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Forever We Dream
Mark Workman
Publication date: March 19th 2025
Genres: Coming of Age, Young Adult

Three voices, one dream, and a chance to uncover the truth.

It’s 1978, and the glittering disco craze is sweeping across America. Identical conjoined triplets Elliana, Bellamona, and Gabriella have one shared dream: finding their mother, who vanished without a trace years ago. Singing is their only solace, and now they have a chance to take that passion to the national stage.

When they’re invited to compete in Your Shooting Star, a famous music competition, the teenage sisters see it as their chance to reunite with the woman they can’t remember but long to know. But stepping into the spotlight means facing their greatest fears. As the underdogs fight to stay in the contest, they must brave ruthless rival Twyla-Violet, a former child model determined to claim the coveted title at any cost.

While the four-round competition heats up, secrets, lies, and conspiracies threaten to tear their world apart. Can the triplets stand strong and use the power of television to reconnect with their past? Or will their dream shatter under the pressure of fame?

Goodreads / Amazon / Barnes & Noble

EXCERPT:

Carla gawked at the triplets, shocked by their wrecked makeup. “What have you done?”

Katherine stepped over to them. “Carla, I’ll take care of the girls.” She took in their disturbed faces. “Did Twyla-Violet do something to you again?”

Mona sniffed back her tears. “It doesn’t matter anymore.”

“Sixty seconds,” Carla announced behind them.

Katherine pulled the girls around her. “Don’t let that bully beat you. There’s no time to fix your makeup. You must turn this crisis into a tactical advantage. I want you to think of the one thing you want more than anything else and imagine how you’d feel if you couldn’t have it.”

Papilio stared up at her, six amber irises adrift in the pain-stained red sclera of their eyes.

“That’s how we feel now,” Mona muttered as another black tear dripped from her chin and soiled more of their white blouse.

“So put those painful emotions into every word you sing and note you play. Understand, Papilio?”

Appearing almost catatonic, the triplets nodded slowly.

Carla pointed at the stage. “Ten seconds!”

Gently, Katherine brushed a black tear from Mona’s soft jawline with the back of her fingers. “And don’t forget to sing the lyrics from a girl’s perspective. Make them personal.” She stepped back and gestured for Papilio to go.

“Thanks for everything,” Mona said as if it would be the last time they ever saw the coach they had come to admire.

An aching feeling in the pit of Mona’s stomach told her something awful was about to happen. She sensed the judges sharpening their axes, anticipating the metallic taste of blood, ready to exact their punishment on Papilio for being naive enough to think three homely zeros were good enough to become America’s Teen Shooting Star. Their wacko mother didn’t even want them—why would anyone else?

As the dimmed lights increased in intensity, Papilio joined hands, put their right feet forward, and marched onstage while being careful not to trip in their tall platform heels. Halfway there, Gabby lost her concentration. Her ankle twisted sideways, and she nearly fell before Mona, anchored by Ellie, pulled Gabby’s arm and helped her recover, preventing an embarrassing human avalanche.

Despite the triplets ’messy state, the crowd behind Twyla-Violet’s cheering section applauded loudly. The Empress fan club, still decked out in violet band T-shirts, filled the front row as if they were permanently cemented to the seats. Their jaws dropped when they saw Papilio’s sloppy makeup and ruined costume. The hecklers were so shocked by their disheveled appearance, they forgot to snicker.

Papilio’s die-hard fan from their school’s math club stood in the middle of the row behind the jeerers. She held a sign that read Go Papilio! Her metal braces glinted as she jumped up and down, black pigtails bouncing, cheering for the band. Two other calculators with her screamed even louder.

Papiliomania was becoming contagious.

Author Bio:

Mark Workman toured the world as a road manager and lighting designer with many famous rock bands for 33 years. After leaving the music business in 2015, he worked at a major drug and alcohol treatment center in Malibu, California, for four years, where he earned his certification as a drug and alcohol counselor. Mark now spends his time reading, writing, and traveling. He grew up in Petersburg, Virginia, has lived in Greater Los Angeles for most of his adult life, and currently resides in the Las Vegas area. His estrangement from his late father since the age of six, along with his love for the music of the Bee Gees and 70s nostalgia, greatly inspired his debut novel, Forever We Dream.

