argument, or an answer to a difficult question. She’d never idealized him, that’s for sure. And he never pretended with her. He couldn’t put his finger on it, but the out-of-the-blue way this had happened between them, the strength of it, was something entirely new for him. Did he trust it? Yes, unequivocally. Did he know why? Yes, unequivocally again — it was because Callie James could never be untrue to herself.

Cash sat down, and turning back, he watched the horrible insects squirming in the jar.

No, he couldn’t lose her. Not now.

More from Danger in Plain Sight

He opened the back door and then led Christy up the stairs to apartment 2D. Will opened the apartment door, held it for her. Christy came through the door into the living room. Will closed the door behind her.

“Christy,” Callie called from where she’d been standing behind the door.

When Christy turned, confused, Callie whispered, “You miserable bitch,” and she fired two barbed, dart-like electrodes from her Taser into Christy’s chest. The electrodes created a circuit in the body, essentially hijacking the central nervous system, causing neuromuscular incapacitation.

Christy fell to the floor, writhing in uncontrollable muscle spasms. When the writhing stopped and she’d curled into the fetal position, Callie and Will cuffed her hands behind her back.

When they were able to get her on her feet, Callie said, “We’re trading you for Cash Logan and Amjad Hasim.”

“What are you talking about?”

Callie slapped her, as hard as she was able. The blow tore Christy’s lower lip, drawing blood, and bruised her cheek. Callie hadn’t planned to do that—it was her second time, and she’d never hit anyone nearly so hard in her life—but red-hot rage was coursing through her veins. She was trembling, though her ever-present anxiety had receded, and she sure as hell didn’t feel helpless.

“Are you crazy?” Christy cried out.

“Don’t even try that. I know what you and Avi have done—to Daniel, to my restaurant, to my friend Doc. You almost killed us all on the boat. And now you have Cash, damn you!”

Christy’s face changed; she got it—Callie had somehow put it together. “You low-life skanky cunt, I’ll kill you myself.” Christy spit in Callie’s face.

Callie slapped her again, a fierce crack, astonished, yet again, by the rage she felt welling inside. And in that moment, she understood that her usual internal restraints—her rules and regulations—were no longer in place. It was as if an anvil had been cut loose from around her neck.

Blood dripped from Christy’s lip, her left eye was partially closed, and tears streamed down her face.

Callie stepped closer. “If anything happens to Cash, if you hurt him again, I’ll kill you, Christy Ben-Meyer. I swear that on my son’s life.”

Five minutes later Christy was standing on a stool in the center of the room. Her hands were cuffed behind her back. Her feet were bound. Her mouth was covered with duct tape. There was a noose around her neck that was tightly tied off to the pair of sturdy eyehooks that Will had screwed into the ceiling beam earlier. Christy’s head was tilted back and up; the rope was that tight. Another rope was tied to the leg of the stool. If the stool were pulled out from under Christy’s feet, she would hang.

Callie held a handgun to Christy’s kneecap.

Will was shooting a video with Callie’s iPhone.

Callie spoke to the camera. “Avi Ben-Meyer, I promise you that I will shoot out Christy’s left kneecap in fifteen minutes if you haven’t arranged the exchange with Itzac by then. In thirty minutes, I’ll shoot out her other kneecap and hang her. Believe me on this — if Cash Logan is hurt in any way, I’ll torture her without mercy before she dies.” Callie nodded, done. She walked to a corner of the room, fighting for breath. Dear God! What had she just said? Torture Christy? Damn it, if they hurt Cash . . . She gasped — she’d never even known that she could have feelings like that.

Will placed a calming hand on her back, and he gave her the phone. Callie noted the time, then sent the video to Itzac.

More from Danger in Plain Sight

The martinis arrived, each one with an extra inch of refill in a glass tumbler. “The angel’s share,” Cash explained. He raised his drink, a toast. “To you, Callie, to what you could become.”

She clicked his glass with hers. “I’m not sure what you mean.”

“You have a shot at extraordinary.”

“You think so?”

“Possibly. But it’s an entirely different kind of extraordinary than turning-me-over-to-the-cops-for-smuggling-erotic-netsuke-into-your-restaurant extraordinary.”

“I deserve that. Jesus what an unforgiving, righteous gal I was.” She raised a palm. “Your words. And you were right. I’m sorry.” She touched his arm. “I was mean-spirited, foolish—just plain wrong — and I’ll always regret that.”

“Suppose we let that go.” Cash raised his glass again.

She touched her glass to his. “Thank you.”

“Speaking of regrets, honestly, I never anticipated that this past week would be so difficult—the anxiety, hiding Lew, the mace, the damage to your restaurant, the explosives on the boat . . . It was especially hard to lose Doc . . .” He let it drift.

She nodded, found his eyes. “I misjudged you early on . . . Conventional thinking sometimes blinds me—how you look, how you dress, what your job is. Long story short, you’re not at all what you seem. I listened carefully to you with Detective Samter today. You’re so smart, so able in the world. And in your way, though you’d never admit it, you try to get it right. Yes, you present whatever you’re proposing as practical, a calculated, opportunistic thing. What I’m learning, though, is that with you that’s also, as you see it—after carefully weighing pros and cons—the best for all involved. Or as I would say it, theright thing. How you get there is often confusing to me, but you do get there, way ahead of me, and, well, I admire you.”

“Thank you . . . That’s a two-way deal.” Cash watched her, surprised by her expressiveness. “Truthfully, this past week, I underestimated you. You’ve been right there, as hard as that must have been for you. You kept defying my expectations. Just when I was ready to give up on you, you did the smart thing, the hard thing, under protest, but you did it. And now, I’m watching you in the eye of a serious storm, just when I’d expect you to cave in, fall apart. But no, you manage. You even stand tall. Callie, you have a fine, strong heart.”

