Archive for the ‘cover reveal’ Category

A Strange & Terrible Wonder
Nichole Louise
Publication date: August 18th 2026
Genres: Adult, Historical

Eleanor Dare, daughter of Roanoke’s Governor John White, has no choice but to accompany her overly ambitious husband Ananias and her idealist, yet inexperienced father to England’s new colony. Manteo of Croatoan wants nothing more than to cast off his association with the English and return home. Haunted by memories of an unexplainable event, he sets out to find the truth about what was brought to Roanoke by the English two years before as a weapon against the Spanish.

Based on real people who vanished from history, Eleanor and Manteo form a taboo friendship as they work against unseen forces to end the violent and otherworldly attacks upon the settlement. In the midst of this survival scenario, both Eleanor and Manteo—once powerless and marginalized in England, emerge as unlikely leaders of the ravaged colony.

Blending 16th century science, occult, and the impacts of early colonialism, A Strange and Terrible Wonder reimagines what became of the Lost Colony.

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EXCERPT:

Prologue

“All down the church in midst of fire, the hellish monster flew, and passing onward to the quire, he many people slew.”

– Rev. Abraham Fleming, 1577

August 4, 1577
Bungay, England

At first, the congregants believe the slight rattling is only wind insisting upon the church door. A sudden summer tempest. Rain begins to patter above the nave, the sound not altogether unpleasant—soothing, even. A woman closes her eyes and exhales the stress of the morning as she focuses on the rhythm. Her peace is soon jilted by the growing tempest above, for the rain is now a wonderful force with no less violence than abundance. Her eyes snap open and roll to the vaulted ceiling. The great, forceful torrent empties above in what she imagines as glassy sheets pouring from the eaves. A low grumble of thunder. A child presses close to his mother. The two men kneeling at the altar do not flinch in their prayer; one for an abundant harvest season to pay his debts and another for a wife ailing in childbed.

Lightning flashes in brilliant brightness through the clouded, stretching windows. Silhouettes are carved out of the pews. A gust through the crack beneath the front door snuffs out the altar candles as if the tempest is compelling the congregants to sleep. They are all at once aware of the palpable darkness, so much so that one person cannot perceive another. The only light discerned by the congregants is not from the god hanging above them, but from the intermittent great flashing of fiery bolts.

The roar of the storm is so powerful now that the congregants shift with discomfort. A chill tightens the base of their spines as sweat springs on brows with each fearful heartbeat. The men kneeling in prayer do not relinquish their positions, though they see little, and their knees begin to ache against the flagstones. Instead, they press their eyes and hands tighter and pray now for the light to return. The only answer they receive is a terrible crack of thunder with such force and might that the congregants begin to believe doomsday has come.

The doors are thrown open as if by a blast of gunpowder. Lashing wind explodes down the nave, spraying hot rain onto the necks and backs of the congregants who dare not turn from the cross. The woman who had before held a moment of peace, presuming a gentle patter could not turn tempest, winces at the scalding sensation of boiling water against her bare skin. The church seems to quake and stagger as the scent of glowing iron, not unlike a blacksmith’s shop, permeates the darkened church.

The child clutches tightly to his mother when, amid twin lightning strikes, a great shape dashes down the nave toward the altar. The drops of rainwater on the flagstones sizzle as the thing passes in a hot rush of a blacksmith’s bellows. And with another flash of fire, the child sees it—they all see it: a great black dog with one ember glowing eye running with incredible haste. The woman muffles her scream as others bend beneath the flimsy pews as if a mere board of wood will save them from this devil.

The praying men feel great heat against their backs as if a bonfire has been lit before the altar. A sacrifice. Liquid fear runs down their legs, and still they dare not open their eyes nor pry their rigid hands apart. In another crack of thunder and lightning, the great black dog wrings both men’s necks backward in one clean instant. Its movement is so violent, so swift, that the dead men still kneel in prayer.

The child gasps when the lightning illuminates the whites of dead eyes in the heads bent unnaturally back. He buries his face in his mother’s skirts as her nails dig into his narrow shoulders. The beast turns on the congregation, its low growl indistinguishable from thunder, like a thousand carts moving across cobblestones. It stalks down the aisle, its bellows as hot as the summer sun’s rays. The congregants close their eyes against the darkness, press their slick palms together, and pray for their god to save them in his very house.

