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Round Up the Unusual Suspects by Elizabeth Crowens Banner

ROUND UP THE UNUSUAL SUSPECTS

by Elizabeth Crowens

March 9 – April 17, 2026 Virtual Book Tour

Synopsis:

Round Up the Unusual Suspects by Elizabeth Crowens

A Babs Norman Hollywood Mystery

 

Against the backdrop of WWII, no one expected to find a murdered stagehand on a Warner Brothers sound stage. With so much at stake, Jack L. Warner hires Babs Norman and Guy Brandt, the two young private eyes who recently resolved his high-profile Maltese Falcon/Blackbird Killer Case. Social justice crusader Leon Lewis suspects local Nazi sympathizers are responsible. Lewis assigns a German stuntman, a veteran of the decadent subculture of Weimar Berlin nightlife and one of his newest operatives, to join forces with the private detectives.

According to Warner, the show must go on, but everything from bomb scares to the Japanese internment, to unruly parrots, forbidden love, and family crises conspires against solving the crime. “As Time Goes By,” actors Humphrey Bogart, Ingrid Bergman, and the rest of the Casablanca ensemble join the professional private eyes to round up the unusual suspects and capture the killer.

Love 1940s classic movies? Treat yourself to the award-winning Hounds of the Hollywood Baskervilles (Book 1) and Bye, Bye Blackbird (Book 2) of Elizabeth Crowens’ Babs Norman’s Golden Age of Hollywood mystery series by Level Best Books.

Book Details:

Genre: Golden Age of Hollywood Mystery with humor
Published by: Level Best Books
Publication Date: January 20, 2026
Number of Pages: 328
ISBN: 979-8-89820-189-0 (paperback)
Series: A Babs Norman Hollywood Mystery, Book 3 || Amazon, Goodreads
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub

Mystery Series

Hounds of the Hollywood Baskervilles by Elizabeth Crowens
Amazon | Kindle | Barnes & Noble | Goodreads | BookBub
Bye Bye Blackbird by Elizabeth Crowens
Amazon | Kindle | Barnes & Noble | Goodreads | BookBub

Read an excerpt from Round Up the Unusual Suspects:

Chapter One

“Nobody’s allowed to die on one of my sets!” hollered Jack L. Warner. “Who’s the jackass who wants to halt my production?”

Flanked by his personal assistant Bill Schaefer, Jack dragged Hal B. Wallis, his head of production, over to the sound stage filming Yankee Doodle Dandy, starring James Cagney. He swung open the door as soon as the red warning light turned off and stormed inside.

Michael Curtiz, the film’s director, dumped his megaphone and threw down the gauntlet. The parade band on stage accompanied his rage with a drumroll and cymbals.

Warner nabbed Curtiz’s discarded megaphone. “Rally the troops—all of them! I have a studio-wide announcement.”

Curtiz, turning red, clamped his hands over his ears. The actors and background extras, dressed in woolen military uniforms, stopped marching and sweltered under the hot lights. The live orchestra fell silent.

“Sir, maybe we should check out the dead body first,” Schaefer suggested with hesitation.

At Warner’s command, an assistant rolled back a piece of movable scenery to reveal a prone figure, an unknown young man wearing bloodied street clothes, but with a swastika carved on his neck.

“Are you sure he’s dead?” Warner asked. “He looks like he’s just sleeping on the job.”

Backing up a few steps, Wallis broke out in a cold sweat. “Has any-one been a-ble to i-den-ti-fy him?”

The assistant director strained to keep self-control but trembled. “Every-one denies knowing him. Our director, however, insisted we ignore the victim and stay on schedule.”

Wallis, turning green, gulped down his rising bile but regained his voice. “That’s unconscionable. We should secure the set. Everyone will have to swear to secrecy, and under no circumstances is the press to know about it.” Schaefer clutched his stomach, and his knees became unsteady. He grabbed a chair to brace himself.

Jack L. strutted the sound stage like Napoleon planning a counterattack and examined the casualty of war with a sense of unnerving calm. He wrinkled his nose and instructed his assistant, “Better call the Burbank PD. Won’t take long under these broiling lights for him to stink to high heaven.” The actors, who’d remained in the stance of military attention, were about to wilt. Offstage, on both sides, waited singers and female tap dancers dressed in skimpy satin costumes as a tribute to Uncle Sam.

“At ease!” Warner shouted, accompanied by a round of relieved sighs. “You think you can direct my film picture?” Curtiz shouted in his choppy version of Hungarian-bastardized English.

“I can and I will,” Warner barked. “Don’t forget, I sign your paychecks! Furthermore, I still can’t understand why you summoned half the musicians’ union to play instruments off-camera when you could’ve used a recording. Money wasted!”

Curtiz glared, with fire in his eyes. “It’s because they’re featured on camera at the beginning and the end of the scene!” He cursed in his native Hungarian tongue and stormed off the set.

Jimmy Cagney, the star of the show, followed. “You can find me in my dressing room.”