She smiled. “I’m a restaurateur. I never knew what to do outside my restaurant. I was always afraid.”

“I didn’t know that.”

“It took a lot of work and a huge amount of energy to accomplish that deception. I mean you can’t imagine what it was like for me to find you — ask for your help — at the Dragon. It was all I could do to look at you, to keep even a semblance of composure.”

“And that’s changing?”

“Yes, I think so. I hope so.”

“How did this happen?”

“It’s you, Terry.” She looked at him, eyes serious. “In your tenacious, patient way, you dragged me—kicking and screaming—out into the world, step by baby step, and though it’s every bit as frightening and even more unsettling than I imagined it, I’m okay with it. Yeah, I’m even getting my sea legs.”

“Bravo, then, Callie James. To both of us.”

She raised her glass. They toasted silently.

“Truthfully, Cash, at times I even like it out here.”

“Well, it suits you.” Cash watched her smile.

“I even like talking with you . . . And I was never a talker.”

“I’m guessing we have some great, contentious conversations ahead of us.”

“I like the idea of that.”

“Likewise.”

“Cash and Frosty, tête-à-tête.”

He took her small, delicate hands in his big, busted-up mitts.

Their kiss was tender, sweet, Cash thought. After, there were tears in Callie’s eyes.

***

Excerpt from Danger in Plain Sight by Burt Weissbourd. Copyright 2020 by Burt Weissbourd. Reproduced with permission from Burt Weissbourd. All rights reserved.

 

 

Author Bio:

Burt Weissbourd

Burt Weissbourd is a novelist and former screenwriter and producer of feature films. He was born in 1949 and graduated cum laude from Yale University, with honors in psychology. His book, Danger in Plain Sight, published on May 15th 2020, is the first book in his new Callie James thriller series. His earlier books include Inside Passage, Teaser, Minos, and In Velvet, all of which will be reissued in Fall 2020.

 

 

 

Catch Up With Burt Weissbourd On:
BurtWeissbourd.com, Goodreads, BookBub, Instagram, Twitter, & Facebook!

 

 

Tour Participants:

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!


06/01 Review @ Book Reviews From an Avid Reader
06/01 Showcase @ Ilovebooksandstuffblog
06/02 Showcase @ Brooke Blogs
06/03 Guest post @ Its Raining Books
06/04 Interview @ Reading A Page Turner
06/05 Interview @ BooksChatter
06/07 Showcase @ Eclectic Moods
06/09 Showcase @ Reading A Page Turner
06/10 Review @ Jane Pettitt Reviews
06/10 Showcase @ Celticladys Reviews
06/11 Showcase@ La libreria di Beppe
06/16 Showcase @ Celticladys Reviews
06/16 Showcase @ The Bookworm Lodge
06/17 Review @ Nesies Place.
06/18 Interview @ Quiet Fury Books
06/18 Review/showcase @ Avonna Loves Genres
06/19 Review @ Jersey Girl Book Reviews
06/21 Showcase @ EienCafe
06/24 Guest post @ 411 ON BOOKS, AUTHORS, AND PUBLISHING NEWS
06/25 Showcase @ Archaeolibrarian – I Dig Good Books!
06/26 Guest post/showcase @ CMash Reads
06/27 Review @ The World As I See It
06/28 Review @ sunny island breezes
06/29 Review @ A Room Without Books is Empty

 

Get More Great Reads at Partners In Crime Virtual Book Tours

 

The Pinebox Vendetta by Jeff Bond Banner

The Pinebox Vendetta

by Jeff Bond

on Tour May 1 – June 30, 2020

 

Injecting Politics into Fiction:

Have You Lost Your Mind? I hate talking politics. I avoid the subject with friends, family, people I play basketball with, other parents at my daughters’ elementary school pickup. Even with my wife, who has more or less the same politics I do. So why in the world would I set my new thriller, The Pinebox Vendetta, in the realm of politics — basically engaging anybody with ninety-nine cents and a Kindle on the subject?

Because politics, or political ideology, is everywhere. It’s probably the steadiest, most pervasive source of conflict in modern life. What do you think when you cruise up next to the driver of a Chevy Volt versus a hulking H3 Hummer? After a new neighbor friends you on Facebook, do you scroll down their profile with one eye pinched shut, fearful of what opinions you’re going to find but powerless against your own curiosity and compulsion to classify? Books, and thrillers in particular, are all about conflict. The more the better. This makes politics fertile ground as a setting for fiction.

But it’s dangerous turf. Whereas non-fiction readers expect and may even be seeking out authors for their left-right worldview, readers of fiction — and particularly genre fiction — tend to prefer it on the sidelines. In my last novel, Blackquest 40, I had a young lesbian protagonist named Deb Bollinger facing off against corporate trainers with sinister goals and backgrounds. Deb was active in progressive causes like homelessness and gender equality, so her politics seemed fairly obvious. Still, I decided to reserve her snarky commentary for other characters, not allowing her first-person eye to wander onto topics not closely tied to the story.

The lone exception I granted was a line about a third of the way in, which I just couldn’t resist. Deb finds information suggesting the trainers might have Russian ties and thinks, “It’s bad enough they had to delay the election of our fist female president. Now they have to come screwing with my day?”

The story owes a lot to the Die Hard movies, and this line had exactly the Bruce Willis vibe I wanted. Surely, anybody who’d stuck with Deb through a hundred-odd pages would accept this inner thought as Deb’s own and perfectly reasonable given her character.