The beast chooses a man who dares glance up, for he believes he can slip out the door and escape this hell. Instead, the beast’s shining obsidian claws grip the man’s back in so forceful a manner that it is as if his entire body becomes drawn together and shrunk, as if it were a piece of leather scorched by hot fire. Wordless, he topples over with limbs trailing smoke.

The beast shifts into shadow, and the woman sitting next to the burned but still living man stumbles away from the charred flesh and wheezes for help. The rector, who has finally slid out of the shadows, catches her as she falls from the pew. He prays over her—whispering first, then increasing to test the roar around them. He exhorts the terrified congregants to prayer, and in their extreme distress, do so in darkness. The hot wind and scalding rain lash them, for the tempest has now fully invaded their sanctuary. Some congregants are frozen in terror, save their lips flapping desperate prayers, while others try in vain to crawl for the door.

In a flash, the beast materializes on the main beam above the congregants. Its searing talons set the old oak to smoldering as if coaxing a fire. Its ragged back chars the angel carved into the ceiling. The demon swings down through the church. Three lightning bolts follow the dog jumping from one man to another, then a lad, killing all three instantly. The dog dashes from the crumpled boy, and a deafening crack as if the earth has split in two cleaves the roof, and with it, the steeple. The cascade of stone rumbles down the side of the church, and for one striking moment of terror, a woman cries out that hell has opened to swallow the church whole.

The dog bounds for the next man. He dives away, yet not before his hand is burned by the scalding creature’s touch. In shock, the man lifts his charred hand to the burning sensation where his ear used to be. The creature blasts through the church doors, leaving a trail of scorch marks in the wood. The mischief thus wrought, the beast flies with wonderful force out of the churchyard in a hideous and hellish likeness.

Like a decimated forest in the aftermath of a windstorm, the congregants are left quivering. It’s clear to the man with the burned hand and missing ear that there are forces at work mightier than God, who could not protect his devout followers in His own house. Dazed, the man staggers out of the ruins with his compatriots. He looks to the rapidly clearing sky and resolves to find someone with knowledge of these unseen forces—and how to master them. A conjurer with the influence to pursue the arcane unhindered. What other reason could there be for such hell if not as a path to Providence for England? He will accept no other explanation.

Author Bio:

Nichole Louise is a speculative historical fiction writer and book reviewer (NicholeLouise.com). Raven Rock (2023), a prequel to The Legend of Sleepy Hollow, was recognized by Writer’s Digest, the Historical Fiction Company, and the CIBAs. Her articles and book reviews have appeared in the Journal of the American Revolution. Her second title, A Strange and Terrible Wonder (2026) is a historical folk horror tale exploring the Lost Colony of Roanoke. When she’s not writing, she enjoys reading, gaming, and volunteering at Philadelphia Animal Welfare Society.

Website / Goodreads / Instagram


GIVEAWAY!

A Strange & Terrible Wonder Blitz


The History We Carry by Margaret Whitford Banner

THE HISTORY WE CARRY

A Daughter’s Memoir

by Margaret Whitford

July 27 – August 21, 2026 Virtual Book Tour

Synopsis:

The History We Carry by Margaret Whitford

For fans of Jennette McCurdy’s I’m Glad My Mom Died, a memoir for daughters who recognize that to truly understand themselves and the patterns of their lives, they must first understand their mothers and the forces that shaped these women.

When Margaret Whitford’s mother was dying, she told those present that her daughter “had her history.” This was true; Margaret had conducted interviews with her mother during the last decade of her life. But this didn’t end their estrangement, and Margaret chose not to return to her mother’s side during her final days.

In this memoir, Margaret confronts this decision by unearthing in her mother’s traumatic history the roots of the emotional distance between them. She explores how a history marked by the devastation of World War II in Europe, a violent childhood home, and sexual assault accumulated into complex PTSD that shaped her mother and the way she parented Margaret as her firstborn and as a daughter—and, in turn, how Margaret carried her mother’s trauma forward in her sense of self, in her relationships to others, and in the ways she navigated her world. Indeed, Margaret not only had her mother’s history—she embodied it.