Undaunted by his director and lead actor’s histrionics, Warner demanded to see the production notes. After a quick glance, he scraped his fingernails through his receding hairline.

“Too much…can’t picture it. Summon your editors and set up a projector—somewhere—anywhere, on the damned wall if we must. I’d need to see the dailies and bring me that hot-headed Hungarian Goulash Gulag Meister and his la-di-da lead actor.”

Wallis broke the point of his pencil by slamming it down on his notepad. “All these delays…I don’t want to hear a word from you about going over budget.”

“I’m the one who makes the final decisions. Respect your commanding officer!” Warner admonished his confused subordinate.

Wallis gave him a weak salutation, but only out of respect. “Aye! Aye, sir!” Warner gave one last look at the body. “Go ahead, call the police,” he said to Schaefer. “And hire those two private detectives.”

Wallis scratched his head with a look as if a screwball comedian had thrown a cream pie in his face. “Who?” he asked.

Warner clenched his jaw. “Babs Norman and Guy Brandt, those young kids who solved the Blackbird Killer Case and saved the cast of The Maltese Falcon. That was a close call for everyone.”

* * *

The phone rang at B. Norman Investigations. Guy picked up and said Jack Warner’s assistant was on the line. Babs motioned for him to hand over the receiver.

“The Big Boss desires your company,” Schaefer told her.

“If he doesn’t mind throwing in two mouth-watering prime-rib dinners at the Smoke House for us,” Babs said, who hadn’t eaten all day, “we’ll consider that his consultation fee.”

The two PI partners headed downstairs to their building’s garage, where they now had their own assigned adjacent parking spaces instead of playing roulette for empty spots on the street. Babs put her key into the ignition of her ailing Crosley—the Clown Car, the brunt of Guy’s constant jokes, with a paint job that resembled a motley patchwork. The moment she put her foot on the gas pedal, it made a bone-shaking screech of metal against metal and emitted exhaust that would’ve choked a triceratops.

“We’re taking mine,” Guy said after he stopped wheezing. He rolled up his windows to keep out the foul scent. “Can’t believe you never had the sense to replace that fossil since it never ran well.”

They pulled out of the garage, and he donned his sunglasses. “Now, you’re stuck with it since our government stopped new automobile production and only people in vital professions, such as doctors and clergymen, qualify to purchase remaining inventories.”

“Private eyes don’t have priority?”

He shook his head. “Not in your sweet life. Those assembly lines are being converted to produce tanks, aircraft, and weapons for the military. Mark my words. Next thing you know, they’ll demand that we ration fuel and rubber for our tires like they do in England. Read the papers if you don’t believe me.”

Guy flashed his Warner Brothers pass to the gate security guard. Babs panicked as she searched inside her purse. “I must’ve left mine in my car.”

“Try flirting,” Guy whispered.

She snorted in defiance. “I will not!”

Much to her surprise, he sweet-talked his way into saying, “She’s with me,” and pulled into an empty guest parking slot.

When they arrived at the Yankee Doodle sound stage, the crime scene investigation was well underway. The Burbank PD sectioned off the area where the deceased lay, but nearby, Curtiz insisted on conducting rehearsals even if it was too noisy to roll sound. He ordered the gaffer and his electrical crew to prep the lights for the next set of shots, but they went berserk, thinking a light was shorting out every time the crime scene photographer’s flashbulb went off.

Curtiz insisted his captive cast and crew finish what they started. He’d work around the police, even if it meant yelling and screaming, at the risk of losing his voice, to make sure they kept quiet.

“Isn’t Jimmy Cagney your star?” Guy looked around for the missing actor.

Curtiz made an unintelligible grunt and spat into his handkerchief. “We shall work around his crybaby tantrums.” He launched a new battle with Wallis. “You complain that clocks ticking means money. Then why does Warner have to be such a stingy fat cat?”

Wallis bit his lip to keep from laughing at the director’s deliberate jabs at the English language. “Our detectives-for-hire are here.” He pointed out Babs and Guy. “Jack wants you to perform the entire number, Yankee Doodle Dandy, from start to finish.”

The director stood his ground. “That’s not how we shoot it. We fall behind schedule. Then Jack gets more and more angry.”

Warner paced the floor, bellyaching to himself and to any of the cops who would listen. “What if Cagney had been the intended victim? Not that I’m glad this man is an unknown Joe Palooka, but you get where I’m coming from.”

The moment Babs saw the corpse, her stomach lurched. Guy took his handkerchief and covered his nose and mouth. “Did you find any ID?”

“Found a driver’s license in his wallet,” said one cop. “He’s got a German-sounding name: Gerhard Sauer.”

Warner, holding a script, muscled in on their conversation. “I want to see this scene played out from start to finish.”

Since Cagney left the set, Guy volunteered to stand in and improvise his choreography, but the studio head ignored his suggestion. “If that fussy thespian wants to act like a child, I’ll just have to take over and go through the motions.”

Babs took her notepad out of her pocketbook. “Did anyone hear any strange noises?” She looked around for reactions but got none. “Did you consider that someone killed Sauer elsewhere and, for whatever reason, dumped his body backstage?”