Website / Goodreads / Facebook / Instagram


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YOU WILL KNOW ME BY MY DEEDS

by Mike Cobb

February 24 – March 21, 2025 Virtual Book Tour

Synopsis:

You Will Know Me by My Deeds by Mike Cobb

Billy Tarwater thought he had left the troubled past behind, until a series of ominous incidents threaten to destroy everything he and his wife hold dear.

Someone is out to get them, and he is determined to uncover the truth before it’s too late. But as he delves deeper into the mystery, he realizes that the dark forces at play may be connected to the events of seventeen years ago.

And to the Atlanta Child Murders.

Join him on a heart-pounding journey of suspense and intrigue as he navigates the dangerous waters of his past and fights to protect the ones he loves.

In a race against an unknown enemy, Billy must confront his darkest fears. Will he be able to uncover the truth before it’s too late, or will he and his wife become victims of the sinister forces at play?

Praise for You Will Know Me by My Deeds:

“Mike Cobb’s You Will Know Me by My Deeds is a taut, propulsive tale set against the harrowing backdrop of the 1980’s Atlanta Child Murders. Entertainingly addictive and menacing.”
~ Robert Gwaltney, award-winning author of The Cicada Tree and Georgia Author of the Year

“Mike Cobb’s Atlanta-based historical fiction easily holds its place on the bookshelf next to Caleb Carr’s Alienist novels.”
~ Joey Madia, author of Sherlock Holmes and the Mystery of M and the Stanton Chronicles historical fiction series

“Mike Cobb’s enthralling and meticulously-researched mystery, You Will Know Me by My Deeds, sets a lofty standard for contemporary thrillers. Set in the heart of the ‘new’ south, Cobb’s vividly-wrought tale propels his readers through the tumult of an era and illuminates race relations at a difficult moment in Atlanta’s modern history. Grab this book for a satisfying and uplifting read.”
~ Steve Klein, Civil Rights Activist

“I couldn’t put this book down and had to finish it in one sitting! Once again Mike Cobb has crafted a plausible story with strong characters, a sense of place, and rich historical detail regarding a tragic chapter of my beloved Atlanta’s history – the missing and murdered children from 1979 to 1981.”
~ Lisa Land Cooper, Author and Historian

“Mike Cobb’s prose is powerful, and his plot is dark, complex and full of surprises. You will find a rich, earthy view of old Atlanta complete with all its beauty, weaknesses and the diverse attitudes of the Old South.”
~ Jeff Shaw, author of Who I Am; The Man Behind the Badge and Lieutenant Trufant

“A bracing historical thriller that further enriches this top-notch series.”
~ Kirkus Reviews

“This is an excellent book with an engaging mystery and an intriguing conclusion. It’s clear that research is paramount to Mike Cobb’s writing. I could really identify with how he wove true crimes into this fictional one. I look forward to reading more from him.”
~ Ed Begley Jr., Award-winning actor, producer, environmental activist, and author of To the Temple of Tranquility…and Step On It!: A Memoir

You Will Know Me by My Deeds Trailer:

Book Details:

Genre: Historical Crime Fiction
Published by: Waterside Production
Publication Date: January 2025
Number of Pages: 444
ISBN: 978-1962984720
Series: Sequel to The Devil You Knew
Book Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

Chapter One

Cynthia Tarwater

Monday, December 14th, 1981

Two blurred headlights, ragged halos in the rearview, broke the Stygian pitch.

Cynthia gripped the steering wheel so hard her knuckles blanched.

The rain cascaded down the windshield in gelid sheets. The wiper blades thwacked the edge of the Suburban’s cowl like a metronome.

For the past twenty-four hours, Atlanta had been beset by a heavy downfall and scant visibility.

She struggled to make out the road ahead.

For the first five minutes of the drive, Billy Jr. and Addie had jabbered away in the back seat like sugar-high Energizer Bunnies. Then they sank into oblivion. Just like that, she thought. Nothing like a weekend sleepover at Grandma Alice’s to wear the kids out.

She stopped at the intersection of Flat Shoals and Glenwood. The barbershop to her left was long gone, a victim of white flight, its plate glass windows boarded up with fly-posted plywood. She could almost hear the snip snip of Mr. Batson’s clippers beckoning from yore. The snap of Sam Jepperson’s shoeshine cloth beseeching a generous tip. The redolence of Bay Rum and Kiwi polish. Not that she ever got her hair cut—or her shoes shined—there. But her father Cecil dragged her along on more than one occasion with the promise that they’d go next door for a vanilla shake if only she’d sit like a “good girl” and watch him get trimmed. She had often wondered whether he did things like that just to piss her off. His way of controlling. Or did he really want her company?