Right?

Wrong. A couple weeks after release, I received the obligatory negative Goodreads review: “I do not want snide political remarks contaminating my entertainment.”

Bad reviews are part of writing, and this readers was certainly within their rights leaving one. It was my call to leave the line in, and the book’s average rating paid a small price. Fair play all the way around.

In today’s climate, people are teed up to fight. You find the same dynamic on the literary side, generally the other way — readers with more liberal sensibilities finding fault across a range of politically-tinged grounds. I confess it’s in my own head when I read.

Is that character here just to make the author seem woke? Did we really need to hear that long stretch of dialog about hot-button issue X, Y, or Z?

Then I’ll get annoyed with myself for losing focus on the story and characters, annoyed at my phone dinging with more divisive headlines. And let’s not even talk about social media.

The cost of all this heightened rhetoric is a central theme of The Pinebox Vendetta. The conservative Pruitts’ and liberal Gallaghers’ centuries-old feud stands in for the micro-battles we all fight — over which cable news station plays at the gym, what our kids should learn in school, who gets to use which bathroom. There are important issues underlying these fights, but when does the fighting itself overtake the issue? To what extent do we cross over from arguing our convictions into arguing out of habit, just because there are people across the fence line willing to return fire?

Pinebox is only lobbing these questions out, of course, not pretending to have answers. I intended it as a fun book, less interested in critiquing culture than in taking readers for a ride and developing a few unique characters along the way. I’m hopeful readers will find the politics balanced. Both families are going to be doing their fair share of dastardly deeds if you read long enough in the book and series to come.

Feel free to ask me about it on the off chance we cross paths at a conference or book store one day … just don’t be offended if I try changing the subject!

Synopsis:

The Pinebox Vendetta by Jeff Bond

From the author of The Winner Maker and Blackquest 40 comes The Pinebox Vendetta: a genre-bending thriller that combines a love story, cold-case murder mystery, and political blood feud — told over the course of a single breathless weekend.

The Gallaghers and Pruitts have dominated the American political landscape dating back to Revolutionary times. The Yale University class of 1996 had one of each, and as the twenty-year reunion approaches, the families are on a collision course.

Owen Gallagher is coasting to the Democratic nomination for president.

Rock Pruitt — the brash maverick whose career was derailed two decades ago by his association to a tragic death — is back, ready to reclaim the mantle of clan leader.

And fatefully in between lies Samantha Lessing. Sam arrives at reunion weekend lugging a rotten marriage, dumb hope, and a portable audio recorder she’ll use for a public radio-style documentary on the Pruitt-Gallagher rivalry — widely known as the pinebox vendetta.

What Sam uncovers will thrust her into the middle of the ancient feud, upending presidential politics and changing the trajectory of one clan forever.

The Pinebox Vendetta is the first entry in the Pruitt-Gallagher saga: a series that promises cutthroat plots, power grabs, and unforgettable characters stretched to their very limits by the same ideological forces that roil America today.

Book Details:

Genre: Thriller

Published by: Jeff Bond Books

Publication Date: February 19th 2020

Number of Pages: 264

ISBN: 1732255253 (ISBN13: 9781732255258)