Ultimately, The History We Carry confronts the legacy of intergenerational trauma with wisdom and compassion, revealing how familial history shapes each of us but need not be wholly determinative of whom we become and how we choose to live.

Praise for The History We Carry:

“An unflinching, well-rendered memoir that generously encompasses love, trauma, and the fraught relationship between a mother and daughter.”
~ Kirkus Reviews (starred review)

“Margaret Whitford’s compelling memoir—a reflection on her family history, her relationship with her mother, and trauma that spans generations—is clear-eyed, compassionate, and often startling in its insight and originality. I was engrossed from beginning to end.”
~ Clifford Thompson, author of Jazz June: A Self-Portrait in Essays

“Rarely have I finished a memoir understanding how our histories, both personal and generational, live and breathe within us in the present. By unearthing the complicated and poignant relationship she has with her mother, Margaret Whitford also powerfully speaks to the collective soul-searching so vitally necessary during these trying times. Written in elegant, luminous prose, this is a memoir that will stay with you long after the story is told.”
~ Ken Harvey, author of The Book of Casey Adair

“Despite Tolstoy’s famous quote—families are generally neither happy nor unhappy—they are complicated, like Whitford’s. This important memoir delves into sibling conflict, parental infidelity, and substance abuse. Overlying these familial tensions is geopolitical upheaval and the effects of successive world wars, almost unwanted family members themselves. The History We Carry seats them together at its literary table and gives each their due in courageous, precise, and ultimately both urgent and forgiving prose.”
~ Sue William Silverman, author of Selected Misdemeanors: Essays at the Mercy of the Reader

“An exhilarating mix of memoir and deep personal research, The History We Carry explores a mother’s complex history and a daughter’s lifelong struggle to understand and connect with her mother. In clear prose that never presents simple answers but rather digs to discover unknown truths and questions even her own long-held narratives, Margaret Whitford has written a robust story of love and trauma.”
~ Sheryl St. Germain, author of 50 Miles

“All our parents live lives before we arrive, lives that come to bear on our own. In this new memoir, Margaret Whitford bravely ventures into her mother’s past to better understand her own present and future. The History We Carry is a gorgeously written book about generational trauma and the intersections of love and grief. It’s a stunning debut.”
~ Lee Martin, author of Pulitzer Prize finalist The Bright Forever

Book Details:

Genre: Dysfunctional Families, Motherhood, Bereavement
Published by: She Writes Press
Publication Date: June 2, 2026
Number of Pages: 256
ISBN: 9798896363224
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | She Writes Press | Simon & Schuster

Read an excerpt:

A World of Two

I picture my mother lying on her hospital bed, the same one she has occupied for the last twelve days. The space is in shadow, the only light coming from the hallway. The room smells empty. No flowers or scented candles—she wouldn’t have wanted those. The sound of retreating footfalls in the corridor or a muffled voice from another part of the hospital occasionally interrupts the silence. Her breathing is shallow, until the moment it stops altogether. It happens so quietly, no one notices at first.

When my mother died in Concord, I was an ocean away, in a Paris hotel. Another day had already started. That remove feels familiar—geography and time following an established pattern.

In the morning’s early hours, I lay next to my husband, Tom, on a king-sized bed in a room of marble-inlaid tables and still-life paintings in gilded frames, the walls covered in red-and-gold-striped paper. I heard only the sounds of the night, a faint breeze moving through the magnolia trees in the courtyard and an occasional car gliding along the boulevard. While Tom slept, I lay awake, thinking about my mother. I had started to understand that we wouldn’t make it back in time. My mother would either be dead or so unresponsive that there could be no last words between us.

Tom read my brother Billy’s email while I was taking a shower. I knew from the way he walked into the bathroom, but he still had to say the words: “Your mother is dead.” Years from now, I thought, I will be able to replay this moment in my mind. He stood there, naked, looking both vulnerable and strong, his hand on the shower wall ready to reach for me.

My brothers and sister wanted to touch our mother after she died because she had not welcomed that while living. She would allow a hug or a kiss in greeting or farewell but shrugged you off if you lingered in the embrace.