The car that had been following her since she pulled out of Billy’s mother’s driveway lingered half a block behind. When the light changed, she turned left onto Glenwood. She looked in the mirror. The car turned left and kept its distance. Probably nothing.

At the Gresham Avenue intersection, she glanced over at what had been Harry’s Army Surplus. Now, like the barbershop, just another padlocked casualty.

A long-suppressed memory welled up. Saturday, September 28th, 1963. She was thirteen. So capricious and carefree, like most girls her age. She left the East Atlanta Pharmacy by the front door and headed west toward Moreland Avenue. Just past Harry’s, she looked back and saw a car following her. When she stopped, it stopped. When she went, it went.

That had been her last recollection from before the erasure—what she later came to know by its medical name. Localized psychogenic amnesia. For seventeen years, the next thing she had remembered was waking up at Grady Hospital with an officer standing guard outside her door. The nurse had said You’re not Cynthia now. You’re Patti. With an i. Or something to that effect. She would later learn that the police had contrived the alias to protect her from her abductor.

It wasn’t until October a year ago that everything began coming back to Cynthia in a torrent. What had been an eradication of five weeks of her past, leaving in its wake a deep, dark abyss, had begun to come back in a matter of days. This wouldn’t have happened without Billy’s help. And his dogged determination.

Did she welcome the recovered memory? There were times when she wondered whether knowing was better than incognizance. Closure would feel right. But knowledge alone doesn’t bring closure.

And could closure ever come for the families of the girls who didn’t survive? Why had she made it out alive, and the others hadn’t?

She inched her way down Glenwood past Moreland Avenue. At the Boulevard intersection, she glanced across the street at Fire Station No. 10. A half dozen firemen were huddled under the overhang in front of the station. For a moment, she thought she saw Billy’s brother Chester standing there smoking a cigarette and chatting up the others. But Chester hadn’t lasted a year as a fireman before bugging out for the merchant marines, thinking he could avoid the draft. He ended up on the SS Mayaguez ferrying supplies through combat zones in Vietnam. Came home intact but with a chip on his shoulder.

She turned right.

She drove up Boulevard past Memorial Drive, hugging the eastern edge of Oakland Cemetery before assuming a northwesterly course past the shuttered Fulton Cotton Mill and through the railroad underpass.

She looked back. The car continued to follow her. That’s when she realized that it wasn’t nothing.

Perhaps she should have taken the expressway. But she had chosen not to. Visibility was bad enough on the surface roads.

As she neared the intersection with Ponce de Leon, the light turned yellow. She accelerated and took a hard left, hoping the car would stop on red. It didn’t. When she turned right on Peachtree, then left on Fifth, the driver continued to dog her.

Cynthia eased into The Belmont courtyard. The other car stopped briefly at the turn-in then crept down Fifth. She craned her neck, trying to get a good look at it. At the driver. But she could see little through the relentless downpour and the fogged windshield.

She parked the Suburban at The Belmont entrance. She waited for the rain to abate enough for her to get the kids inside without a drenching. Then she hurried them into the lobby under her flimsy throwaway umbrella made for one.

She closed the umbrella and hooked it on her wrist. She held Billy Jr. and Addie’s hands tight, lest they slip on the marble floor.

They crossed the threshold into the elevator cab, leaving a trail of dripping water behind. She punched 4.

When the doors opened, Billy was standing in the fourth-floor vestibule. He was in his light beige mackintosh and floppy yellow rain hat.

“Clairvoyant, are we?” Cynthia said.

“I saw you out the window and was on my way down to help. But you beat me to it.” He placed his hand on her upper arm. “Cynthia, you’re trembling.”

“It’s just the biting cold. I’m fine. I need to get these rug rats out of their wet clothes and into their PJs. And then sit for a while. You can park the car if you don’t mind.”

“Of course I don’t mind. That’s the least I can do.”

She held out the umbrella. “Want this?”

“No thanks.” He knelt in front of Billy Jr. and Addie. “How’s Grandma?”

“Feisty as ever,” Cynthia answered. “She sure knows how to cut a look. But the kids adore her, and that’s what matters most. And compared to my mother…let’s just say you’re the lucky one and leave it at that.”