Series: Pruitt-Gallagher Saga, #1

Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

1

Jamie Gallagher stood beside the pirate at the skiff’s rail, the African sea thick on his skin. Neither man could see the other in the moonless night, but Jamie smelled the khat the Somali never stopped chewing—sweetly sharp, a scent that made Jamie feel part cleansed and part crazed. “The money is ready,” said the pirate named Abdi. “My men have packed the briefcase.” “Wanaagsan.” Jamie ducked his head in gratitude. “You believe the general will accept a briefcase?” “This is the usual way, yes. It will be checked for explosives with X-ray and IMS swabs.” “Of course.” “Also, the general will insist on verifying the amount before the release occurs.” “His men are going to count ten million dollars?” Jamie asked. The Somali spat khat leaves into the sea. “He has machines. The machines check by weight.” Jamie exhaled, pushing his own breath into the hot, still air. The money would weigh out. The money wasn’t the trick. Abdi continued, “Once the amount is verified, the general will call his people in the jungle by satphone, and they will free your journalist.” “Immediately? I’ll need confirmation from HD before we leave the yacht.” “That is the arrangement.” Jamie mopped his brow. Acting wasn’t his strength, and he hoped his insistence on this procedural point was convincing. In fact, Humanitarian Dialogue (HD) knew nothing about tomorrow. There would be no representative at the hand-off spot, and the French journalist—whose reporting on minority suffrage truly had opened the world’s eyes—would not be freed. This was a regret. But Jamie Gallagher had lived with worse. He said, “I’ll be X-rayed, too?” “Yes.” “Strip-searched?” “At a minimum. You should expect a body cavity search.” “Fine.” In his years advocating for peace and public health around sub-Saharan Africa, Jamie had had his cheeks probed, his neck magnetically combed, and the arches of his feet flayed. “I suppose the general’s in no position to be trusting.” The pirate took a while to respond. Was he eyeing Jamie in the dark? Signaling to his men back on the mothership? Jamie’s statement had been obvious and shouldn’t have invoked offense. Since joining the pirates at Merca, a white beach paradise down the coast from Mogadishu, Jamie had detected hostility—even after paying their exorbitant convoy fee. Abdi himself had been civil enough, but his three young lieutenants, after pointedly using their left hands to shake Jamie’s, had glared at him with undisguised contempt. He understood this. A westerner waltzes onto their ship with unimaginable stores of cash—cash that, in a matter of hours, will bring them into contact with the most wanted war criminal on the planet. Naturally, they resented him. He was what, five years older than them? With his bandanna and dishwater-blond hair? Abdi said, “This is a great risk for us. We have earned the general’s esteem. We do not wish to squander it.” Jamie heard the clench in the man’s jaw. “I assure you, I will comply with every procedure he or you tell me to follow.” General Mahad and these Somali pirates fought on the same side of many issues. Both wanted the ruling Muslims out of Puntland. They didn’t care that the Muslims had remade the conflict-ravaged region into a prosperous enclave, introducing compulsory education and a foodstuff-based living wage. For the pirates, the problem was their strict, Islam-centric brand of law and order, which had made the coastal waters harder to pillage. General Mahad’s beef was simple: the Muslims had replaced him in power. He’d ruled Puntland for a decade, enriching himself and his cronies using any resource available—khat, guns, people. When word of his atrocities leaked, international pressure mounted for a free election. The general agreed after a period of stonewalling, believing he could manipulate the results. When Al Jama-ah won anyway, the general stole all he could in the weeks before yielding control. According to a local guide Jamie trusted, the general toured polling stations his last day with a machete, taking three fingers from each precinct leader. “If I lose next time,” he told them, “you lose the rest.” Though he retained a few loyalist strongholds like the one holding the French journalist, General Mahad himself lived on a yacht, moving constantly to evade capture. The Hague had convicted him last year in absentia. Now Jamie asked, “Who’ll be coming aboard with me?” “Me and Josef,” Abdi said. “We are known to the general.” “Will you be armed?” “No. He will search us, too.” Jamie shuffled in place, the skiff feeling suddenly unsteady beneath him. “I—er, I hope it’ll be okay that I bring a gift. Akpeteshie. I was told it is the general’s favorite liquor?” The pirate groaned pleasurably. “Akpeteshie, yes.” “I thought we might share a drink as a token of good faith.” “The bottle is factory-sealed?” “Yes.” “The general will like this. The general believes in courtesy.” Several retorts came to mind at the ludicrous idea this butcher had any claim on civility, but Jamie swallowed them. He removed a pair of night-vision goggles from his rucksack. Before looking himself, he offered them to Abdi. Abdi waved them off as though the technology were frivolous. Jamie scanned the horizon, right to left, left to right. The skiff’s sway seemed to increase. The eye cups stuck to his sweaty forehead. The smell of khat, which hadn’t bothered him before, grated now, like sugar grit needling into his nose and eardrums. He felt the pressure of this place keenly. Every actor—man, woman, or child—who entered this stretch of ocean would be girded to fight. They must be. Choice never came into it. A shape appeared on the horizon. Jamie thumbed his focus wheel until red blurs resolved to running lights. “The general,” Abdi said. Adrenaline jolted through Jamie. Here was a ghost vessel—a vessel many militaries of the world would board on sight, and one the United States wouldn’t think twice about blasting to smithereens with a drone strike. The yacht grew larger in the greenish display. Jamie screwed on a bulky magnifier lens and was able to make out guards on the gunwale, ambling, AK-47s on their shoulders. The yacht was perhaps twenty meters. Several figures were sprawled out on deck, sleeping in the open for the heat. Jamie raised the goggles, thinking to find the general on the bridge. The cockpit windows were smoked—opaque from outside and surely bulletproof. He panned back down. The craft made a leeward turn, and he glimpsed new figures at the base of the pilothouse. These were prone like the others but smaller—a dozen in a line, little pulled-apart commas. Most of them were still, but one squirmed restlessly. Children. Jamie’s stomach shrank to a cold fist. # He barely slept. Long after rowing back to the mothership and helping Abdi loosely tie up the skiff, and bedding down in the holds beside crates of ammunition and rocket-propelled grenades, Jamie lay awake thinking of those children. He’d known the general had kids, twenty or thirty that he acknowledged. And it shouldn’t have been surprising such a monster would keep family members near, in the cross-hairs of danger. Still, the concrete knowledge of these innocents shook