Posts Tagged ‘thriller’

With an interweaving storyline, the reader will be connecting dots they didn’t even realize were there.

September 4, 2017 – Dyer, IN – Hammerstone Creative announced today the publishing of its debut novel, Between Two Minds: Awakening. The story revolves around Ryan Carter, a paraplegic who’s always dreamed of walking. Having a common procedure in his time, Ryan transfers his mind into a fully functional body. But once there, his obsession with walking becomes overshadowed by a strange and frightening side effect unraveling the very reality he once knew.

D C Wright-Hammer, Hammerstone Creative founder/owner and author of Between Two Minds: Awakening stated, “It was extremely difficult, and all the more rewarding, to have published an innovative novel that people can relate to. I’m really excited for feedback from readers so I can continue to grow as a writer.”

In addition to writing through Hammerstone Creative, D C Wright-Hammer works full-time as a certified scrum product owner for a large software company where he helps to drive the development of the company’s flagship product. He also has a passion for music and mixes original pieces as a hobby.

Get your copy of Between Two Minds: Awakening from Amazon today! Stay on top of all the latest content from D C Wright-Hammer: hammerstonecreative.com and follow him on Facebook at facebook.com/dcwrighthammer and Twitter @dcwrighthammer2.

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Serengeti
by J.B. Rockwell
Genre: SciFi Adventure
It was supposed to be an easy job: find the Dark Star Revolution
Starships, destroy them, and go home. But a booby-trapped vessel
decimates the Meridian Alliance fleet, leaving Serengeti—a Valkyrie
class warship with a sentient AI brain—on her own; wrecked and
abandoned in an empty expanse of space.


On the edge of total failure, Serengeti thinks only of her crew. She
herds the survivors into a lifeboat, intending to sling them into
space. But the escape pod sticks in her belly, locking the
cryogenically frozen crew inside.
Then a scavenger ship arrives to pick Serengeti’s bones clean.
Her engines dead, her guns long silenced, Serengeti and her last two
robots must find a way to fight the scavengers off and save the crew
trapped inside her.
**On sale for .99 from Sept 4th- 9th**
Serengeti 2:
Dark and Stars
Fifty-three years Serengeti drifted, dreaming in the depths of space. Fifty-three
years of patient waiting before her Valkyrie Sisters arrive to
retrieve her from the dark. A bittersweet homecoming follows, the
Fleet Serengeti once knew now in shambles, its admiral, Cerberus,
gone missing, leaving Brutus in charge. Brutus who’s subsumed the
Fleet, ignoring his duty to the Meridian Alliance to pursue a
vendetta against the Dark Star Revolution.


The Valkyries have a plan to stop him—depose Brutus and restore the
Fleet’s purpose—and that plan involves Serengeti. Depends on
Serengeti turning her guns against her own.
Because the Fleet can no longer be trusted. With Brutus in charge, it’s
just Serengeti and her Sisters, and whatever reinforcements they can
find.
A top-to-bottom refit restores Serengeti to service, and after a rushed
reunion with Henricksen and her surviving crew, she takes off for the
stars. For Faraday—a prison station—to stage a jailbreak, and
free the hundreds of Meridian Alliance AIs wrongfully imprisoned in
its Vault. From there to the Pandoran Cloud and a rendezvous with her
Valkyrie Sisters. To retrieve a fleet of rebel ships stashed away
inside.
One last battle, one last showdown with Brutus and his Dreadnoughts and
it all ends. A civil war—one half of the Meridian Alliance Fleet
turned against the other, with the very future of the Meridian
Alliance hanging in the balance.
Hecate
Prequel to Serengeti
Black Ops—the intelligence arm of the Meridian Alliance Fleet came
calling with an offer Henricksen couldn’t refuse: a ship—an
entire squadron of ships, actually—and crew to command. A chance to
get back to the stars.
Too bad he didn’t ask more questions before accepting the assignment.
Too bad no one told him just how dangerous this particular skunkworks
project was.