When Billy returned, Cynthia was already curled up in her favorite overstuffed chair with a glass of Merlot. Her socks and Clarks slip-ons lay pell-mell on the floor about her. The open umbrella stood atilt in the corner of the room.

“That was quick,” he said.

She took a sip. Notes of black cherry, of vanilla and sandalwood, teased her throat. “I’m sure the kids are deep into sugar-plum dreams by now. Grab a pour and join me. There’s something you need to know.”

Billy, glass in hand, plopped into the chair beside her. “What is it?”

“I need to tell you about a flashback I had. And about a car.”

He listened as Cynthia told him about the car that had followed her from his mother’s house. “Could you tell what kind it was?” he asked.

“I couldn’t tell a thing, Billy.” She ran her finger along the chair’s piping, tracing in her mind the path she had taken. “All I know is it looked big. Maybe a sedan.”

“I don’t think you should be out late at night by yourself, Cynthia. It seems like every day more shit happens. Carjackings. Murders.”

“At least Wayne Williams is locked up.” She searched her thoughts. “Those poor children. And their grieving families.”

Billy’s hesitation baffled her. He just sat there for a minute without saying a word. He finally spoke. “Tell me about the flashback.”

“The whole thing with the kidnapping came rushing back tonight. It hit me hard, just as I passed the old army surplus. I guess it was my being right there where my thirteen-year-old self had been lured away.” She held her glass in the air. “More, please.”

He refilled it and topped his off. He set the bottle on the side table, leaned over, and took her hand. “I’m so sorry, Cynthia.”

“It wasn’t what I expected. I thought I had finally put it all behind me, with Kilgallon…excuse me, the Reverend Kilgallon…dead and Sam Jepperson exonerated and freed. But now I’m not so certain. Maybe it’ll haunt me forever.”

“I hope not. I just wish there was something I could do to make things better.”

“I’ll be okay.”

“Are you sure?”

“I’m sure. Life goes on, doesn’t it? And I don’t believe I have a choice in the matter.”

***

Excerpt from You Will Know Me by My Deeds by Mike Cobb. Copyright 2025 by Mike Cobb. Reproduced with permission from Mike Cobb. All rights reserved.

 

 

Author Bio:

Mike Cobb

Mike’s body of literary work includes both fiction and nonfiction, short-form and long-form, as well as articles and blogs. He is the author of three published novels, Dead Beckoning, The Devil You Knew, and its sequel You Will Know Me by My Deeds. His fourth novel, Muzzle the Black Dog, a novella, is scheduled for release in May 2025. He is also working on Kathleen, a fictionalized account of a cold case murder from 1970.

While he is comfortable playing across a broad range of topics, much of his focus is on true crime, crime fiction, and historical fiction. Rigorous research is foundational to his writing. He gets that honestly, having spent much of his professional career as a scientist.

A native of Atlanta, Mike splits his time between Midtown Atlanta and Blue Ridge, Georgia.

Catch Up With Mike Cobb:
www.MikeCobbWriter.com
Amazon Author Profile
Goodreads
BookBub – @cobbmg1
Instagram – @cobbmg
YouTube – @mikecobbwriter
X – @mgcobb
Facebook – @MGCobbWriter
LinkedIn – @mgcobb

 

 

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Bye Bye Blackbird by Elizabeth Crowens Banner

BYE BYE BLACKBIRD

by Elizabeth Crowens

February 17 – March 14, 2025 Virtual Book Tour

Synopsis:

Bye Bye Blackbird by Elizabeth Crowens

A BABS NORMAN HOLLYWOOD MYSTERY

 

In the summer of 1941, Hollywood heats up again when Humphrey Bogart arrives right after a female corpse with a dead bird stuffed inside her overcoat topples into the office of B. Norman Investigations. While filming The Maltese Falcon, Bogie found a mysterious ancient Egyptian hawk artifact on his doorstep containing a mummified black bird. Someone with dark intentions threatens the main cast, one by one, leaving dead birds, from crows to falcons, as their calling cards.

While more murders pile up, jeopardizing the film from being finished, Bogie hires private eyes Babs Norman and Guy Brandt, infuriating his volatile third wife, Mayo Methot, or Sluggy, as she’s known in some circles. Unraveling the personal lives of Mary Astor, John Huston, Sydney Greenstreet, Elisha Cook, Jr., Peter Lorre, and Jack L. Warner in their quirky, humorous way, the PIs turn the underbelly of Tinseltown upside down to stop the crazed killer from claiming another victim.