Jamie. His moral clarity waned, like a tower of blocks losing its crosspiece. How will the general’s children move on? What if they fall into the arms of the pirates or the next warlord up? From here, it was no leap at all to obsess about the French journalist. When the exchange was revealed as phony, would the general’s men execute her on the spot? They would blame her, despite the fact that she had played no role whatsoever in the ruse. Renée Auteuil had been raised by a jobless father in Roubaix, the post-industrial husk of a city. She’d worked sixty-hour weeks as a line cook to support them. She’d defied dictators on three continents to achieve the eminence and audience that had prompted General Mahad to snatch her last spring. Now Jamie was putting her in jeopardy, and for what? So that he could feel better about himself? So he could feel absolved? Jamie had chosen Puntland precisely because it was neutral territory in the feud between his family, the Gallaghers, and their conservative arch-enemies, the Pruitts. The two clans had been fighting for nearly three centuries—and while there was hardly a facet of American political, corporate, or philanthropic life their battles hadn’t touched, neither family had much connection to Puntland. As president, Jonathan Pruitt hadn’t carried out any significant dealings with the territory during his term. (His only term, thankfully.) The Gallaghers facilitated relief missions all over Africa, but nothing specially in Puntland. Jamie’s action tomorrow wouldn’t be interpreted as having grown out of the feud, or impacted the feud, or given the Gallaghers some edge in the next midterm elections. This was separate. This was good, a thing nobody could spin or debate. That had been the plan, at least. Now doubts roared in Jamie’s mind. He dug at the roots of his hair, flopping about the damp, creaking boards. The Somalis snored in the adjacent room. Their arsenal reeked of grease and sulfur. Jamie crunched his eyes and pulled his rucksack, which he’d been toting around since freshman year at Yale, down over his head. The thoughts still came, and the guilt. His emotions spiraled and sickened and fought, and finally came to a head. He growled, disgusted by himself, then tore through his rucksack for the shoe that contained, wedged up in the toes, a newsprint photo of a mass grave discovered in northeast Puntland. By penlight, he stared at the image. He seared it into his brain. The open trench of dusted gray bodies. The overlapping femurs. The fleshless faces. The photo was merely one of dozens. Jamie knew the general was well-positioned to continue the slaughter once the collective international eye moved along. “That’s it,” he whispered aloud. “Not one more thought.” # The meeting was to take place twenty minutes after sunrise. Jamie woke, having finally fallen asleep around four a.m., to the Somalis chatting in their native tongue over pieces of flatbread. He dragged himself aboveboard, feeling at once languid and jittery. “Bread?” Abdi offered, tearing a piece from a slab. “Thanks, no.” Jamie reached into his rucksack instead for a piece of biltong, the wildebeest jerky he’d grown fond of. “Has the general been about?” “Yes, Josef saw him. The hat.” Abdi made a sifting gesture above his head to indicate the general’s beret. The day was already scorching, the sky’s blue brilliance broken only by the boiling disk of the sun. The general’s yacht rocked softly in the west, appearing quite large now, its bow sleek and spear-like. “They’re within gun range,” Jamie observed. “Oh yes. We are in their scopes.” As if to prove the point, Abdi raised a hand in the yacht’s direction and laughed. Nobody joined him. The pirate named Josef, taller and broader in the chest than Abdi, loaded the ten-million-dollar briefcase into the first of three skiffs. Jamie stepped in after, fitting his rucksack into the hull—careful of the Akpeteshie inside—and tying back his hair. Abdi took a minute instructing the two men staying back on the mothership. Was he arranging a distress signal? Telling them what to do if shots were fired? Coordinating a double-cross? There was no use worrying. Jamie had placed himself between dangerous people, but dangerous people performed the same calculations benign ones did. The pirates would keep up their end so long as the benefits remained clear: not only cash, but stronger ties with the general and the establishment of a new back-channel to the powerful Gallaghers. The skiff loaded, Adbi yanked the outboard motor’s cord. The engine sputtered alive and settled to a rumbling purr. Josef untied them, flashing a grim thumbs-up to the men staying behind. They charted a course for the general’s yacht. The sea felt choppier on the smaller craft, which didn’t bother Jamie—a lifelong boater and varsity swimmer in college—but did compel him to pull the rucksack protectively into his lap. If the Akpeteshie somehow ruptured against the hull, the mission would be lost. As they neared the general’s yacht, the faces of his guards became visible—wary, textured faces. The carry-straps of AK-47s sawed their necks. Abdi cut the motor and drifted in. A section of railing was unclipped, and a ramp extended from the yacht’s stern. After helping Josef tie up, Jamie slipped the rucksack onto his back and boarded. The Somalis trailed him with the briefcase. “Halkan, ku siin!” said one of the general’s men. Abdi shook his head forcefully at the request—to hand over the briefcase. The guards backpedaled, their formation hemming Jamie and the pirates into a corner of the aft deck. Abdi and Josef walked with their bodies shielding the case as if it contained plutonium. With these uneasy field positions established, the general’s men conferred briefly and parted to form an aisle to the pilothouse. General Mahad emerged. The general wore his full dress uniform: navy blue, epaulets, ribboned medals. He lumbered forward with a mild limp, said to have originated during the Simba rebellion of 1964. He raised his chin to Abdi, then spoke to Jamie. “Welcome to the one and true seat of Puntland, Mr. Gallagher.” Jamie felt the man’s deep, scarred voice in his bowels. “That’s none of my concern. I’m here for Renée.” The general smiled, his lips fat and sly. “How fortunate she is. You are the white knight, eh? Sir Jamie?” The characterization stung, but Jamie pushed on. “I’ve been in touch with Humanitarian Dialogue—their helicopter is ready. Give me a latitude and longitude for the exchange and let’s get this over.” “Your friends have the money?” Every eye on the yacht turned to Abdi, whose knuckles tightened on the briefcase handle. “Ten million,” Jamie said. “Count it if you like.” The general crooked a finger at one of his men, who disappeared to the pilothouse. The man returned with a machine resembling a fax with bill-sized trays. Abdi stepped forward with the briefcase. The man with the counting machine passed a handheld X-ray scanner around the case and swabbed a cloth along each edge. He started for the pilothouse with the cloth, likely to perform a residue test for explosives, but the general stopped him. Then gestured for Abdi to go ahead. When Abdi undid the clasp, the lip snapped open—ten million was a squeeze, even with an oversize