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Love and Other Cures for the Recently Undead
H.J. Ramsay
Publication date: October 6th 2026
Genres: New Adult, Post-Apocalyptic, Romance

CeCe Campbell wakes on the asphalt of a mall parking lot with two missing years and a body that no longer feels like her own. Infected with the Kill Virus on her 18th birthday, she’s among the first to be cured.

Rehabilitation teaches CeCe how to walk, how to speak, how to exist in a world rebuilding itself, but it cannot return what she lost. Her mother is dead. Her brother is missing. And the last memory before the dark is a bite she cannot escape.

When CeCe unexpectedly meets Derrick—the boy who infected her—she’s torn between anger and a strange, undeniable connection. Derrick doesn’t remember what he did. CeCe does, and the truth of that moment is something he’ll never get. Not when he already took everything from her.

But if there’s to be life after the cure, CeCe will have to unwind the past, face what happened the night that bound them together, and decide if love and forgiveness can heal wounds deeper than the ones left by the undead.

Love and Other Cures for the Recently Undead is a haunting post-apocalyptic love story about guilt, survival, and choosing connection in a world where nothing can be undone.

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EXCERPT:

CeCe opens her mouth to ask for a ride, but by the time she gets the words out, Savannah is already jumping into the van. Her aunt pulls away from the curb.

Derrick looks toward the van and then at CeCe. He smiles. It’s probably meant to be charming, but she finds nothing about him appealing.

He steps toward her.

Why did she insist on walking home? If her dad was here, she’d already be in his car. Now she has to find a way around Derrick. Or maybe she doesn’t. She could wait him out. He’ll have to leave eventually.

CeCe turns back to the school. Just as she’s about to reach for the door, it swings open and Olivia slithers out. They’re so close that CeCe can see every strand of Olivia’s bangs—and something underneath. A scar? Does that mean Olivia isn’t a Survivor? She’ll have to think about that later. Not now.

Olivia inches to the side. The moment she’s out of the way, CeCe lunges for the handle, but it shuts before she can grab it. She yanks. It doesn’t budge. The damn thing’s on auto-lock.

CeCe presses her forehead against the locked door. Did Olivia do that on purpose? Knowing it would leave her trapped out here? She senses Olivia’s stare crawling over her—and Derrick’s.

She can’t deal with this. Can’t deal with them. Her hand clamps around the latch, unable to move. She just wants to go home.

“Hi again,” she hears Derrick say from behind her.

She groans. “Are you going to be here every day?”

“Ah, she speaks. I wasn’t sure if, you know, there was something wrong with your voice.”

“I speak,” she snaps as she turns, half expecting to see Olivia standing beside him, but she’s already down the stairs, heading toward the same rumbling truck. At least that’s one problem solved.

Author Bio:

HJ Ramsay holds an MFA in Creative Writing and is an award-winning author. She is the Editor-in-Chief of Gold Man Review, a West Coast literary journal, and has a background in Psychology and Criminal Justice with dual bachelor’s degrees. Passionate about storytelling that explores the human experience, she crafts narratives that blend emotion, imagination, and depth. When she’s not writing or editing, she enjoys diving into the worlds of speculative fiction and literary fiction alike.

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One Night Band Stand
Julia Kent
(Get What You Need, #2)
Publication date: September 30th 2026
Genres: Adult, Comedy, Contemporary, Romance

Who accidentally has a one-night stand with her alumni band director?

Yep. Me.

I know what you’re thinking. Whoops! I slipped on some valve oil and accidentally landed on his baton during a rousing chorus of Stars and Stripes Forever.

That’s not quite how it went.

But the alumni band director is really, really skilled with that baton, if you know what I mean.

So what am I supposed to do now, as I walk into the morning’s rehearsal — three feet from the podium because of course I play piccolo — and find the guy I ghosted on this morning … right there, smiling at me like he remembers exactly what tempo I prefer?

He’s perfect. Too perfect.

He’s a widowed dad of two adorable little kids that — oh, by the way — he forgot to mention.

But I also haven’t mentioned the seventeen-year-old I live with, either. He’s not my boyfriend. I’m his guardian. He’s autistic and non-speaking, and he’s been my whole world since I was nineteen.

I want Mr. Band Director. He wants me. Nothing — not the secrecy, not the awkwardness, not the 500 miles between his life and mine — will make this chemistry stop.

Except for three pesky little things: the secrets we’re hiding from each other. Three very human secrets.

I’ve never felt so seen before. He gets me. I get him. But we’re buried in responsibilities and loyalties that get in the way. When I’m with him, I can play. Really play.

And not just music.

He can’t quit his job and move his kids to be close to me. I can’t uproot a fragile teen who needs round-the-clock care and is still mourning his parents. The odds are stacked against us.

But who ever let that get in the way of love?