Henry would have stroked her sparse hair, cut short after she could no longer shape it into a twist. He might have teased her about finally being able to touch her hair, something she loathed. Lydia might have rubbed her feet, those odd feet, with such high arches her toes curled to reach the ground. Her feet shaped by childhood polio and old age, missing the little toe on one foot, removed because of frostbite suffered during the Second World War. She could never find comfortable shoes, so she wore Birkenstock sandals year-round, donning socks with them in winter.

Billy would have rested his hand on her shoulder, let his fingers travel the length of her arm. He might have held her hand, bent at strange angles by arthritis and with the bones loose under the skin. Had I been there, I would also have been drawn to her hands, so small that they reminded me of a child’s. She kept her nails short and immaculate, a habit she’d adopted in medical school, and one I try to emulate. I might have traced the line of her aquiline nose and the contour of her jaw, fondled her cheek and pressed my fingers to her high cheekbones, a sign of her Slavic heritage, she once told me.

Her sandals and the pair of socks she last wore with them are mine now, safeguarded in a box in the back of my closet. Those Birkenstocks, the insoles shaped over time by the pressure of her feet, her navy-blue socks. I wanted the last of her clothing, something that had touched her. I run my hands over the smooth cork, hold the socks to my cheek, the much-washed cotton soft. I thought the socks might retain the cool, dry scent of her.

Our plane to Massachusetts departed in the afternoon, so Tom and I filled the morning with small errands—the purchase of a journal of good paper with a red ribbon to mark my place—and one last view of Notre-Dame. Each gesture, every step I made, accompanied by a voice in my head repeating, Your mother is dead.

The air smelled of diesel fuel and wet earth. My left arm entwined with Tom’s right, I rested my hand on his steady forearm, eavesdropped on the conversations around me, catching only phrases. I thought how these strangers knew nothing of my grief and I nothing of theirs. A rare winter’s morning, fresh with rain-washed skies, and sunlight bathing the bone-colored stone of centuries-old buildings. I noticed the quality of the light, its unusual clarity. Tom and I had introduced my mother to Paris on a trip years before. She will never see it again, I thought, trying to absorb its beauty on her behalf.

***

Excerpt from THE HISTORY WE CARRY by Margaret Whitford. Copyright 2026 by Margaret Whitford. Reproduced with permission from Margaret Whitford. All rights reserved.

 

 

Author Bio:

Margaret Whitford

Margaret Whitford served in leadership positions within the nonprofit world for twenty years, including ten years in the social justice field, before turning to writing. She is fascinated by the ways in which we all seek to create places of refuge for ourselves, both in a metaphorical and a physical sense. The History We Carry is her first memoir. An avid Francophile, Margaret, with her husband, divides her time between a small village in the South of France and her home in Concord, Massachusetts.

Catch Up With Margaret Whitford:

MargaretWhitford.com
Amazon Author Profile
Goodreads
Instagram – @margaretwhitfordwriter
Facebook

 

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A History You’ll Want To Carry

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THE HISTORY WE CARRY by Margaret Whitford

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Merry-Go-Round Broke Down by David Woo & Margalit Shinar Banner

MERRY-GO-ROUND BROKE DOWN

by David Woo & Margalit Shinar

July 20 – August 14, 2026 Virtual Book Tour

Synopsis:

Merry-Go-Round Broke Down by David Woo & Margalit Shinar

A novel of nine linked parables about globalization, ambition, hope, love, and greed spanning two decades and eight countries.

Fall 2008. The Waldorf Astoria New York. Two armed men storm the hotel’s famed bar and hold the occupants hostage: an American corporate raider, a Chinese tycoon, a British hedge fund manager, a Japanese housewife-turned-celebrity, a Mexican undocumented worker, a Wall Street bond salesman, and a Norwegian environmentalist.

Who are these terrorists? What do they want? And what ties them to their captives?

Merry-Go-Round Broke Down is a genre-breaking novel that explores globalization’s “butterfly effect”: how choices made in one corner of the world ignited an unstoppable chain of consequences that upended lives across continents.