case—and a few packets spilled out. The counting began. Now Jamie reached into his rucksack for the Akpeteshie. “I’ve heard tell around campfires,” he began, gathering himself, “that you enjoy a certain Ghanaian beverage.” The general grinned when he saw the bottle, squat, the neck’s glass bowed in the distinctive shape of a baobab tree. “This is true.” “Shall we drink together?” Jamie said. “It’s early, but I find a day started well nearly always ends well.” The general palmed his jaw. There was a risk he would set the gift aside, but Jamie was counting on this subtle challenge to his manhood—in front of his crew, in front of Abdi and Josef. People like the general didn’t back down from such dares. Jamie thought of his old classmate Rock Pruitt who’d downed a fifth of whiskey disproving a frat brother’s claim that prep-schoolers only drank martinis and smoked reefer. “I would quite enjoy that,” the general said. “After the bottle is checked.” Jamie raised a shoulder, feigning indifference as two men seized the Akpeteshie and held it sideways up to the sun, testing its feel in their hands, poking fingernails along the dripped-wax seal. They would find nothing. Jamie’s sister Charlotte Gallagher, founder of internet-of-things giant SmartWidget and the eighteenth-richest person in the world, owned 45 percent of the local distillery that produced Akpeteshie. She had allowed Jamie to follow this lone bottle through the factory. At the final step, just before corking, he’d poured out 150 milliliters of liquor and replaced it with an equal amount of king cobra venom. For fifteen months, Jamie had been inoculating himself with increasingly larger doses of the venom. He had started, after discussing the strategy at length with a Sudanese shaman, with a pinprick diluted in a pint of water. Last week, he had managed eight milliliters of venom—the amount a shot from the spiked Akpeteshie would deliver, depending on the pour—and suffered only dizziness, blurred vision, and severe cottonmouth. When his men were satisfied the bottle was unaltered, the general took a pair of tumblers from the yacht’s fiberglass sideboard. Tumblers, not shot glasses. Eight ounces at least. “To finding a middle, eh?” The general poured each tumbler to the brim. “Two parties can start from opposite ends and, with good sense, find a common understanding.” Jamie’s teeth pulverized each other in the back of his mouth. He’d always found the rhetoric of compromise disingenuous, whether it came from television pundits or the North Carolina Gallaghers exhorting the clan to give ground at the fringes of the abortion debate. To hear it from the mouth of a man like Mahad? Revolting. “To the middle,” he spat. He raised the tumbler to his lips. Calculations whipped around his brain. Eight ounces divided by one point five… Equaled six times the amount of venom his body had previously endured. The liquid was amber, almost orange. As the glass tilted, Jamie imagined he saw currents of venom slithering among the palm wine. His fingers trembled. Some sloshed over the side, but not nearly enough. In his periphery, Jamie became aware of Abdi and Josef arguing with the general’s men. Abdi slapped one empty well of the briefcase. The general’s men shouted. More rushed to the deck from below board. The general balked at Jamie’s tone. “You do not like my toast. That is your right. You are the guest, so make your own.” He smirked about. “We are democratic here, aren’t we?” Jamie ignored the low hoots. “To justice.” He regripped his tumbler. “To justice, and fair treatment for all living things.” The general guffawed, big and toothy. “For ten million, yes. Why in hell not?” Their eyes locked over the tumblers’ rims. Jamie perceived something in the man’s look, some hustler’s instinct, and knew if he faltered now—even for a moment—the trap would be blown. Jamie stared into the lethal brew, waited for bright madness to rise, and drank. The Akpeteshie burned his throat. His jaw felt weak and daggers pressed into his eardrums from inside. Still, he kept his head tipped back and drank it all. The general and several of his men goggled at the feat. When their eyes turned to him, the war criminal downed his, too. “…no, the release! ” Jamie heard behind him. “No money before release!” “We will keep it.” “No, us! We will hold the money.” A guard wearing ripped denim leveled his rifle at Abdi. Josef stepped forward to push aside the muzzle. Another guard drove the butt of his rifle into Josef’s back, crumpling the pirate. Jamie didn’t know how long he and the general had. During his inoculation, the symptoms would begin in about a minute, but he’d never ingested this large a dose. His heartrate zoomed and breath pumped through his chest like air from a bellows—still, this could be the effects of anticipation. “So, um…the release,” he said, feeling a vague duty toward Abdi. “If you…so I’ll call HD and be sure Renée, er…s’all okay with the money…” Words were deserting him. The scuffle on deck was intensifying. Josef had recovered to pounce on the man in denim. Abdi was buried in a furious tangle of fists and churning hips. Jamie didn’t understand the fight. Let them have the money—who cared? He began to feel disconnected from his body, Abdi and Josef blending into other people he’d known in life, Gallaghers and Pruitts, senators and reporters, grad students and business titans, all fighting without reason, finding joy and enemies, grinding their life into the larger sausage. The general unleashed a thunderous whistle and raised his hand for calm. The struggle paused. Every eye turned his way. He began to lower his hand but suddenly couldn’t. His arm convulsed and became some bucking stick-animal beyond his control. His fingers twitched unnaturally. He grasped his throat, staggering back. Froth bubbled in his nostrils. The man who’d retrieved the money scale from the pilothouse pointed at Jamie. “What is this?” Jamie tried answering, but his tongue would not obey, dead and heavy in his mouth. Pain gored his brain. Sweat screamed from his pores, a thousand beads altogether. This wasn’t the outcome Jamie had wanted, but neither was it wholly unexpected. He thought now of life’s best moments. In Burundi, feeling that boy’s skeletal hand squeeze as he sucked a tab of enriched peanut butter. On the vineyard, fourteen years old, swinging his cousins round and round in celebration after his mother—the senior senator from Connecticut and Democratic National Committee chairperson—had succeeded in her long-shot campaign to retake majority control of the Senate. Above all, though, he remembered kissing Sam. Seniors on their last night at Yale, about to go conquer the world, standing together in an entryway. Emotions spiked to the heavens. Their mouths came together in the gentlest, deepest touch he’d known before or since. Samantha Lessing. God, she was it. The life he missed. Half the general’s men were swarming the Somali pirates while the other half moved on Jamie. There was a gap between the two, but it was closing. Jamie willed his tongue back into service. “This was right,” he croaked. “Here, today. This was not a waste.” And he believed this—dashing across the deck through grasping hands, over the gunwale, into the black ocean.