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EXCERPT:

There are naked boobies in my bed, and they are not my wife’s.

What have I done?

My body goes cold and hot, skin pulsing against the sheets, blood pooled in morning wood. Wood that rests against my not-wife’s thigh. My eyes widen. My beard itches around my lips, lips that feel raw, my tongue a bit overused at the tip, like I just had sex with –

I cheated on my wife.

I cheated on my wife.

My beautiful, amazing wife who tells me she loves me ten times a day. Who laughs at my stupid music jokes. Who smiles like she’s actually interested in my high school band stories. Who —

Told. Laughed. Smiled.

Past tense, Jared. Two years, two months, four days of past tense.

— is dead.

Stacey’s dead. Right. Damn it.

I close my eyes, jaw tight, inhaling slowly, my nose cold inside, the physicality of it breaking through panic. The unreality of her death still shatters my sleepy self every morning like a car alarm I can’t fully disable, one blissful second of not-knowing, then the loop of grief.

That sour taste. The shock. The anger. The pain, physical and emotional.

Stacey is dead.

Which means I’m not cheating. I’m just in a hotel room with a very naked, incredibly alluring woman who isn’t my wife.

So then who the hell is this in my arms?

She’s cute. Warm. Soft.

So soft.

The arm Ms. Not-Wife is sleeping on went numb in my sleep. I haven’t moved it one millimeter, shoulder locked, neck doing that isometric thing as her weight presses into my bicep. It should be uncomfortable. It isn’t, and somewhere in sleep my hand found her arm and started stroking it. I just realized it’s doing this. My hand likes her.

My cock sure does, too.

I really like the softness. Naked softness takes the liking up several notches.

Another clue this isn’t my wife: I’m on the bathroom side of the bed.

Ms. Not-Wife’s hair is blonde and straight, spread across my arm. Stacey’s was darker, curly, and Stacey had to pee constantly, especially after giving birth to our oldest, Molly. Every apartment, every house, every hotel, every guest room, every beach rental for nineteen years: Stacey got the bathroom side.

The woman in my bed is not Stacey.

The HVAC unit hums on an E-flat that’s four cents flat. Not concert E-flat. An E-flat that vibrates like it’s committing a felony against freon. It is the most passive-aggressive sound in Indiana, and that’s saying a lot, because have you ever gone to a church picnic in this state? Those ladies are lowkey brutal.

The print above the bed is a seashore painting, a Thomas Kincade knockoff, something a lifelong southern Indiana resident thought would evoke Cape Cod but instead makes me think Dungeons and Dragons on acid. It goes with the burnt-orange carpeting somehow. I half expect a Jello-O egg mold as part of the continental breakfast downstairs in the bar where I picked up… this woman.

I actually approached a woman at a hotel bar, and she chose to sleep with me.

Me.

Not-Wife’s hand is on my chest. She has short nails, no polish, the thumb hooked into the dip below my collarbone like she put it there on purpose. Her thumb knows what it’s doing, which is more than I can say for the rest of me. Her ribcage moves into my ribcage every four or five seconds and back out, long even breathing so constant I’ve started matching it without meaning to.

Waking her up means having to talk, and I don’t know what you say after you pick up a woman in a hotel bar and now you’re both naked under the sheets, vulnerable and freaking out a little, yet liking it.

A lot.

Not-Wife smells like vanilla and sex and the chemical-linen scent of every business hotel pillowcase put into circulation since 1994. The bar lighting was bad last night, so I’m seeing things this morning I couldn’t see then: a mole on her cheek. Long dark lashes against it. A dimple at the corner of her mouth that’s there even when she’s not smiling.

She’s gorgeous.

Morning-gorgeous, unadulterated. Her face was not-yet-defined last night, just a woman who was blonde and smiling under bad bar lighting. She has lips I kissed last night, a tongue that danced with mine and tasted so good, and her breasts are smashed against my side like little pets curled up, seeking warmth.

I have forgotten how nice this is.

A person breathing into your neck. A warm softness against your body. Your bare skin against theirs. I took this for granted for too many years, and once it was gone I felt the absence like a phantom limb.

Author Bio:

New York Times and USA Today bestselling author Julia Kent writes romantic comedy with an edge. Since 2013, she has sold more than 2.5 million books, with 5 New York Times bestsellers and more than 23 appearances on the USA Today bestseller list. Her books have been translated into French, German, Dutch, and Italian, with more titles releasing in the future.

From single dads to cinnamon roll heroes to new adult rock stars, Julia finds a sensual, goofy joy in every contemporary romance she writes. Unlike Shannon from Shopping for a Billionaire, she did not meet her husband after dropping her phone in a men’s room toilet (and he isn’t a billionaire she met in a romantic comedy).