Praise for Merry-Go-Round Broke Down:

“What a fantastic tapestry of wordsmithing and storytelling! It left me with a much better understanding of how the world was woven so tightly by globalization, all through the dramatic stories of fascinating cultures and characters that are relevant to this day.”
~ Paul Tudor Jones, Chief Investment Officer of Tudor Investment Corporation

“You might think that it would be impossible to write a novel that helps the reader put her arms around the complex issues raised by globalization. Yet, David Woo and Margalit Shinar have done precisely this. The result is most engaging and insightful. It is also one that even globalization experts such as myself can profit from.”
~ Jagdish Bhagwati, University Professor of economics and law at Columbia University, author of In Defense of Globalization

Merry-Go-Round Broke Down depicts the key socio-economic developments of the last quarter-century. It brings to life the people who put them into effect, as well as those who were affected by them. Few were untouched.”
~ Howard Marks, the co-founder and co-CEO of Oaktree Capital and international best-selling author of The Most Important Thing

“A timely portrait of a world bound together by the pursuit of profit.”
~ Kirkus Reviews

“An ambitious thriller with rich characterizations and a heart-pounding pace, Merry-Go-Round Broke Down also offers a stark, on-the-ground vision of globalization’s devastation.”
~ Booklife by Publishers Weekly

“David Woo and Margalit Shinar have perfectly illustrated how even a tenuous connection between individuals can have a profound, far-reaching effect across the world that could never have been predicted.”
~ Reader’s Favorite

Merry-Go-Round Broke Down is a contemporary fiction novel with the propulsion of a financial thriller. It’s fiction, but it wants to explain the world while it entertains you… If you want a story that makes you look up from the page and think, “Wait, is this how it really works?,” then it delivers.”
~ Literary Titan

Book Details:

Genre: Financial Thriller
Published by: Regalo Press
Publication Date: March 31, 2026
Number of Pages: 288
ISBN: 9798895655801
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Simon & Schuster

Read an excerpt:

Chapter 4

TOMOKO WATANABE
Tokyo, Japan, January–July 2005

“Low interest rates punish savers.” —Bill Gross

THE HOUSE IN KASHIWA, CHIBA Prefecture, southeast of Tokyo, was a two-storied box with aluminum windows and clad in white mosaics. It had a grey-tiled roof and a tiny front garden. The wind was howling outside as Tomoko struggled to get up from her bed. It was six o’clock in the morning and still dark, and everybody in the house was asleep. She was loath to abandon the warmth of the heavy duvet, but today was her husband Akihiro Watanabe’s birthday, and she wanted to surprise him with a special breakfast.

Tomoko shivered as her feet, encased in thick white socks, trod silently on the tatami mat covering the floor. It was cold, even for January, and this was one time she wished there was heating in the bedroom upstairs. She put on her slippers, pulled on a heavy cardigan over her fleece pajamas, and went down to the kitchen.

The kitchen, Tomoko’s kingdom, was small, but she ran it like a tight ship, every utensil and small appliance kept in its assigned place.

She began to prepare her husband’s favorite menu: clam miso soup and omelet rolls. There was smoked fish left over from the previous night, as well as cooked rice.

After turning on the small heater and quickly swallowing a cup of hot tea, she put on her old blue-checked apron and set to work.

Poor Aki, she was thinking, as she removed from the fridge the asari clams she had bought the previous afternoon; he really deserved some cheering up. Only eight months ago he had lost his lifelong employment, the first serious crisis in their marriage of twenty-two years. The electronics company he had given his all to for over thirty years had gone bankrupt after its main customer decided to outsource to China.

She rinsed the clams in cold water, rubbed them clean with a dishcloth, and set them aside to soak in salt water. She then filled a pot with water from the sink and blanched a leaf of kelp. When it had softened, she removed it with chopsticks and then put it back in the pot to boil for a minute or two before taking it out again.

Though Aki had found a new job quickly enough, Tomoko was worried. It not only paid a third less than his previous salary, it was a temporary job, with a contract that had to be renewed every six months. While Tomoko was, by nature, someone who took life’s setbacks with a pragmatic optimism, she felt helpless in the face of the loss of their financial security. As she added dried bonito flakes to the boiling water, she shook her head and pursed her lips at the injustice of it.