Babs blew her anger out of her nose. No one seemed to listen. Wallis gave the PIs an overview to get them up to speed. “The film, Yankee Doodle Dandy, is about the life of lyricist and composer George M. Cohan. He performed with his family, and they called themselves The Four Cohans. Playing his father, we’ve got the famous actor who played the shot-up Captain Jacoby from The Maltese Falcon, Walter Huston.”

“Give My Regards to Broadway is also one of Cohan’s famous songs,” Guy mentioned.

“We’ve included that one, along with Over There. All patriotic numbers that helped us endure WWI. Just think, we have a song for every star and a star for every stripe.”

Wallis stopped and scratched his chin. “You know…I rather like that line. Must insist on using that quote for our trailer. However, what you’ll see on screen is a show within a show, as if our cinematographer was shooting a documentary. At the beginning and the end of the scene, the camera will pan, showing an establishing shot of everyone inside the theater. That’s where our live orchestra comes in.

“The Cohans perform in a stage production of a show titled George Washington, Jr. The song-and-dance medley scene we had been shooting before everything went haywire centers on Grand Old Flag. Once edited, it will look like we shot it from start to finish, but since Warner told me you used to be actors, you probably know that most of the time we shoot scenes out of order. We’ll stop within sections to film close-ups and from different angles. Everyone’s curious to see if there are clues about the killer in the footage we’ve shot so far.”

Babs asked Wallis if he’d drop her a line when the footage was available for viewing.

Jack Warner, however, seemed to have his own agenda. He took over as director and insisted on doing a dry run. “Up with the curtain! Places, please. Stand by, and on with the show of the century. It’s the most original thing to hit Broadway. You know why? Cagney…or Cohan, to be more accurate, is the whole darned U.S. of A. squeezed into one pair of pants.”

Wallis asked the PIs to follow him and take seats with the extras in the audience.

“How many actors does the scene start off with?” Babs asked.

“Not including the live orchestra and the packed seats filled with the audience, I guess there are about thirty-five, but more join in later.”

Lighter on his feet than expected, Warner skipped across the stage and justified substituting for Cagney, who refused to leave his dressing room. “Believe it or not, I’ve had experience as an entertainer. When my brothers and I started our family business, I used to sing in the aisles in between screenings.”

Wallis drew a deep breath and released it. “There he goes again. The boss loves telling everyone the story of his debut in show business. Often, I wonder whether Jack secretly always wanted to be a performer instead of running a studio.” He explained the upcoming scene while everyone blocked the action. “Jimmy sings Grand Old Flag. Twenty young Boy Scouts stride in from the top of the stairs. Betsy Ross sews the flag, upstage center. Eight more adults, who look like members of a military band, join them in song and advance from upstage right. After that, we cut away to five or six members of a fife and drum corps.”

The PIs made every effort to follow Wallis while Warner danced on stage with the hired actors. “Upstage left, a variety of singers march forward, representing the common man and the working class—policemen, bakers, bankers, a nurse, miners, railroad workers—showing their solidarity. Everyone turns toward the flag and breaks into My Country, ’Tis of Thee in front of people manning an anti-aircraft gun.”

Guy, who had been counting on his fingers, lost track. “How many would that add?”

“Probably another thirty. Central Casting must’ve broken out bottles of champagne after receiving our requisitions. Then the stage curtains close, and the spotlight falls on Cagney, downstage right. In come the tap- dancing dames, many bearing American flags. This is where we rival MGM’s schmaltzy musicals with their elaborate costumes and choreography. Enter Uncle Sam, played by Walter Huston, and the Statue of Liberty. Then Jimmy wows everyone with his signature dance steps. More female flag bearers emerge from behind the rear curtain. Our stage crew has rigged the floor with conveyor belts, giving the illusion that the actors are marching toward the audience while they’re actually staying in place.”

“Otherwise, they’d march right off the stage,” said Babs.

“Correct, but we wouldn’t want them to do that,” Wallis explained. “As the cinematographer pulls back and widens the focal length of his lens, background curtains continue to open until we see a painted backdrop of the Capitol Building in Washington, D.C. I’m no expert in visual effects, but it gives the audience the feeling there must be well over a hundred people proceeding down the boulevard. Pretty spectacular, don’t you think?”

The assistant director leapt onstage and reminded Warner that the soldier actors were still suffering under the scorching lights and waiting for their next order. “Sir, we’re not rolling camera. We should dismiss them.”

“Tell them it’s a wrap until further notice. I won’t approve an exorbitant dry-cleaning bill for everyone schvitzing in their costumes.”

With military precision, the assistants rounded up the various groups of performers and shuttled them toward wardrobe. Curtiz and James Wong Howe, his cinematographer, remained to discuss how they’d execute the rest of that scene.

Warner scribbled a note and handed it to his assistant. “Bill, tell these two to drop everything. I’m calling a meeting to order and want them present.”