She lives in New England with her husband, three children, and a Havanese dog named Walter. She is the only person in the household with the gene required to change empty toilet paper rolls (Walter gets a pass).

She loves to hear from her readers by email at julia@jkentauthor.com, on Twitter @jkentauthor, on Facebook at @jkentauthor, and on Instagram @jkentauthor. Visit her at http://jkentauthor.com

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All That Remains
Samantha Grosser
Publication date: September 15th 2026
Genres: Adult, Historical, Romance

A choice shaped by war. A life in its shadow. One last chance to make peace with the past.

1998. Eva Marlowe has never asked her husband if he regrets his decision – she isn’t sure she wants to know the answer. But when news arrives that his estranged son has died, she feels the foundations of their marriage begin to shift beneath her. Then the funeral draws them back to Silverwood Hall where it all began, and she can no longer avoid the question.

1939. As Europe teeters on the brink of war, young socialite Eva Ravensby has been sent home from the Riviera in disgrace. Grounded at the family seat of Silverwood Hall, she chafes against the constraints of her upbringing, until her brother brings aspiring writer Ben Marlowe home for the summer.

Ben is utterly compelling. And wholly unsuitable. So when he asks Eva to marry him the night before he leaves for war, she refuses. Duty must come before love, and her father would never forgive her. But how can she possibly know the train of events her answer has set in motion? As the war takes its toll on them both, her refusal shapes their lives in ways they can never undo. Then, in the aftermath, an unexpected second chance arises. But the price they must pay for it is more than they could have imagined.

Now, decades later, as Ben grieves for the son he never knew, Eva faces the question she has spent a whole marriage refusing to ask: was she ever truly the life he chose?

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EXCERPT:

On the day of the funeral, Eva drives with her signature brand of recklessness and skill. When they were young, the thrill of it was intoxicating: Ben can still recall with absolute clarity the heady feeling of that long ago summer before the war – an awareness of their youth and vitality and a belief in the wonders the future had in store for them. He had never felt so alive. But as he grew older and more aware of his mortality, each swerve and near miss became nothing short of terrifying.

Now, watching Eva in profile as she slams her palm with impatience against the steering wheel at a slow car ahead of them, he finds himself thinking it would actually be quite a fine way to go, wrapped together in tangled metal, a definitive end.

Eva lets out a curse as the column of traffic slows to a crawl and he quenches a smile, taking the opportunity to watch her a little longer. He will never tire of looking at her face, marvelling at the fine chiselled lines of her cheekbones and her jaw, the forget-me-not blue of eyes that are still as bright and clear as on the day they first met. She catches him watching her from the edge of her eye and turns her head.

‘Are you all right?’

Her question drags his thoughts reluctantly back to the purpose of their journey.

George’s funeral.

His son.

He shifts awkwardly in the seat of the car. The trousers of the wool suit are rough and itchy – it’s been a while since he’s worn it and his skin has become more sensitive with age. He stretches out as much as he can in the confined space and tries not to think about how stiff his hips will be after an hour and a half in the car.

‘I’m fine,’ he says, and they both know it’s a lie.

He’s still in two minds about going at all and with each successive roundabout they come to, it crosses his mind to ask Eva to drive right around it and take them back home. But he says nothing, and the Audi bears them in sleek leather comfort ever closer to their destination.

‘We don’t have to go,’ Eva offers, reading his discomfort with her usual clarity.

‘But you think I should,’ he replies, which is unfair, because they’ve talked about it endlessly in the days since the letter arrived and they came to the decision together. But he’s in no frame of mind to be reasonable. Anger seethes in his gut, bitter and relentless, and he only hopes he can contain it once they get there. Eva says nothing, eyes trained with uncharacteristic attention on the road ahead.

Abruptly, the anger slides into guilt. Such a pointless emotion, but he’s spent most of his life in its grip, one way or another. Guilt for dreaming and wanting more; for hurting people and for poor decisions; for living a life that is full of regret for what he lost instead of gratitude for all he has. He loves Eva desperately and always has, but he’s conscious he has not always been the best of husbands. He lets out a low sigh.

‘I’m sorry,’ he offers.

His wife flashes him a quick look of forgiveness, and he touches his fingers to where her hand rests on the gear lever. The last person in the world he wants to fight with is Eva.

Author Bio:

Samantha Grosser is a very British author who doesn’t function without tea. Having spent many years teaching English in Asia and Australia, she has now made her home on the sunny beaches of Sydney, Australia, where she lives with her husband, son, and a very small dog called Livvy.

She is the author of wartime dramas Another Time and Place, The Officer’s Affair, and Out of the Ashes, and the historical novel The King James Men. When she isn’t writing or reading, (which isn’t often) you can find her either doing yoga, going for long walks, or watching old movies.

You can find out more at samgrosserbooks.com

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