When the fish was cooked, she passed the broth through a fine sieve lined with a cloth. Discarding the scum, she sieved it again. And again. Inspecting the liquid for any telltale specks, she repeated the process until she was satisfied the broth was perfectly clear. She now reached out for the clams, soaking in their bath of brine.

Usually, Tomoko loved the ritual fuss of birthdays, especially her husband’s—the shopping for presents, the paper decorations and cards, the candles on the cake—but this year there wasn’t much cause for celebration.

She rinsed the clams and tipped them into the broth. Bringing the liquid to a boil, she skimmed it patiently. Once the clams had opened, she mixed in the miso paste, squeezing it through a small sieve with a spoon. The soup was ready.

Now for the omelets. What was more worrying, she thought, breaking eggs into a bowl with a deft flick of her wrist, was that his pension was gone. And the new job offered no pension at all. The bleakness of their future agitated her as she whisked the eggs with more vigor than necessary and poured them into the frying pan.

The omelets were done. When they had cooled a bit, she rolled them up into narrow, finger-shaped wraps and put them aside. Then she arranged the fillets of cold smoked fish in the middle of a long rectangular plate, which she decorated in one corner with a dollop of daikon radish infused with ponzu sauce. Finally, she heated up the rice and took out some nattō, fermented soybeans, everyone’s favorite.

She looked out the window above the sink. The heavy night darkness was lifting, and she could make out the falling snowflakes and the leafless branches of the cherry tree in their garden bending in the wind. A cold grey light was beginning to infiltrate the kitchen. She switched off the overhead lamp, figuring she could do without it now.

A brown Formica-top table with six chairs stood in a nook just off the kitchen. Poor Aki, she repeated to herself as she began to set it. At the age of fifty-three, there was little chance of his finding steady employment again. Although they never talked about it, she knew that, ashamed and frustrated, her husband was unraveling. His drinking binges had become more frequent, and he had taken to coming home at all hours. He was also becoming moody and short-tempered.

Only last week he had flown off the handle when she told him she was thinking about looking for a part-time job. He wouldn’t hear of it, he had responded angrily. Their son was still at school and needed her. Besides, what would their neighbors think? It was out of the question.

Though Tomoko knew his objections had more to do with his pride, she didn’t bring up the subject again. She vowed to herself she would find another way to help. But how?

Tomoko put down a small flower arrangement, teacups, bowls, and chopstick supports on the table. She had to find a way to help Aki. Whereas she could still take comfort in little things, he had just lost his entire world. She took a moment to align the chopsticks just so. Taking a step back from the table, she viewed the result with satisfaction.

Tomoko glanced at the kitchen clock squeezed between the toaster oven and a shelf. It was seven-thirty and all was ready. Plenty of time left for a leisurely meal before Aki left for the office and their son, Nishio, left for school. What a pity her daughter, Keiko, wasn’t there.

Tomoko brushed that regret away, together with a lock of her permed black hair that had strayed onto her forehead, and stood meekly at the entrance of the kitchen, waiting. She could hear her family coming down the narrow wooden stairs.

She bowed to her husband and her mother-in-law as they appeared, her face faintly flushed from her efforts, her shoulders hunched forward ever so slightly. “Ohayō gozaimasu,” she said, with the politest of greetings.

But Aki only grunted a barely discernible thank-you as he viewed the mini-feast she had prepared and sat down, noisily pushing back his chair.

Then he buried his face in the morning newspaper that Tomoko had laid, neatly folded, to the right of his chopsticks.

He was followed by Nishio. At fifteen, he was a tall and gawky youth, with a few wisps of dark downy hair on his upper lip and chin. He advanced towards the table and sat down in silence. He sat there sullenly, looking down under lowered eyelids, not once making eye contact with his mother. He consumed his soup in a few rapid gulps and hurriedly shoved some rice into his mouth. Then with a curt, barely mumbled good-bye, he got up and was gone.

“Don’t forget your bento box,” Tomoko’s voice rang out after him, “you must eat lunch!”