 

They call the ship the RV-N: Reconnaissance Vessel – Non-combat, Raven for
short. A stealth ship—fast, and maneuverable, and brutal as hell.
On the surface, Henricksen’s assignment seems simple: train his crew,
run the RV-Ns through their paces, get the ships certified for
mission operations and job done. But an accident in training reveals
a fatal design flaw in the Raven, and when an undercover operative
steals classified information from a Black Ops facility, the Fleet
Brass cancels the tests completely, rushing the faulty ships and
their half-trained crew into live operations. On a mission to recover
the Fleet’s lost secrets.
Out of time and out of options, Henricksen has no choice but to launch
his squadron. But a ghost from his past makes him question
everything—the ships, their AI, the entirety of this mission, right
down to the secrets he and his crew are supposed to recover.
Audiobook available 10-17-17

Note from the Author:

When Your Main Character’s a Starship…

By J.B. Rockwell

Umm, so yeah. I did this. At the time I was thinking, “How cool! This will be really different!” And it is. That’s one of the things I love about the Serengeti series: you just don’t see a lot of books written with a sentient AI warship as the main character.

And there’s a reason for that: it’s hard.

Okay, so that’s probably not the only reason you don’t see a lot of books written from a starship’s point of view, but I’m going to go down on record as saying it’s one of them. And here’s why: close your eyes and think about every book you’ve read or written, every movie of TV show you’ve watched and how the characters interact with one another. All the physical posturing and non-verbal cues. Now imagine one of those character’s is a ship and most of the rest of the characters are moving around inside her.

See what I mean?

Being the brilliant writer I am (*insert extremely heavy dose of sarcasm*), I never thought about this when I blithely sat down at my computer one day and started pounding out words on my ‘OMG everyone will love this!’ little story. But it wasn’t long before I realized this book was going to be a lot harder to pull off than I originally thought. And since I didn’t have a whole lot of other, similar books to fall back on for research, I basically figured things out as I went.

So, how does one go about using non-verbal cues with a main character that lacks arms and legs, hands and eyeballs? Well, if you’re me, you cheat. (*puffs up all proud*) And since some of you out there may be reading this and considering doing something as stupid…er, brilliant as me, here’s how:

Let’s start with the eyes. Or lack thereof. Eyes play a major role in conveying characters’ feelings without repeating boring things like: ‘She was sad’, or ‘She was mad’. Eyes squint and widen, flash and darken to tell readers just exactly what is going on with a particular character at a particular moment. We use words like ‘glance’ and ‘glare’ and ‘stare’ to help convey interactions between characters and indicate who’s speaking to whom.

Well, Serengeti doesn’t have eyes (she’s a badass warship, remember?) but she does have cameras—that’s Cheat the First. By turning cameras, zooming in and out, or simply flipping through one lens and another I can show the reader how Serengeti’s focus changes. I can flash a light on a camera to draw another character’s attention to it, and use it as a focus of conversation when their speaking to Serengeti’s AI, rather than having them do the Star Trek thing and just randomly yell ‘Computer!’ in the general direction of the ceiling.

Cheat the Second is similar to Cheat the First, in that it involves Serengeti’s fittings, in this case the many data panels scattered across her bridge and elsewhere on her ship’s body. By flashing panels and sending discrete messages, even cute little emoji, Serengeti is able to interact with her crew on a more personal and private level, offering information and encouragement, sharing worries and fears without broadcasting that information through her speakers for everyone with a working set of eardrums to hear.

Cheat the Third when it comes to eyeballs is also Cheat the Fourth which helps to replace the pesky lack of appendages that comes with Serengeti having nothing more than a ship’s body. Namely, robots. Throughout Serengeti and Dark and Stars, there are many and various situations which prompt Serengeti to download or connect a portion of her vast consciousness to one of her maintenance robots (Tig, Tilli and Oona) or another robot she comes across in her travels. Though non-human, these robots handily come equipped with legs (for flailing, and waving, and otherwise shaking about) and faces (backed by motile, bright blue lights) that can be animated in a multitude of manners to emulate human gestures and facial expressions, providing easily digestible cues to Mr. and Ms. Reader of My Book. Plus, they’re cute as the dickens and snarky as all get-out—who doesn’t like that?!—and provide a break from all the camera looking and talking. Characters interact differently with cameras than they do with robots, no matter who’s in the driver’s seat, so letting Serengeti run around in a robot body for a while really gave me more latitude to change things up. And, as an added bonus, robots can go places Serengeti the ship can’t. Like space stations, for instance—I can’t exactly have whopping big Serengeti pitter-pattering down a space station’s hallways—allowing me to expand the story’s universe and take the action out of the stars once in a while.