Schaefer reviewed his memo pad. “Sir, you scheduled one with them already.” Then he checked his watch. “They should be there…right now.”

Jack pointed to Babs and Guy. “Then you’re coming with me and away from the crime scene.” In a rush, he sprinted ahead.

Babs shouted loudly enough for him to hear her as he gained distance. “We’ll need to sign a contract to make our assignment official!”

“Pick up the pace, you slowpokes, and I’ll cut you a check after we get there.”

***

Excerpt from Round Up the Unusual Suspects by Elizabeth Crowens. Copyright 2026 by Elizabeth Crowens. Reproduced with permission from Elizabeth Crowens. All rights reserved.

 

 

Author Bio:

Elizabeth Crowensr

Elizabeth Crowens is bi-coastal between New York and Los Angeles, where she has worn many hats in the entertainment industry. Awards include Lefty nominee for Best Humorous Mystery, Agatha nominee in multiple categories, MWA-NY Chapter Leo B. Burstein Scholarship, NYFA grant, Eric Hoffer Award, Glimmer Train, Killer Nashville Claymore finalist, Killer Nashville Silver Falchion Top Picks, two Grand prize and six First prize Chanticleer Awards. Crowens writes Golden Age of Hollywood mystery with humor and alternate history in her Time Traveler Professor series. She also has a popular Caption Contest on Facebook.

Catch Up With Elizabeth Crowens:

www.ElizabethCrowens.com
Amazon Author Profile
Goodreads
BookBub – @ecrowens
Instagram – @crowens_author
X – @ECrowens
Facebook – @thereel.elizabeth.crowens
BlueSky – @elizabethcrowens.bsky.social

 

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Murder of Furies by Eleanor Kuhns Banner

A MURDER OF FURIES

by Eleanor Kuhns

February 16 – March 13, 2026 Virtual Book Tour

Synopsis:

Murder of Furies by Eleanor Kuhns

AN ANCIENT CRETE MYSTERY

 

Bronze Age Crete, 1450 B.C.E.

When Tinos, the High Priestess’s consort, asks Martis to search for his missing daughter, Martis becomes involved in the dangerous politics between Crete and Egypt. A minor Egyptian prince is courting Hele, the High Priestess’s daughter, despite her persistent refusals. And despite the lobbying by Hele’s brother, Khoranos, who seeks the Cretan throne for himself.

Then the High Priestess is found murdered, savagely stabbed multiple times. Martis discovers plans to kidnap Hele and she has to be spirited away to safety. Egyptian soldiers occupy Knossos and Khoranos installs his ally as the High Priestess.

Can Martis rescue the High Priestess’s daughters and identify the murderer before Khoranos, with Egypt’s help, takes the throne? Martis must embark on several dangerous quests to succeed.

Book Details:

Genre: Historical Murder Mystery
Published by: Indie
Publication Date: January 31, 2026
Number of Pages: 274
Series: An Ancient Crete Mystery, Book 3
Book Links: Amazon | Kindle | Goodreads | BookBub

The Ancient Crete Mystery Series

In the Shadow of the Bull
In the Shadow of the Bull
Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub
On the Horns of Death
On the Horns of Death
Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub

Read an excerpt:

Chapter 1

Although it was just late March, Crete was already growing hot. Sweating and panting after the bird dance, I pushed my mask to the top of my head. I sucked in deep breaths and flapped the long white sleeves, pinned to resemble wings. Air rushed over my damp arms and legs,

At least my dance was finished. Other dances would also be performed, and, in fact, the next one was already beginning. The younger girls, all maidens and too young to wear the red spotted scarf, were clad in bearskins. They danced to honor the Lady of Animals and Childbirth. I remembered that hot smelly costume from previous years. Now, at almost seventeen, I danced as a bird in a graceful circle of white-clad girls twisting around one another. I thought we really did look like flying birds; not imprisoned by the earth. We each wore the mask of a different species. Although I’d hoped to dance as a gull or an owl, I was only a sparrow.

The other bird dancers removed their masks and scattered into the audience to join friends and family. Except the vulture. Funny, I thought, I didn’t recognize the vulture. Now that I’d begun my agoge and visited the dorms regularly, I thought I knew all the young women – at least by sight. I certainly should know everyone who I danced with.

Despite the identical white gowns and the masks covering the faces, the bodies were difficult to disguise. This girl was heavier, that other one was as slim as a papyrus reed. Although every girl danced the same steps, some jumped higher and some twisted with an extra roll of the hips. Easy to know them even though we weren’t supposed to – for this short space of time we were the creatures represented by our masks. But I did not recognize the vulture. I squinted against the bright sun. I didn’t remember the vulture from the rehearsals either. And surely at least one girl was missing –

“If you’re Martis, the High Priestess’s consort wishes to speak to you,” said a treble voice behind me. I turned and looked first at the grubby little boy and then around at the crowd. I saw no sign of Tinos.

“Where is he?” I asked, my heart leaping.