Praise for Bye Bye Blackbird:

“No author can seamlessly blend Hollywood history with and engaging mystery yarn better than Elizabeth Crowens. It’s a jaunty tale that could have been lifted from a Warner Bros. screenplay with all the principals from the studio’s famed stock company: The Maltese Falcon, Bogie, Mary Astor, Greenstreet, John Huston, and Jack L. Warner. Fasten your seatbelts for a wild ride through 1940s Hollywood!”
~ Alan K. Rode, film historian and author, Michael Curtiz: A Life in Film

“Crowens does it again with Bye Bye Blackbird. Babs, Brandt, and Bogart make this rocking novel the stuff dreams are made of.”
~ Reed Farrel Coleman. New York Times bestselling author of Blind to Midnight

“It’s like someone shook a movie projector and out tumbled Humphrey Bogart, Mary Astor, Peter Lorre, and a duo from a struggling PI agency bringing all the lighthearted fun of a 1940’s Hollywood mystery. That someone is Elizabeth Crowens.”
~ Tom Straw, New York Times and USA Today bestselling author

“A creative twist on The Maltese Falcon: Dead birds show up on doorsteps. Humphrey Bogart assumes the role of a real-life Sam Spade, and two young PIs rescue every oddball animal as they investigate. Even the mogul of a major movie studio is no match for a wisecracking myna bird who sounds like a Warner Brothers cartoon. If you’re a fan of Turner Classic Movies and the Golden Age of Hollywood, Bye Bye Blackbird will be sure to entertain.”
~ Robert Dugoni, New York Times bestselling author of The Tracy Crosswhite Mystery Series

“An office full of lost pets, a strange dame drops dead in the doorway, and Bogie appears with a knock-off Egyptian hawk … while shooting The Maltese Falcon. Thus begins the wild ride of Elizabeth Crowens’ Bye Bye Blackbird. Babs and Guy, the heroes of Hounds of the Hollywood Baskervilles, continue in this welcome, hilarious and worthy sequel that I can only describe as The Thin Man meets ‘hardboiled’ with both tongues firmly in cheek. Famous names, Hollywood haunts, and a crime I dare you to solve, make this well worth your time. As a lover of Old Hollywood, I loved this book!”
~ Jon Lindstrom, USA Today bestselling author of Hollywood Hustle, 4-time Emmy© nominee, award-winning filmmaker, and veteran actor known for True Detective, Bosch, and General Hospital.

“Elizabeth Crowens’ Bye Bye Blackbird is a welcome addition to the Babs Norman Hollywood Mystery series. Set during the Golden Age of Hollywood and brimming with depictions of its personalities, Crowens succeeds in bringing Old Hollywood to life and offering readers another thoroughly entertaining installment to this series.”
~ Annette Bochenek, Ph.D., author of the Hometowns to Hollywood series

“A delectable mystery set in the Golden Age of Hollywood, Elizabeth Crowens Bye Bye Blackbird is a fantastic addition to her Babs Norman series with a treat of a cast featuring Bogart, Mary Astor, Peter Lorre and other screen legends from the era brought to stunning life.”
~ Lee Matthew Goldberg, award-nominated author of The Great Gimmelmans and The Mentor

Bye Bye Blackbird Trailer:

Book Details:

Genre: Golden Age of Hollywood Private Investigator novel with satire
Published by: Level Best Books
Publication Date: January 28, 2025
Number of Pages: 340
Series: Babs Norman Golden Age of Hollywood Mystery, Book 2 | Each is a Stand-Alone Mystery
Book Links: Amazon | Goodreads

Read an excerpt:

Chapter 1

Look at the Birdie!

Hollywood 1941

On Friday, July 4th, only the most essential, dedicated, or insane Los Angelenos punched the clock. Established businesses that usually stayed open closed early that afternoon. For the fledgling ones, like the young private detectives at B. Norman Investigations, there would be no weenie roasts, barbeques, or national holiday celebrations. Death would soon follow. Every electric fan they owned hummed its own tune. Between the fan blades whirring and the cats purring, panting dogs, who could qualify as hotdogs, an injured pelican with its wing in a sling, and their janitor’s wisecracking myna bird, the whole kit and caboodle at Hollywood Boulevard and N. Sycamore resembled a cross between the Humane Society and the Griffith Park Zoo.