TEN YEARS LATER

2

Sam slipped out of the WNYC studios at four thirty, waving off cheers of “Have fun!” and “Take me with you!”, hurrying through the lobby, jogging a short block to catch the uptown C. She needed to pick up a daughter and possibly husband in Brooklyn, then be back in Manhattan for the 5:41 p.m. train to New Haven. Reunion check-in closed at eight. If the train arrived on time, she’d make it easy. If not? If any of the dizzying array of pitfalls inherent in teenagers and public transit popped up? Sam guessed they were sleeping on the street. Half an hour later, she hiked three flights of stairs with key at the ready. The apartment was unlocked. “Joss?” she called. “You are packed, yes?” Her daughter’s door was closed, but guitar chords thwanged through. Sam stepped around French bread pizza and a stack of indie music magazines to pound twice. “Not telling you what to wear,” she yelled, “but I suggest a dress or dress-like garment for Saturday night.” The music inside dulled, indicating Sam had been heard. The warning bell had been sounded. She found an oversize duffel bag in the hall closet and tossed in her stuff: toiletries, three-odd outfits for the weekend, Zoom audio recorder. About outfits: Sam both cared and didn’t care. She was forty-three. Her classmates were forty-three, give or take. Nobody should go rocking a prom dress, but they weren’t dead yet either. She brought dark-red sleeveless, plus yellow floral in case of glorious weather. “Leaving twelve minutes!” she said through Joss’s door. “Zero wiggle situation.” Tight timelines didn’t bother Sam—the studio commonly dropped post-production on her for shows that were airing in mere hours. Packing now, she thought pleasurably of the friends she’d see at the reunion. Laurel in from San Francisco. Jen Pereido. Naomi, even though she was still recovering from the birth of her fourth(!) child. From her own daughter’s room came a squeal, streaked with joy. The noise pinched Sam’s heart. Her husband Abe was in there—they’d probably harmonized on some new melody. Which was awesome. Truly. Except that it was 4:48. She opened the door. “I hate to be Yoko, but the time’s come to break up. Leaving in five minutes.” Fourteen-year-old Joss looked up from fingering the neck of her guitar, still grinning. Abe sat cross-legged on the floor with the Yamaha across his knees, a kind of strung-out, hipster Dalai Lama. Both appeared stumped. Sam said, “Yale? My alma mater, where you’ve been dying to go for months?” Joss’s grin vanished. “Dad said you were leaving whenever! Isn’t it like an all-weekend thing? Today’s only Thursday.” “Yes, but in order to check in Thursday night, as I hope to,” Sam said, patiently as she could, “we need to arrive on campus by eight o’clock.” “That’s ridiculous, I’ve barely even looked at clothes.” “Then look quickly. I’m winging it myself.” Joss shot upright, dropping her guitar with a clang against the bed. “I’m not going to Yale on, like, zero notice. You can’t just spring this on me.” “I sprung no thing on no body. We discussed timing last night, and this afternoon I sent your father four texts—every hour, on the hour—reminding him.” “But those go to his phone,” Joss said. “Remember, I don’t have one? Because you won’t let me?” Sam stretched one arm laboriously toward the ceiling, focusing on good breaths. Apparently, they were skimming right over Abe’s not passing along the messages. His long-running campaign to absolve himself of any and all responsibility—waged by a steady pattern of never giving a crap for anyone but himself—had succeeded at last. “Look, we can argue about phones again or we can try to make this train. Otherwise, we basically miss half the reunion. We might as well skip.” This genuinely spooked Joss. Her face hollowed even more deeply than usual. (She’d grown three inches this year, causing Sam to marvel at this moody, suddenly supermodel whose laundry she washed every week.) They’d been talking about the reunion forever, what architecture couldn’t be missed, whether student activists would be around for Joss to connect with. Sam hated to use fear, that blunt-force instrument of the parenting arsenal, but she knew a reasoned argument would produce nothing but gridlock. Joss started packing. Abe, who’d disappeared to the bathroom, emerged now with drawstrings dangling from his sweats. He nodded to a pair of shiny heels in Sam’s duffel. “Somebody’s dressing to impress.” “I haven’t seen these people in twenty years,” she said. “I’m erring on the side of adequate.” Her husband snorted, seeming to take the comment personally. Twelve years older than Sam, he’d been an already-aging rocker when she had met him in her late twenties. Between drugs and alcohol, and having nowhere in particular to be for the last twenty years—no office or classroom mores to adhere to—Abe had aged poorly. His leatherette skin belonged to a person decades older, and beige hair had fled the top of his head for his ears and nostrils. “You’re more than welcome to join,” Sam said, stuffing in a toothbrush. “But we are leaving mucho rapido, so…” He ambled a step away, picked up Joss’s guitar and set it in its case. She heaved the duffel’s halves together to make the zipper zip. “You’re passing, correct? I just want to confirm with a verbal yes or no answer.” Sam knew with four hundred percent certainty that some future argument would hinge on this point—whether or not Abe had been invited. They would be sniping back and forth about Yale, how phony or not phony her friends were, what first-world problems they were finding themselves crippled by, and he would break out his trump card. You were embarrassed. You didn’t want me there, dragging you down. And here it came, earlier than expected. “You don’t have to faux-invite me,” Abe said. “You prefer to go alone. Oh, you’ll tolerate Joss. Joss is an acceptable accessory. Perfectly cool, I get it. I won’t ruin your triumphant return.” Sam again focused on respiration. In, out. In, out. “This is a real invitation,” she said. “Just like the one I offered in April, and in May. You