So, that’s how I did it. That’s how I got around writing a book (and a sequel, and a prequel) whose main character was a starship. It wasn’t easy, but I’m proud of the result, and that used a story device that so few others have tried. More importantly, my agent liked it and signed me on in part because I offered up something that was fresh and new. I also like to think it’s because I’m incredibly entertaining and funny as all get-out, but I’m not sure my agent would agree…

J


J.B. Rockwell is a New Englander, which is important to note because it
means she’s (a) hard headed, (b) frequently stubborn, and (c) prone
to fits of snarky sarcasticness. As a kid she subsisted on a steady
diet of fairy tales, folklore, mythology augmented by generous
helpings of science fiction and fantasy. As a quasi-adult she dreamed
of being the next Indiana Jones and even pursued (and earned!) a
degree in anthropology. Unfortunately, those dreams of being an
archaeologist didn’t quite work out. Through a series of twists and
turns (involving cats, a marriage, and a SCUBA certification, amongst
other things) she ended up working in IT for the U.S. Coast Guard and
now writes the types of books she used to read. Not a bad ending for
an Indiana Jones wannabe…

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Murder Is Academic & Murder Is Pathological by P.M. Carlson Book Blast Banner

Murder Is Academic & Murder Is Pathological

by P.M. Carlson

Book Blast on August 15, 2017

 

Murder Is Academic by P.M. Carlson

Murder Is Academic

A finalist for the Anthony Award

Vietnam, assassinations and riots. In the spring semester of 1968, a series of brutal attacks draws campus women together to study self-defense and the psychology of rape. Graduate student Mary Beth Nelson struggles to keep the Lords of Death at bay by immersing herself in researching Mayan languages. Her new housemate, Maggie Ryan, has her own secrets. When murder strikes close to home, Maggie investigates with a little help from her friends.

“MURDER IS ACADEMIC treats violation of truth in tandem with assault and rape true violations of person, mind, and body–– and presents a cogent caesar for the inviolability both of persons and truth.”–– The Armchair Detective

Book Details:

Genre: Traditional Mystery
Published by: The Mystery Company / Crum Creek Press
Publication Date: October 2012
Number of Pages: 194
ISBN: 1932325239 (ISBN13: 9781932325232)
Series: Maggie Ryan and Nick O’Connor #2
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Smashwords 🔗 | Goodreads 🔗

“Murder is Academic” by P.M. Carlson The Maggie Ryan Series #2

Read an excerpt:

Near an upstate New York university, June 1968.

She was dead now, no more threat. The murderer pushed aside the long dark hair and, very carefully, cut the triangle into the young cheek. Done. Now, walk to the car calmly, get in. Back to the highway, driving coolly, back in control again.

* * *

The Christian conquerors teach that days don’t begin until midnight. The Maya know that it takes longer to hand over the burdens of time, and that the influence of the incoming god may begin at sunset. The day known as Monday, June 17, to those who count by the Gregorian calendar was pleasantly breezy, as befitted the Ixil 9 Iiq; but shortly after sunset it became one of the most tragic of Mary Beth’s life. A Mayan traditionalist might have attributed the change to the coming of that doubly unlucky day, 10 Aqbal.

But it had all begun quite cheerfully.

Maggie had borrowed Sue’s backpack in case Nick needed one for the picnic, and had packed her own and Mary Beth’s with the camp stove and the food. She hummed lightheartedly as she worked.

“You’re happy to see him, aren’t you?” Mary Beth had said, tightening the top of the salad dressing jar.

“Yes, but that’s only part of it,” Maggie had confessed. “It’s just good to know that’s behind me. It was a very bad time, and Nick was there. But I can see him now and just enjoy the friendship. The bad memories are there, way in the background, but the good ones are too. It doesn’t hurt anymore. It hurt quite a lot for a while.”