At one time, I’d thought – hoped – Tinos and I had developed a special connection. But last fall, during the investigation into the murder of the bull dancer, we’d fallen out. I’d seen very little of him since then and only at a distance, as he conducted his duties. Sometimes I imagined we were still close friends. Other times I despaired we’d ever be friends again.

“I’ll take you to him,” the boy said, extending a grimy paw. I took hold and followed the boy through the crowd.

We went a distance from the theater, finally pausing at a copse of trees. Tinos waited within, almost unrecognizable without his headdress or jewelry. His long black hair had been pulled back and tied with a string. “Martis,” he said. As his eyes drifted from my hair to my white dress, his eyebrows rose in surprise. I touched my long hair self-consciously. I now wore it in the fashionable style – with most of it tumbling down my back except for the locks pulled in front of my ears.

“You’ve grown up? I always think of you in a boy’s kilt . . .”

“I wear that only when I am bull dancing,” I said shortly, affronted. Did Tinos believe I would be a child forever? I was old enough to marry – although I’d vowed before the Goddess that I never would.

Tinos nodded and stared over my head as though regretting this meeting. I could see he felt awkward, without the easy camaraderie we’d once enjoyed, and I was both sorry and angry with him. I’d looked forward to talking with him once again and now he seemed, well, disappointed. “You wanted to see me?” I asked, my tone taking on some sharpness.

He turned to look at me.

“That’s the Martis I remember,” he said, grinning for the first time. “Still as quick to anger as ever.” I went hot.

Unable to think of a smart response, I tossed my head.

“Have you seen Atana lately. I know you and my daughter are friends.”

I knew Atana of course and I’d made an effort to befriend her. At one point, I’d hoped to see more of Tinos, which hadn’t happened. Atana was only nine so I didn’t spend a lot of time with her.

I turned and looked over my shoulder as though I could see through the trees and the crowds beyond. Atana should have joined the younger girls in the bear dance but, because she was the High Priestess’s daughter, she’d been allowed to dance with the birds. Now I knew who’d been missing.

“Did you see her this morning?” Tinos continued, his words rushing out.

“No,” I said. “Didn’t you?”

“No. We – um – quarreled,” he admitted, his eyes seeking the ground beneath his booted feet. “I haven’t seen or spoken to her for several days.”

“Ah.” I said in understanding. Before I moved to the girls’ dorm, I’d been arguing frequently with my mother Now that I stayed occasionally in the dorm, I saw her less often and so we quarreled less. “I saw Atana at most of the rehearsals,” I said now. “How many days has it been since you’ve spoken to her?”

“Almost three. She’s been avoiding me. It was a very bad quarrel,” Tinos’s eyes slid away from mine. He took a deep breath and looked at me. “I’m worried about her.”

“Surely the High Priestess –“ I began. But Tinos was shaking his head.

“She’s too busy now,” he said. I narrowed my eyes at him. Too busy to wonder where her daughter went? After so many days without seeing me, my mother took pains to seek me out. “Atana talks about you,” Tinos continued. “She says you are her friend.”

I stared at him. Friends? Sure, we were friendly, but she was more like my younger sister. We were the two outsiders. I’d just moved into the dorms, years after most girls my age, and I stayed there infrequently, so I didn’t know any of them well. I didn’t care to. They were all looking forward to marriage’ I wasn’t.

“Where would Atana go?” I asked. Atana, Tinos’s oldest child, was much shyer than her older half-siblings and did not make friends easily. Perhaps because of her position – Atana’s mother was the High Priestess after all, the other girls alternately teased or flattered her.

“That’s it, I don’t know,” Tinos said. A pleat formed between his brows and he suddenly looked tired. “But I am very worried. Will you ask the other girls if they’ve seen her?”

“Why can’t you ask them?” I asked. “They would have to answer you.” As the High Priestess’s consort, I meant. Tinos was the most important man in Knossos.

The fingers on Tinos’s right hand began to twitch nervously. “I can’t,” he said at last. “It wouldn’t be wise. The High Priestess . . .” His voice faded and disappeared.

“What do you mean?” I asked, puzzled.

“Speaking to them would be easier for you.” Tinos tried again. “You see them regularly and no one will find it surprising if you talk to them. My appearance would cause too much comment.” He looked at me and I nodded. I was not so much around the younger girls but I did see them as they ran races and wrestled. “Well then,” he said as though it was all settled. “I just want to know she’s safe.”

“And if I find her?” I asked.

“Tell her I’m worried,” he said. “Would you ask her to come home and visit me. And tell her – .” He paused. “Tell her I’m sorry. Will you do that for me?”

“Yes, all right,” I said. I did not believe this would be so difficult.

“And Martis,” Tinos continued, “if she objects or becomes angry with you, don’t argue.” He shot me a stern look from under his heavy brows. “Understand? Just come and tell me.” I nodded although I didn’t understand. Why would I quarrel with Atana? Why would Atana argue with me? More to the point: what exactly had happened between Tinos and his daughter? That was the real puzzle.

“I have to go now,” Tinos said, glancing at the sky. “It is almost time for the Showing. I’ll see you later.” He turned and started down the slope. I watched until he disappeared behind a thicket of trees.