Guy Brandt, more detective-partner than secretary, manned the desk upfront. On top of it: a shoebox of magazine clippings, scissors, and a stack of The Times and Herald-Examiner. He undid one more button on his clammy, sweat-stained shirt, flung his tie onto their hat rack, and took a swig of his warm Nehi orange soda, already flat. He hoped to find new clients from newspaper leads but wasn’t getting anywhere. Babs Norman, who always had every pin curl in place, patted off her sticky forehead with a handkerchief. Way beyond a simple touch-up with powder and fresh lipstick, only a masterful makeup wizard, like Perc Westmore, could bring new life to this wilted flower.

“Wouldn’t it be fine and dandy if we could afford to run an ad at least once a week saying that we’re private detectives, specializing in discreet celebrity cases?” she asked.

An adventurous kitten, who strayed from the pack, latched on to Guy’s sock and started to climb his leg. “Maybe we should ask if we can put a note in the downstairs lobby that we’re also a pet adoption service.” He unhooked its claws, returning him to his mama.

“You think that would pay off our debts?”

“Do you always have to sound like a broken record?” An Irish Wolfhound, in need of a bath, sauntered in from the doorway between the two offices. He went up to Guy and plopped his oversized, hairy head into his lap. “Dog days not agreeing with you, Sir Henry?” After rubbing the furry beast’s head, he went to their icebox and plopped chunks of ice in the various water bowls scattered around both rooms. Several prostrated cats laid on their backs, trying to find coolness on the linoleum floor.

From under his pile of clippings, he fished out a copy of Black Mask. Babs, with a wooden clothespin clamping her nostrils shut and carrying an odiferous box of shredded newspapers, walked into his office and stopped short when she caught him reading the pulp. “You think we’re going to find our next client from detective fiction? We need another high-profile case like when we rescued Asta, so MGM could go into production on their next Thin Man film. They paid us an unheard-of amount of money…until you lost it all.”

“Stop being such a sourpuss.” He refused to give her eye contact.

“Do you think I’m enjoying spending time in our stifling office? I’d rather be at the beach with the man of my dreams.” Her inflection had a hint of sarcasm.

“Who’s the lucky fella?”

She went over to their monstrous dog and kissed him on the nose. “Looks like it’s you, Sir Henry of the Baskervilles. Instead of my frog prince, you’re my dog prince. Ah, you’re such a good boy.” She stared at the bulldog in the corner. “But we really need to paper-train Bruno.”

Their adopted bulldog whined. “You hurt his feelings,” Guy said. “Give him a good scratch behind his ears and apologize.”

She scowled. “I’ll give him two more weeks, and it’ll be your job to train him. Otherwise, he can go back to Wiggins, and I don’t care if one of his kids breaks out in hives.” She headed out the door to dump the litter.

* * *

“Our phone rang twice while you were out,” Guy said. “But Wiggins’ stupid bird answered before I could.”

“Hello, sucker!” the myna bird cackled. “Down for the count…1…2…3. Knocked him in the kisser, didn’t ya?”

“By the time I picked up the receiver, whoever it was hung up,” he explained.

“It’s hard to believe a bird can be so smart,” Babs muttered.

“Smart-mouthed is more like it,” he said. “Sounds like Jimmy Cagney, who he’s named after. Maybe we should let him earn his keep. The bird can impersonate him at parties.”

Babs stared at the troublemaker. “The person on the other end probably thought it was a prank.” She looked around the room. “Keep it up and…I got a lot of hungry cats and canines who wouldn’t mind a bowlful of myna bird stew.”

Wiggins, the building janitor, propped their front door open, causing their ginger tomcat to disappear into the hallway faster than gunfire. “My wife said the same. What are the two of ya doing here on Independence Day? With the tenants gone, I heard yer bickering all the way in the basement. Sounded like a married couple in divorce court. How did ya get in?”

“We had an extra set of keys,” Guy said.

Wiggins planted his hands on his hips. “More like makin’ a copy of my set while my back was turned. There’s no foolin’ me. Come on now. Who’ll be the first to confess?”

Both detectives buried their noses in their newspapers.

“All right, if none of ya willin’ to come clean, why aren’t you out having fun?”

“Paying our overdue office rent is my idea of fun,” Babs replied.

