411 on Books, Authors & Publishing

If You Lie: A Thriller
Caleb Stephens
Publication date: November 1st 2024
Genres: Adult, Thriller

A buried past. A new-age cult. A floating prison with no way off.

Seven years ago, Olivia woke up in the trunk of a stranger’s car—and barely escaped with her life. She’s been looking over her shoulder ever since.

Now, Olivia is a true-crime podcaster on a mission to help other women avoid her fate. But years spent covering violence and crime have left her burned out. So when Olivia’s estranged sister Quinn invites her to reconnect on an exclusive cruise, she jumps at the chance for a break…only this trip won’t be the relaxing vacation she’s hoping for.

The ship is elegant, the meals are divine, and the people are friendly—maybe too friendly. But Quinn isn’t the sister Olivia remembers. And strange things are starting to happen that echo Olivia’s past in unsettling ways.

When someone on the ship goes missing, Olivia realizes she’s playing a dangerous game of cat and mouse. Only this time, she might not survive.

Goodreads / Amazon

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EXCERPT:

Sounds came.

The steady ping of rain drumming against steel.

The muted whoosh of wind. The high whine of rubber kissing asphalt.

I was moving.

Why am I moving?

Air clawed up my throat and slid back down again—slowly, painfully—my lungs pulling harder than my esophagus would allow, my chest rising and falling in uneven shifts. I couldn’t breathe.

I should be able to—

My eyelids snapped open to darkness. Pure black. I tried to scream and couldn’t. My voice was gone, lost in my burning throat. Another sound came instead—this one closer, directly overhead.

Clack. Clack. Clack.

I raised my hands and brushed a loose rod, then pushed past it and felt cool metal press against my palm. I followed it lower, the metal curving behind my head until it terminated in a rubber seal.

A car, I thought. I’m in a trunk.

Oh, God …

Oh, fuck.

It’s why my knees were jammed in a fetal position, why a rough pad of carpet burned against my cheek and scratched my neck. A shot of cold panic swam down my spine. Time stuttered, and I wheezed for oxygen. It felt like I was breathing through a straw. I was going to pass out if I didn’t get it together and fast.

Focus, Olivia. Stay calm.

And then: He thinks I’m dead.

It’s why my hands weren’t bound, why my mouth wasn’t gagged. It’s why my ankles weren’t slung in an interstate of knots. The man who’d done this to me thought I was dead. I could still feel his fingers squeezing, digging into my neck, could still hear his voice burning hot in my ear.

Fucking die, already!

Those words pouring over me in a shower of sour breath.

Clack. C-Clack. Clack.

Think, Olivia! You have to think!

I slowed my breathing and forced my mind to calm. There had to be a way to open the trunk or signal another car. A wire to rip free from the brake lights or a latch to pop. Didn’t all the newer cars have those specifically for situations like this? For women who, like me, simply disappeared?

And I would disappear if I didn’t find a way to get out.

My heart sloshed in my chest, and I rolled to my right, toward the sidewall of the trunk, and extended an arm. My fingers brushed over objects I recognized. Jumper cables, and a can of gas. Coiled rope and boxes. A hard plastic case. Duct tape. Nothing else.

Jesus, no latch.

I tried the other side, muttering a prayer as my hands crawled through a graveyard of clinking bottles, my fingers scraping over the dry brush of cardboard and through the crinkle of plastic sacks. Dust tickled the back of my nose, and I nearly unleashed a sneeze before I bit it off. Don’t! He’ll hear you. Then I tried again, moving slower this time, feeling for what had to be there.

And it was—nestled a few inches above the floor of the trunk.

A trunk release. A lever to pull.

Reality wobbled. My heart fluttered and crashed.

Work, I thought. Please, God, work.

I pulled.

There came a click, and the world exploded into a fireball of light. A gray sky moved above me, swollen with thunderheads, trees sweeping past on either side. Headlights coasted behind the car in a sea of rushing metal. Cold rain lashed against my neck. I forced myself upright, and the brakes slammed and sent me hurtling backward as the car screeched to a stop.

Move! Move! Move!

I scrambled from the trunk.

One foot connected with the ground. The other slipped. I crashed to the road, and the sound of rain filled my ears along with the heavy thunk of a door opening. Two boots hit asphalt.

His boots.

Air scabbed over my lips. The world swam.

Go! I pushed myself upright—and I ran. Across the white line on the shoulder of the road and into traffic with brakes shrieking all around me. Horns tearing past. Rain pelting my face. Wind hissing in my ears. Behind me came a full-throat roar.

“Stop, you fucking bitch!”

My lungs burned for air, everything smearing to a blur.

“I said, stop!” Louder this time. Closer.

But I didn’t stop, couldn’t stop. I kept running—pushing through the fire in my chest, ignoring the pain in my throat—until I stumbled off the road and tumbled down a grass-slicked descent.

Rolling now. Everything spinning. Gasping for air.

I splashed into a pool of muddy water and came up coughing, wiping my eyes to a sight that filled me with terror. The man stood above me on the hill, looking down with one hand balled into a fist and the other holding a knife.

You’re dead, I thought. He’s going to kill you.

A cloud of blue and red light rose behind him followed by a voice. “Remain where you are! Drop the knife!”

But the man didn’t. He just stared down at me with his breath turning to mist.

And took a step. Took another.

Then the gunshots rang out.

Author Bio:

Caleb Stephens is an award-winning author writing from Denver, Colorado. His novels include the thrillers If You Lie, The Girls in the Cabin, and Feeders, as well as the darkly humorous urban fantasy novel, Soul Couriers, which is forthcoming in 2025. His fiction collection If Only a Heart and Other Tales of Terror includes the short story “The Wallpaper Man,” which was adapted to film by Falconer Film & Media in 2022. He’s hard at work writing his next thriller.