I slowly made my way back to the throng of people gathered around the theater. I did not think I could force my way through the crowd to rejoin my fellow birds and besides I would not watch the Showing. Every spring the High Priestess and her consort copulated in full view of the people of Knossos. It was important for the fertility of this land. But now that I knew Tinos and knew him well, I couldn’t bear to see that ritual.

I pushed my way through the crowd at the bottom of the paved area. As I squeezed by a woman in the fashionable ruffled skirt and tight jacket, the lady wrinkled her nose and tried to move away. I guessed I stank of perspiration.

And then, with a collective sigh, everyone turned to look at the walkway below. The High Priestess, riding sidesaddle on a white bull, was approaching. Her unbound hair tumbled down her back and, instead of skirt and jacket she wore a loose white robe that left her neck and arms bare. Bronze bells hung from the bracelets on her wrists and ankles and they tinkled with every movement. The bull was also decorated; garlands of bright spring flowers festooned his horns and encircled his neck.

Usually, the High Priestess smiled and waved at the people of Knossos but her expression today was uncharacteristically grim.

I turned to look at the top of the stadium. The bull-masked consort waited, glistening with water, as if he had just arisen from the sea. The huge white bull’s head covered Tinos’s head and part of his shoulders, the horns tipped with gold and glittering in the sun. Even though I was not supposed to recognize Tinos, even though who else could it be but the High Priestess’s consort, I’d have recognized him anywhere. His broad shoulders tapered to the narrow waist where the thick twisted scar was just visible as it reached his back. Once a bull leaper, the scar served as a reminder of the bull’s horn that had caught him and ripped open his side.

The white bull came to a halt and the High Priestess’s attendants helped her down. She walked the last few yards to the bed at Tinos’s feet. When she reached him she slid the robe from her shoulders and stepped out of it. But she did not unfasten Tinos’s loincloth, as she had done every one of the nine years previously. Instead, after an awkward few seconds, Tinos slid off the garment himself.

I turned and fought my way through the audience, arriving on the other side of the crowd gasping and trembling. I’d seen this ritual enacted almost every year of my life but a year or two ago I had found I couldn’t watch it anymore. I knew that the bodies coming together on the stage were not the Goddess and Her consort but the High Priestess and Tinos acting their parts. And knowing Tinos and wishing he had his arms around me made everything different.

I set off running, fleeing the central court, to hide in the room in which the dancers changed.

***

Excerpt from Murder of Furies by Eleanor Kuhns. Copyright 2025 by Eleanor Kuhns. Reproduced with permission from Eleanor Kuhns. All rights reserved.

 

 

Author Bio:

Eleanor Kuhns

Eleanor Kuhns is the 2011 Minotaur/Mystery Writers of America winner for first crime novel. She won for A Simple Murder and now has twelve books in the series.

A Murder of Furies is the third in the Bronze Age Crete Series which began with In the Shadow of the Bull.

A lifelong librarian, she transitioned to full time writing during the pandemic. She lives in upstate New York with her husband and her dog.

Catch Up With Eleanor Kuhns:

www.Eleanor-Kuhns.com
Amazon Author Profile
Goodreads
BookBub – @eleanorkuhns
Instagram – @edl0829
Facebook – @writerkuhns

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The Fatal Saving Grace by Jim Nesbitt Banner

THE FATAL SAVING GRACE

by Jim Nesbitt

February 9 – March 6, 2026 Virtual Book Tour

Synopsis:

The Fatal Saving Grace by Jim Nesbitt

ED EARL BURCH HARD-BOILED TEXAS CRIME THRILLER

 

MAYHEM WITH A BADGE

After wandering the peephole wilderness of a private detective for two decades, defrocked Dallas homicide detective Ed Earl Burch is finally an official manhunter again, wearing the badge of a district attorney’s investigator working in the harsh desert mountains of West Texas.

Big D, it ain’t. And life as a resurrected lawman isn’t everything he hoped it would be. Too many rules. Not enough satisfaction. And a boss who hates him for saving his life.

But Burch is back, playing the same deadly game he mastered as a murder cop, tracking a serial killer who tortured and murdered his ex-lover with a straight razor—an Aryan Brotherhood gang leader Burch thought he killed in a desert shootout.

He’s also trying to protect the fugitive granddaughter of an old friend and her four-year-old son—from this remorseless killer and cartel gunsels hired by her incestuous Dixie Mafia daddy.

Throats get slashed. Bullets smack flesh. Bodies drop. And Ed Earl Burch and his partner, Bobby Quintero, are in reckless pursuit, dodging death, closing in on their prey.

No place Burch would rather be. Unless he gets killed.