Wiggins looked confused. Guy explained, “We’re hurting. Nothing but small potatoes since retrieving our dognapped canine stars.”

“We might be forced to move out, if we don’t land a decent case,” said Babs. “I’m not looking forward to setting up shop at my house.”

Wiggins inhaled but choked. “You make sure you keep this place spic-and-span. If your neighbors start belly achin’…”

From inside his desk, Guy took out a sardine from its wax paper wrapping and tossed it to their pelican.

Sniff…sniff… If you don’t get rid of this stench,” Wiggins continued, “my boss’ll make sure he throws you out on your arse.”

She plucked a bottle of cheap toilet water from her purse and spritzed the room. “Better now?”

Wiggins pointed toward the exit. “Goin’ after that mouser. Left the back door open to the alley downstairs. He’s liable to slip out and get lost forever.”

Babs handed her partner a feather duster. “Do something.” Then she returned to her lair with a stack of discarded tabloids to make fresh litter and to do her own skewed interpretation of housekeeping.

Guy reset their wall clock, which was a few hours behind the last time they had a power outage, and gave the reception area the minimal once-over by removing accumulated grime from the top of file cabinets. He was just about to straighten the frame displaying his private investigator’s license, when out of the side of his eye, he noticed a shadow. A large, irregular object leaned against the pebbled glass window of their front door. At first he paid it no mind and continued his cleanup crusade.

When minutes passed and it hadn’t budged, he called out just above a whisper, “Do you mind coming over? Make it quick, but be quiet.”

A startled canary flew out their open transom as Babs breezed toward the front. Guy pointed to the silhouetted figure. “I tidied up, like you asked, but don’t recall hearing anyone approach. This thing…it appeared out of nowhere and hasn’t moved since.”

Babs called out to see if it was Wiggins, but whomever it was didn’t respond. She inquired again. “The door is open. Come on in. We’re too hot and tired for practical jokes.”

With a nod, she gave Guy the go-ahead to open the door, but when he did, a young woman they’d never seen before, wearing a hat and an oversized coat despite the heatwave, fell face-forward onto the floor.

“The casting office is on the fourth floor,” Babs said, until she realized the lady hadn’t moved or said a word. Horrified, she squealed and froze in place.

Guy, also shaking, reached for the phone and called Wiggins’ downstairs office. His voice broke up. “Come up—pronto!”

As soon as he put down the receiver, she demanded he call the cops. Without thinking, she leapt up on a wooden chair as if she’d seen a mouse. Her legs wobbled, and she continued to holler.

Wiggins returned, heaving as if he had skipped waiting for the elevator and sprinted up the stairs. He had the missing tomcat draped over his shoulders. “Heard screams echoing down the hallway. You better keep better tabs on your tabbies. What the blarney did ya think was so important—Holy moly! Mary, Mother of God!”

Guy poked the stranger with his feather duster. Not having any luck, Wiggins, who was bigger than the two detectives combined, got a firm toehold with his work boots and rolled her onto her back. All three stared at the stiff.

“Oh, she’s dead alright,” Wiggins assured them. “Ever seen her before?”

Both PIs shook their heads. Guy tiptoed around the corpse and closed the front door. Wiggins fended off their curious menagerie.

“Something dark and…fea-ther-y is protruding from her coat. Like she was trying to conceal whatever she was carrying.” Babs wrinkled her nose. “Smells like she or someone else doused her with…men’s cologne. Not flowery enough to be one a lady would wear. Wiggins, how do you think she got in?”

“Through the back-alley door, I suppose, ’cause I locked the front. Could’ve snuck in and been here a while. Maybe passed out in a stairwell while my back was turned and crawled up to your floor before she expired.”

Guy paced the room and checked the clock. “The cops seem to be taking their time.” He pulled a flask from his file cabinet and took a swig. He offered some to Babs, but she declined.

Wiggins wrested the flask out of Guy’s hand and finished it to the last drop. “Sure as hell, this would have to happen on a holiday when the police are short-staffed.” He took a swatter from off the wall and clobbered a pesky fly that landed on the stranger’s ear. Babs trembled.

“She can feel it no more than if you were all doped up at the dentist,” Wiggins said.

Babs commented that the police could examine the body. She wasn’t touching it.

Guy suggested to Wiggins to wait for the cops downstairs. “They’ll need you to unlock the building.”