The third person at the table was Mishimo, Tomoko’s mother-in-law. It was she who owned the house, and after the death of Akihiro’s father some ten years before had given over most of the space to her son’s family, keeping only one room for herself. It was a situation not without friction. She had never liked Tomoko and was of the opinion that her handsome son could have found a better match than the daughter of a taxi driver. Or, at the very least, a prettier one. Though their exchanges were invariably on the right side of civil, Mishimo inevitably found fault with everything Tomoko did. But this morning was different. She spooned down the soup slowly, savoring every sip. “Excellent, Tomoko,” she remarked loudly. “Well done.” A compliment! Tomoko was touched to the bottom of her heart.

She then turned to her husband.

Anata,” he said, using a Japanese term of endearment. “I hope you’ll be home on time for dinner. I bought a cake for tonight. And there will be eel as a main course.”

Aki didn’t shift his eyes from the newspaper. “No. I’m eating out.

Client dinner. Don’t wait up for me. I’ll be back late.”

If Tomoko was disappointed, she showed no sign of it.

“Akihiro-san. I also bought you a small gift,” she announced timidly. She had bought it out of her personal savings and had hoped to give it to him at the evening meal. She would have to give it to him now instead.

She went to the living room where she had hidden it. Coming back, she bowed respectfully and held out the package in her two open palms like an offering, saying “Happy birthday” in English.

Aki finally deigned to lower the newspaper and stared at the box wrapped in delicately folded bright blue paper, tied with a slender red-and-gold string. He reached out to take it. But instead of opening it, he put it in the pocket of his suit jacket.

“Have to rush now,” he said dismissively.

“It’s the lighter you always wanted,” said Tomoko. But Aki responded with a dead gaze of bitterness at the wall behind her. Suddenly, he jumped up from his chair with such violence that it crashed to the floor.

Baka! You stupid woman! Kono ama, you bitch!” He exploded in an inexplicable fit of rage.

Tomoko shrank back.

“How many times do I have to tell you not to waste money?” he yelled. “Don’t you see the situation we’re in?”

Without warning, he grabbed the cast-iron teapot from the table. He seemed ready to hurl it straight at her. Tomoko raised her arm to defend herself. He had hit her before, and she thought she knew what to expect.

At the last moment, however, perhaps in response to a whispered word from Mishimo that never reached Tomoko’s ears, he changed the direction of his aim and the heavy pot went flying toward the kitchen. Spurting tea, it smashed loudly into one of the kitchen cabinets.

In the silence that followed, Tomoko couldn’t move. Her heart beat wildly in her chest. But she didn’t say a word. Out of the corner of her eye, she was just in time to catch the expression of icy disapproval on Mishimo’s face.

***

Excerpt from MERRY-GO-ROUND BROKE DOWN by David Woo & Margalit Shinar. Copyright 2026 by David Woo & Margalit Shinar. Reproduced with permission from David Woo & Margalit Shinar. All rights reserved.

 

 

David Woo & Margalit Shinar

David Woo:

David Woo is a renowned global macro strategist, widely recognized for his bold and prescient calls on some of the biggest economic, political, and geopolitical stories over the past quarter century. Bloomberg called him “one of the most outspoken voices on Wall Street,” while Business Insider named him among “the twelve smartest people on Wall Street.” His views have shaped debates across markets, policy circles, and the global media. David began his career at the International Monetary Fund before going on to hold senior positions at Bank of America, Barclays Capital, and Citigroup. He earned a PhD in economics from Columbia University and a bachelor of arts in mathematics from Tufts University. A true product of globalization, David was born in Pittsburgh, raised in Taiwan, and educated in the United States. His career has taken him from Washington DC to London and New York. He is fluent in English, Chinese, and French.

Catch Up With David Woo:

www.davidwoounbound.com
Amazon Author Profile
Goodreads
Facebook

 

Margalit Shinar:

Margalit Shinar is an architect. Margalit was born in New York, the daughter of French émigrés. She has a master’s degree in art history from Tufts University and a bachelor of arts in architecture from the Technion, Israel Institute of Technology. She has edited a history book on ancient Israel. She is fluent in English, French, Hebrew, and Italian.

Catch Up With Margalit Shinar:

Amazon Author Profile
Goodreads

 

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This giveaway is hosted by Partners in Crime Tours for David Woo & Margalit Shinar. See the widget for entry terms and conditions. Void where prohibited.
MERRY-GO-ROUND BROKE DOWN by David Woo & Margalit Shinar | Gift Card

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