Website / Goodreads / Instagram / TikTok

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Rabbit Moon
Jan D. Payne
Publication date: September 17th 2024
Genres: Adult, Mystery, Thriller

They say you can’t go back home, but Marin Sinclair, end-of-life doula, doesn’t expect her life to be in danger when she answers a mysterious plea for help from a long-ago friend and returns to Dinetah, the Navajo Nation. Her past there holds memories she is reluctant to confront, but what about her life then would make someone want to kill her?

Navajo Nation Police Sergeant Justin Blue Eyes shares a connection with Marin from the past, and he has a few questions of his own when Marin disappears―such as why the Nuclear Regulatory Commission has agents investigating the abandoned uranium mines on the reservation and how Marin is connected.

Marin needs to survive to find any answers, and to do so she is forced to run, going off the grid on her own in the Lukachukai mountains with unknown killers close behind.

Goodreads / Amazon

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EXCERPT:

The Bilagaana woman’s eyes were wide and staring, and even if she wasn’t a ghost-witch Haastiin Sani thought maybe she was crazy. Only someone crazy would have been out here alone in the dark and the rain. Crazy people must be treated with care, and the same for ghost-witches. It didn’t help to make them angry.

He looked at the woman, considering.

She was trembling now, as if cold, but witches and crazy people both were known to be clever. The sooner he saw her off the better, and he jerked his chin toward the direction of his camp and motioned the woman to follow. He would show her every hospitality and then gently nudge her on her way.

She looked somewhat better when he gave her a cup of hot coffee and offered the frybread his daughter had left for him, inviting her with a nod to take it, and tears came into her eyes as her lips and chin began to tremble.

Very much like a normal person, but it could be a ruse to cause him to relax his vigilance so she could blow corpse dust over him. He busied himself with the fire and wished fervently to be rid of this evil.

Marin knew she made this man very uncomfortable, and she thought she even knew why, considering where and how he had found her, but she didn’t know how to relieve his fears without making things worse.

“Thank you,” Marin murmured to the old man. “Ahéhee’,” she repeated.

She studied the man on the other side of the fire. His face was seamed and wrinkled, his frame was tall and spare beneath the loose shirt of red cotton tied with a woven sash. His gray hair was worn long, and there was a turquoise bead woven into a strand of hair near one temple.

A hogan was built higher up the slope, a blanket hanging across the eastern door, and an empty sheep pen was tucked into a rocky cliff a short way from it. A handsome bay horse wearing a rope halter stood nearby, sheltering under overhanging boards propped between a few corral poles and the cliff.

She looked around for the sheep she knew must be somewhere close by, and the dogs, but they weren’t in sight. She didn’t see any sort of vehicle either, or any other person besides the old man, watching her surreptitiously.

The old man cleared his throat suddenly, and she flinched, startled, but instead of speaking, the old man rose to his feet and walked toward the corral.

She stood as well, thinking he meant for her to follow, but he gave no sign, and she paused.

Passing Marin without word or look, he ducked under the hogan’s blanket door, emerging a moment later with an ancient-looking saddle, a bridle, and a thick saddle blanket woven in red and black yarns.

Silently, he began to saddle the horse, smoothing the blanket across the horse’s back and throwing the saddle over, pulling the cinch tight. He put the bridle on last, settling the bit into the horse’s mouth before reaching to adjust the braided ear straps. Without looking at her, he walked back, thrust the reins towards Marin, and spoke for the first time.

“You go now,” he said, and pursed his lips, pushing his chin toward the east.

Marin opened her mouth to object to taking his horse and slowly closed it again. The old man was giving her a way to get down the mountain, and she had no wish to bring trouble to him if Tolliver managed to follow her here.

She took the reins.

Haastiin Sanii grunted and stepped away toward the fire, and Marin tied her jacket to the saddle, surprised when he returned and pushed the remainder of the frybread into her hands.

“Over there,” he said, pointing again with his chin, “is a good way down.”

She waited for any more words the man might offer, for he seemed to be listening and thinking carefully, but he said nothing. He slapped the horse on the rump and stepped away.

“You go now,” he repeated.

Marin mounted, then turned in the saddle. “I’ll leave the horse at a trading post below,” she said.

Haastiin Sanii shrugged, relieved, as he watched her ride away. She was someone in a lot of trouble or someone bringing a lot of trouble, but he had done the best he could.

He looked down at his sash and fingered the gun he had found beside the spring, then looked down the trail at the woman on his grandson’s horse. He wondered if she knew a flashflood was coming and if she knew enough to stay out of the canyon.

He shrugged again, figured a ghost-witch would know and a crazy person wouldn’t care.

Author Bio:

Drawing from her years in the Southwest and the Navajo Nation, Jan Payne writes on themes of courage, regret, hope, and restoration in a world of created kinships. Through her characters ’lives and shared dangers—Marin Sinclair, end-of-life doula; Sergeant Justin Blue Eyes of the Navajo Nation Police; Cullen MacPherson, agent for the Nuclear Regulatory Commission; Garret Washburn, teenaged ward of Marin’s, and Lewis George, Raven spirit-guide-cum-trickster—she takes readers on a journey through the complex interactions of cultural backgrounds and personal histories, highlighting the way kinships forged in crisis have the power to reshape our lives.

Jan Payne lived on the Dineh (Navajo) reservation in Sanostee, on the New Mexico side of the Lukachukai mountain range, where she spent summers climbing mesas, taking camping trips on horseback, exploring ghost towns in the mountains of Colorado, or working with her dad breaking and training horses in Sanostee. Her two most memorable summer jobs were at a Durango, Colorado dude ranch working with pack mule trains and a brief stint as a camp cook at a uranium mining site.

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