Keeping his distance, Guy asked, “Babs, how do you think she died?”

“I don’t know, and I don’t care.” She made it clear she wasn’t even interested in slipping on gloves to search for an ID.

He suggested that this could be the lead they’ve been looking for. She didn’t see it that way. “This is no way to spend a holiday. Let the police and the medical examiner do their jobs. They’ve expressed they don’t want us meddling in their homicide cases, anyway. I just want her out of here.”

Soon, they heard footsteps and the sound of crunching paper. She took for granted the cops had arrived. “Come in. It’s unlocked.”

She and her partner didn’t make a move until the front door creaked open.

Instead of the police, Humphrey Bogart stood there holding a parcel haphazardly wrapped in brown paper and twine. “I called twice. Assumed you had an answering service to leave a message. Dialed the right number, but someone with a peculiar voice like a Warner Brothers cartoon picked up. When I tried to explain my predicament, he mocked me and cracked a few jokes. Figured I better stop over.”

“How did you get into our building?” Guy asked.

“Your janitor recognized me. When I asked to see you, he figured I was harmless. He said he was waiting for—” Babs interrupted his train of thought. Still standing on the chair, she covered her eyes with one hand and pointed to the floor without making a sound. Bogie backed up. The blood drained from his face. “Whoa! Guess he wasn’t kidding when he said he was expecting the cops.”

A black cat jumped on top of the victim and started making biscuits. “Oh, no, you don’t.” Guy bent down to throw him off.

“Wh-a-a-t happened?” Bogie’s words came out choppy.

Babs regained her voice, which, at first, came out in squeaks. “Not sure. What brings you here?”

“I’m looking for a private investigator. You came highly recommended as some of the best private dicks in town.”

Babs flushed. She preferred a more ladylike elucidation. With no further introductions needed, she ushered Bogart into her office, and Guy followed, grabbing a notepad off his desk. Even though she hated staring at the corpse, she kept her door open to keep an eye out for the police. She kept reminding herself to take deep breaths and not to panic.

“Do you mind clearing your desk?” Bogie held out his parcel. “I’d like to show you what I found on my doorstep this morning.”

With one fell swoop of her arm, the papers went into a spare box, which Babs said she’d sort through later. Bogart put his parcel down on her desk and fanned out his jacket.

“I guess we can skip formalities when the weather beats us into submission. Mind if I take this off?” His shirt was soaked. “This has been one of those days where I’ve felt like an omelet slapped on the Devil’s griddle.”

Babs identified his mysterious object as a museum replica of an ancient Egyptian canopic jar of Horus, the Hawk, the offspring of Isis and Osiris.

“This is much smaller and lighter than the falcon prop in our movie. Ours is about forty-seven pounds of lead. If you dropped it, you could break someone’s toe.” Bogie lifted its lid and revealed a mummified object. Taking special care, he unwrapped its gauze, stained but far from looking ancient, to reveal a sizable dead crow.

“I have no idea what this is supposed to symbolize, but now it looks like I’ve got competition from what’s in your front room as to which gives me the worst case of the heebie-jeebies,” Bogie remarked.

Guy pulled the privacy shades down on the pebbled glass windows on the walls and door separating the front office from her inner sanctum. “One would presume to find a dead falcon, not a raven, considering you’re in the middle of production for The Maltese Falcon.”

* * *

Excerpt from Bye Bye Blackbird by Elizabeth Crowens. Copyright 2025 by Elizabeth Crowens. Reproduced with permission from Elizabeth Crowens. All rights reserved.

 

 

Author Bio:

Elizabeth Crowens

Elizabeth Crowens is bi-coastal between Los Angeles and New York. For over thirty years, she has worn many hats in the entertainment industry, contributed stories to Black Belt, Black Gate, Sherlock Holmes Mystery Magazines, Hell’s Heart, and the Bram Stoker-nominated A New York State of Fright, and has a popular Caption Contest on Facebook.

Awards include: Leo B. Burstein Scholarship from the MWA-NY Chapter, New York Foundation of the Arts grant to publish the anthology New York: Give Me Your Best or Your Worst (no longer in print), Eric Hoffer Award, Glimmer Train Awards Honorable Mention, Killer Nashville Claymore Award Finalist, two Grand prize, six First prize, and multiple Finalist Chanticleer Awards. Crowens writes multi-genre alternate history and historical Hollywood mysteries.

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