* * *

Excerpt from Murder Is Academic by P.M. Carlson. Copyright © 2017 by P.M. Carlson. Reproduced with permission from P.M. Carlson. All rights reserved.


 

Murder Is Pathological by P.M. Carlson

Murder Is Pathological

It’s 1969, in a brain research lab. The exploding wastebasket is a prank, but slaughtered lab rats have graduate students Maggie Ryan, Monica Bauer and the rest of the lab on edge. Then the custodian is murdered. Maggie’s friend, actor Nick O’Connor, goes undercover to investigate, help that Maggie does not appreciate– or does she? While Nick and Maggie search for the killer, Monica struggles to connect with a Vietnam veteran with a brain injury.

“P.M. Carlson’s energetic and insightful novels are back in print — hallelujah!”–– Sara Paretsky

Book Details:

Genre: Traditional Mystery
Published by: The Mystery Company / Crum Creek Press
Publication Date: May 28th 2013
Number of Pages: 212
ISBN: 9781932325270
Series: Maggie Ryan and Nick O’Connor #3
Purchase Links: Amazon 🔗 | Barnes & Noble 🔗 | Smashwords 🔗 | Goodreads 🔗

“Murder is Pathological” by P.M. Carlson Maggie Ryan 1969 #3

Read an excerpt:

Neurology grad student Monica Bauer helps out at nursing home, 1969.

She waited. He could not summon words at will, except for the overpractised early ones–– hello, good-bye, okay. They both waited for the disconnected words to drift through his mind, waited for him to recognize the right one as it happened by.

After a while he said, “Buzzing. In, in, what is it? Not nose, not eyes.”

“Buzzing in your ears?”

“Ears. Okay. In my ears.”

“Does it hurt?”

“No, except . . .” Long pause. “Sometimes.”

“Sometimes your head hurts.”

“Yes, sometimes. Always . . . buzzing.” He leaned back, tired.

“Shall we sing a little?”

“Okay.”

He couldn’t remember words, but melodies were still easy for him. She had learned to sing “la-la-la” instead of trying to teach him to catch the elusive words. Now they sang together, her alto and his baritone blending pleasantly. It made him happy.

Finally Monica said good-bye, signed out, drove away. Mary and Jock, Bibbsy and Ted never would. Four friends, trapped by their own broken brains. Especially Ted, who still struggled courageously to fuse the bits of his shattered world into coherence. Who still remembered that things had once been different, that he had once been whole.

Maybe she would never discover anything that could help them. But with Dr. Weisen’s help, she meant to give it a damn good try.

Back in Laconia, she parked in front of her square brick house, then paused to wait for Maggie, who was at the corner mailing a letter. “Trying to send a message to the outside world?” called Monica.

“Yeah. My friend Nick.” Maggie, exuberant, sprinted from the corner, ending with a cartwheel. Then she pulled herself up with dignity and asked, “How were your friends today?”

“Soaking up sun.”

“Good for them. Listen, we’re going to the concert tonight. Can you come?”

“No, I’ve got to get back to the lab right after dinner. Have to check on those baby rats I delivered today.”

And so Monica was second on the scene. She unlocked the main door of the lab, and at the sound of her steps Norman erupted from the door of the animal quarters, gaping in terror.

“Miz Bauer! Come quick!” he pleaded. “Something terrible happened!”

Monica ran after him into one of Dr. Weisen’s animal rooms. She said, “Oh, Christ!”

In the center of the room lay a heap of slaughtered rats, their backs broken and mangled, their skulls smashed.

* * *

Excerpt from Murder Is Pathological by P.M. Carlson. Copyright © 2017 by P.M. Carlson. Reproduced with permission from P.M. Carlson. All rights reserved.


P.M. Carlson

Author Bio:

P.M. Carlson taught psychology and statistics at Cornell University before deciding that mystery writing was more fun. She has published twelve mystery novels and over a dozen short stories. Her novels have been nominated for an Edgar Award, a Macavity Award, and twice for Anthony Awards. Two short stories were finalists for Agatha Awards. She edited the Mystery Writers Annual for Mystery Writers of America for several years, and served as president of Sisters in Crime.

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