are absolutely welcome at my reunion. Come. Please. Joss would love having you there. Maybe you could jam with Thom—he’s supposed to be playing Toad’s.” As convincingly as Sam delivered these words, her husband was right. The invitation wasn’t real. Abe thought Thom’s music was derivative and had zero interest in strumming out tired chords while Activist Boy preened at the mic for the ladies. If Abe went, he would grump and sulk and criticize, and ruin the whole thing. “Pass,” Abe said. “Thom can play ‘Better Man’ solo. That is where he opens, isn’t it? Pearl Jam? Or is it the first encore?” Sam chuckled with relief. Complicity with ragging on her own friends? Fine. Fine, she’d do it—so long as he stayed home. Their daughter’s voice came through the wall, “What’s the formality situation for Saturday night dinner?” “Less stuffy than a cotillion,” Sam called back, “but expect mosh-pitting to be frowned upon.” As she waited on her daughter, Sam kept tabs on a few text conversations by phone. People were arriving into New Haven and wondering where Demery’s had gone, or at the airport dreaming of hugs on the quad, or annoyed because they had to work tomorrow which royally sucked! Sam grinned at this last but didn’t tap back a response. Abe was watching her, surely guessing what the rapid-fire chimes were about. For Sam to actively join in would risk an argument or, worse, a change of heart. She didn’t think her husband was capable of attending the reunion for spite, enduring a rotten weekend just to play the killjoy. But why push him? Finally, Joss emerged. She had changed into a clingy ankle-length skirt and carried a backpack. “Thank you for hurrying,” Sam said. “Excited?” Joss rolled her eyes but couldn’t completely suppress a smile. Sam clutched her hand. After double-checking the cat dish had food, she slipped on her jacket and pulled her cell charger out of the wall, jamming it into the side of her bag. Abe tilted his head. “Why’re you taking the Zoom?” Shoot. Sam inwardly punched her brain for not packing last night. “Ah…I’m kicking around this audio doc. Just ideas. Might record some clips.” “Topic?” She hated how he asked, all aggressive and pedantic. “I doubt I’ll have time.” She considered lying outright. Joss was watching, though, and the idea of cowering in front of her daughter—who was learning how to relate to others and respond to adversity and be an assertive female—repulsed her. “It’s about pinebox. How it affected our class, et cetera. Of course the vendetta’s been done—this would try to get at it through the lens of our class at Yale. We had one Pruitt, one Gallagher, that death freshman year. Kind of the whole feud in miniature.” She shrugged, pretending to be flip, and started for the door. It was 4:32. Abe asked, “Is Rock Pruitt going to the reunion?” “Dunno,” Sam said. “We didn’t exactly run in the same circles.” “Really? That seems disingenuous given you were bosom buddies there with the immortal Jamie Gallagher.” Sam felt her chest constrict. Let it go, she told herself. Let it go like Elsa. Turn yourself to ice, and everything slides right off. Except she couldn’t. “Jamie despised Rock. You could walk the earth and never find two people with more diametrically-opposed worldviews than Rock and Jamie.” Abe huffed. “Those beautiful people and their worldviews. What rarefied air you’ll be breathing again.” Sam opened her mouth hotly to speak. At the last moment, she stopped and finished zipping her bag instead. She stood tall-shouldered, smiled, and invited Joss to lead the way out. “The audio doc does sound right out of This American Life,” said Abe, evidently unsatisfied with the fight’s resolution. “Who produces that? Must be one of those Yale ninety-sixers working there you could pitch.” She felt like asking how he could possibly believe in mythical Ivy League connections after this life of theirs: Sam’s twelve years bouncing around the periphery of pseudo-academic film, hustling after grants, performing peon tasks in job after job to bulk up a CV so it could sit on her Patreon page getting a half-dozen page views per month. She had finally risen to prominence at WNYC but almost in spite of Yale, which carried significant prima donna baggage in the field. Again, though, Sam restrained herself in front of Joss. “Hey, quick Zoom question,” she said. “You think forty-eight/twenty-four-bit, or forty-four/sixteen is better? It’ll be mostly outdoor clips.” Abe tipped his balding head left, then right. “Forty-eight. File sizes won’t be that different, and at sixteen, the Zoom gets super noisy.” Sam crinkled her nose. “Yeah. Yeah, I guess that’s right. Thanks.” Mother and daughter both pecked Abe goodbye and bounded off to catch a train. Joss seemed to study Sam down the stairs, and she wondered momentarily if her ruse had failed—if Joss understood that Mom had forgotten more about sampling rates than Dad had ever known—and had only made this final query to escape the apartment on a positive note. Other fictions existed between the couple. That Abe respected her managerial position at WNYC. That she believed his vow to start playing shows again—that those freelance audio-tech Fiverr gigs he’d parlayed fairly successfully into income were just temporary and not his professional endgame. That reuniting each night for dinner, they asked about the other’s day with anything like genuine interest. Sometimes Joss would make comments indicating she knew. “Gee, Dad, bitter much?” or, “I’d rather not be involved in this,” swirling her hand as though over a cesspool. Other times, she seemed oblivious, just a regular kid consumed by regular kid stuff. Either possibility broke Sam’s heart. *** Excerpt from The Pinebox Vendetta by Jeff Bond. Copyright 2020 by Jeff Bond. Reproduced with permission from Jeff Bond. All rights reserved.

 

Author Bio:

Jeff Bond Jeff Bond is a Kansas native and graduate of Yale University. He lives with his wife and two daughters in Michigan, and belongs to the International Thriller Writers Association.

 

 

 

 

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