Praise for The Fatal Saving Grace:

The Fatal Saving Grace is the Independent Press Award Distinguished Favorite for Action/Adventure 2026

“Nesbitt delivers a scorched-earth tale where every shadow conceals an ambush and every road bleeds history. He paints West Texas in colors of rust, smoke and whiskey, and the result is a story that feels carved in stone. This is cowboy noir at its finest.”
~ Baron Birtcher, Will Rogers Medallion winning author of Knife River

“Ed Earl Burch, who’s partial to Lucky Strikes and Maker’s Mark, makes Mike Hammer look like Miss Marple. Jim’s novels offer wicked humor, an eye for detail, brass-knuck action and language that would strip the paint off a Hummer.”
~ Noel Holston, author of Life After Deaf and As I Die Laughing

“Jim Nesbitt knows his Texas crime and writes one fine line at a time. Hard-boiled with prickly pears, old leather boots, a bit of tobacco, freshly spit of course, he gets it right.”
~ Joe R. Lansdale, champion mojo storyteller and author of the Hap ‘N Leonard crime thrillers

“A gritty and deadly must-read, THE FATAL SAVING GRACE cements Nesbitt’s standing among the best writers in the pantheon of Southern noir.”
~ Bruce Robert Coffin, bestselling author of the Detective Justice Mysteries

“Ed Earl Burch is back, and that’s great news for readers who love classic hard-boiled noir, colorful characters, crackling dialogue and plenty of action. Highly recommended!”
~ R.G. Belsky, author of the Gil Malloy and Clare Carlson mysteries

“Some would call it justice. Some would call it revenge. No matter what you call it, the concept has been a long running theme of the Ed Earl Burch series. The same is very much true in the fifth book of the series, The Fatal Saving Grace: An Ed Earl Burch Novel by Jim Nesbitt.”
~ ‘Ace Texas book reviewer’ Kevin Tipple

Book Details:

Genre: Hard-Boiled Crime Fiction, Western
Published by: Spotted Mule Press
Publication Date: December 15, 2025
Number of Pages: 301
ISBN: 9780998329482 (ISBN10: 0998329487)
Series: Ed Earl Burch Hard-Boiled Texas Crime Thriller, Book 5 | Each is a Stand-Alone Thriller
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub

Ed Earl Burch Novels, 1-4

The Last Second Chance: An Ed Earl Burch Novel
The Last Second Chance
Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub
The Right Wrong Number: An Ed Earl Burch Novel
The Right Wrong Number
Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub
The Best Lousy Choice: An Ed Earl Burch Novel
The Best Lousy Choice
Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub
The Dead Certain Doubt: An Ed Earl Burch Novel
The Dead Certain Doubt
Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub

Read an excerpt:

From Chapter 1

When a man gets hit by a .45 ACP Flying Ashtray or three, by all that’s ballistically holy, he ought to get dead and stay dead.

All manner of official paperwork swore he was dead. All of it based on a bogus death certificate filed by parties unknown in the Cuervo County Coroner’s Office, with copies popping up like blowflies on a cow carcass. Even the federales had him playing poker with the Devil, his prison mugshot tucked away in ATF and DEA files, DECEASED stamped across his face in bold, black letters.

The con was slick and easy. Money changed hands, files were swapped or ditched, reports were shredded or faked. Somebody else’s corpse became him. The relentless power of bureaucratic incompetence and inertia did the rest.

Yessir. According to all that yellowing, lawdog paper, he was nobody they had to worry about no more. Finito. A shade. A ghost who said adios. A good thug now that he was a dead thug. Muerto.

Not hardly.

That’s what John Wayne said to all those hombres who thought he was dead in Big Jake. With a growl and a scowl.

Not hardly.

He liked that. Matter of fact, he just trotted out the Duke’s line to a guy he used to be tight with. Caught up to him climbing the three cinder block steps to the front door of his desert double wide.

Tapped him on the shoulder, saw the wild-eyed fear when the dude turned and saw who the finger belonged to. Blurted out: “You’re supposed to be dead!”

Not hardly. Said it with a growl but no scowl. Then grabbed him by a greasy hank of raven black hair, yanking his head back and cutting a crimson smile across his throat from ear to ear. With a bone-handled straight razor. His favorite.

Threw the guy into the sand at the side of the steps. Listened to the choking gurgle and death rattle. Then licked the blood off the blade.

Not hardly. He tilted his head back and laughed. Savored the kill. Alone and alive. An endless dome of stars glittering in the midnight sky above the rocky desert outback near Radium Springs, New Mexico. No moon. A dead man at his feet. Used to be a member of his crew. Frankie Sheridan.

Met him at Pelican Bay. An Alice Baker brother doing a long stretch for bank robbery. Had a shamrock tattooed on his chest with the initials AB in capital letters—Alice Baker, Aryan Brotherhood. Blood in, blood out. Ex-Army. Knew his way around diesels, alarm systems, and weapons.

Sent him a ticket to Texas when he got out. Made him a member of his crew, smuggling guns and drugs out of a ranch north of Faver, the Cuervo County seat, a bent outfit that ran cattle for cover and fleeced bitter and gullible white trash while promising them the return of the Republic of Texas for Caucasian Christians only, a New Zion based on God, guns, guts, and the Good Book. Niggers, Jews, Arabs, and Spics need not apply.

Bad move. Frankie was a ratfuck snitch. Uno chivato. Not to the lawdogs. Just as bad, though. Frankie sold him out to a rival outfit of gunrunners and drug smugglers. Kept them one step ahead of him as they chased a third outfit that held a cache of stolen military hardware everybody wanted.

Rockets, bloopers, mortars, and full-auto carbines and rifles. Bang-bangs that could tip the scales on both sides of the river. All in the hands of a crew fronted by a flashy woman in jeans, tall boots, a bolero jacket, and a blonde wig. A wet dream for the pendejos she hustled.

La Güera. Just the thought of her caused his molars to grind. He wanted her dead. No, he needed her dead. She and her lover were the reason his life got flushed into the sewer, his crew dead, his stash of guns and drugs long gone. Had him climbing out of the shitter, clawing to the top of the dung heap. Again.

He caught the lover. Sliced off his manhood. Slit his throat. Then chopped off his head and butchered his body to stuff into a giant barbecue smoker. Tucked the man’s jewels into his mouth as the crowning touch to a cannibal’s mesquite-smoked delight.

Not the same. Didn’t have her. She still needed to feel his blade, feel his eyes boring holes into hers as he gave her that crimson smile. He needed to lick her blood off that sharp stainless steel. Taste it. And grin. Only then would the circle be complete. He’d be whole again.

Well, not completely whole.

His right eye was gone, blown out by a glancing hit from one of those .45 ACP slugs that also shattered the orbital bones. Nothing extensive plastic surgery, bone implants and a new glass eye couldn’t cure. Had to stack plenty of cash up front to repair damage that severe.

Gave that part of his face a waxy texture straight out of Madame Tussauds. But it sure beat wearing an eye patch and the lopsided face of a Dick Tracy cartoon villain.

His left knee was also shattered, replaced with a titanium joint that allowed him to walk with only a slight limp. Another five-figure hit to his stash of greenbacks.

The man who fired those rounds was also on his payback list. An ex-cop. Big-ass older fucker with a gray beard. Said to be a washed-up Dallas P. I..

Beg to differ, sir. Sumbitch sure kept him from getting to her during that clusterfuck in the West Texas desert. A real Wild West shootout between rival drug gangs wanting the blonde bitch’s bang-bangs.

He was oh-so-close to grabbing her up, dodging bullets and bodies, closing the gap between him and Ol’ Dude, who was carrying the bitch draped over his right shoulder. He screamed her name and leveled an M-16A1 at the both of them.

“La Güeraaaaaaa! I got you, bitch! Got you now! Gonna slice you wide open and watch you bleeeeeeed!“

Ol’ Dude spun on his heel and emptied a 1911 mag at him offhand. Yelled this: “Not today, you cockbite motherfucker. Not in this lifetime or the next.” A lefty. On target without dropping the bitch. Only thing that kept him alive was a Kevlar vest that caught the Flying Ashtrays that would have shredded his chest.

Washed-up, my ass. The man wrecked me. His time was coming, though. Count on a reckoning. Soon. But not now. He was working his way up the ladder of a list he kept in his head. One body at a time.

Frankie was the bottom rung. La Güera was at the top with Ol’ Dude second. Five other rungs between Frankie and them.

Time to get gone. And get busy.

***

Excerpt from The Fatal Saving Grace by Jim Nesbitt. Copyright 2025 by Jim Nesbitt. Reproduced with permission from Jim Nesbitt. All rights reserved.

 

 

Author Bio:

Jim Nesbitt

Jim Nesbitt has the perfect radio face, bionic knees that can grind coffee beans and tell time and a cat who poaches his cigars and uses his cellphone to place bets on British soccer. He is also a recovering journalist who once chased politicians, neo-Nazis, hurricanes, rodeo cowboys, plane wrecks and the everyday people swept up in a news event who gave his stories depth, authenticity and a distinct voice.

A lapsed horseman, pilot, journalist and saloon sport with a keen appreciation of old guns, vintage cars, red meat, good cigars, aged whisky without an ‘e’ and a well-told story, Nesbitt is also the award-winning author of five hard-boiled Texas crime thrillers that feature battered but relentless Dallas PI Ed Earl Burch — THE LAST SECOND CHANCE, THE RIGHT WRONG NUMBER, THE BEST LOUSY CHOICE, THE DEAD CERTAIN DOUBT and THE FATAL SAVING GRACE.

A diehard Tennessee Vols fan, he now lives in enemy territory — Athens, Alabama — with his wife, Pam, and is working on his sixth Ed Earl Burch novel, THE PERFECT TRAIN WRECK. When he’s off his meds, he’s been known to call himself Reverend Jim and preach the Gospel of Hard-Boiled Crime Fiction.

Catch Up With Jim Nesbitt:

www.JimNesbittBooks.com
Jim’s Substack – @edearl56
Amazon Author Profile
Goodreads
BookBub – @edearl56
Instagram – @edearl74
Threads – @edearl74
Facebook – @edearlburchbooks

 

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